Spiritual Midwifery

Ina May Gaskin, Spiritual Midwifery

Ina May Gaskin, Spiritual Midwifery
Softcover, 480 pp., offset 4/1, 6 x 9 inches
Fourth edition
ISBN 978-1-57067-104-3
Published by Book Publishing Co.

$13.00 ·

The classic, and essential, book on home birth. First section details the stories of parents and midwives during the home birth experience. Second seciton is a technical manual for midwives, nurses, and doctors. Includes information on prenatal care and nutrition, labor, delivery-techniques, care of the new baby, and breast-feeding.

Ina May Gaskin is one of the Founders and the current president of the Midwives’ Alliance of North America. She is a powerful advocate for a woman’s right to give birth without excessive and unnecessary medical intervention.

Her clinical midwifery skills have been developed entirely through independent study and apprenticeship with other midwives around the world. Ina May and fellow Farm midwives were instrumental in the development of the rigorous Certified Professional Midwife (CPM) certification process.

The Farm is an intentional community in Lewis County, Tennessee, near the town of Summertown, Tennessee, based on principles of nonviolence and respect for the Earth. It was founded in 1971 by Stephen Gaskin and 320 San Francisco hippies; The Farm is well known amongst hippies and other members of similar subcultures as well as by many vegetarians. The Farm now has approximately 175 residents.

In the original manifestation of The Farm, all members were believers in God and smoking marijuana was a sacrament, though Farm members did not accept alcohol or other drugs. Also there was no private property, no leather products, no harming of animals and no consumption of meat.

The Farm was established after Gaskin and friends led a caravan of 60 buses, vans, and trucks on a speaking tour across the US. Along the way, they checked out various places that might be suitable for settlement before deciding on Tennessee. After buying 1,064 acres (4.1 km2), the Farm began building its community in the woods alongside the network of crude logging roads that followed its ridgelines. Another adjoining 750 acres (3.0 km2) were purchased shortly thereafter.

From its founding through the 1970s, Farm members took vows of poverty and owned no personal possessions, though this restriction loosened as time passed. During that time, Farm members did not use artificial birth control, alcohol, tobacco, man-made psychotropics, or animal products.

Whole Child / Whole Parent

Polly Berrien Berends, Whole Child / Whole Parent

Polly Berrien Berends, Whole Child / Whole Parent
Softcover, 360 pp., offset 2/1, 6 x 9.25 inches
Revised edition, foreword by M. Scott Peck
ISBN 0-06-091427-0
Published by Perennial Library

$13.00 ·

condition: good, shelf wear, excellent reading copy.

If you don’t think the title of this book is Whole Parent / Whole Child, then you are the exception. Most people do. Implied is that if the parent is whole, then the child will be whole. If the parent knows how to do it, then the child will turn out okay. But then — oh, horrible thought and worse experience! — if the child seems not to be whole, then the parent must not be whole either.

So we seek diagnoses, explanations for what’s wrong with the child. If we can’t take credit for our children, then at least please excuse us from the blame. I thought it was my fault. I thought he was stupid, lazy. Indeed, recognition of our children’s special differences, limitations, styles of learning, and so forth can be very helpful. But there is another side as well. Secretly we are almost grateful to think that there is something really the matter with him, something only mechanical, something wrong with him rather than with us. So in a strange way, the very thing we started out in favor of (rearing a whole child) turns out to be something we are somehow also against.

This book stands out as one of the first resources to link the teachings of mystics and the world’s religious traditions to the present-day practice of child-rearing. Polly Berrien Berends’s second intention is “to bring to light the far-reaching spiritual significance of even the meanest momentary details of our experience.

For more than two decades, Whole Child / Whole Parent, the first spiritually oriented book on parenthood and the first to address the value of parenthood for the parent as well as for the child, has provided a sound, practical, psychological and spiritual footing for parenthood and family life.

You Are Your Child’s First Teacher

Rahima Baldwin Dancy, You Are Your Child's First Teacher

Rahima Baldwin Dancy, You Are Your Child’s First Teacher
Softcover, 384 pp., offset 4/1, 6 x 9.25 inches
Revised edition
ISBN 0-89087-967-2
Published by Celestial Arts

$13.00 ·

condition: good, shelf wear, excellent reading copy.

You Are Your Child’s First Teacher: What Parents Can Do With and For Their Chlldren from Birth to Age Six.

The importance of what our children learn in the home and through their relationship with us forms the irreplaceable foundation of all that comes later. Mother, childbirth educator, midwife, and Waldorf educator, Baldwin aims to deepen our understanding of the nature of the young child as a whole being — body, mind, emotions, and spirit — so enabling us to meet their needs for balanced development.

In a society which values intellectual development above all else, we tend to ignore other aspects of development. We reason with our children as if they were grown ups and teach them with techniques appropriate for much older children. Distrustful of natural processes, we believe we have to do something in order to ensure our child’s development. Milestones of the first three years — walking, talking, thinking, and memory — occur by themselves, according to their own timetable. Trusting natural processes does not mean that we do nothing, but that the things we do need to be consonant with the child’s own developmental stages.

The world of the young is critically endangered, as more and more children are placed in daycare in infancy, and academic pursuits are pushed onto younger and younger children. The hurried child syndrome is apparent in all spheres of activity. We try to speed their development with baby walkers and gymnastics, and reason with five-year-olds as if their ease with words ought to translate into control of their actions in the future. Problems arise when we fail to realize how different a three year old is from a child of nine, or a teen from an adult. Children do not think, reason, feel, or experience the world the way an adult does.

She advocates nurturing babies’ development through the first year by touching, carrying, talking, singing, contact with nature, nursery rhymes, and movement games. She cautions against baby bouncers, baby walkers, playpens, and baby gymnastics, and believes that one of the greatest gifts parents can give a child between birth and first grade is time and materials for the creative play which helps her work her way into earthly life by imitating all she experiences. The very young do not need playgroups (though their parents might!), gymnastics, educational tools, nor fancy toys. They need circle and movement games, songs, musical and artistic activities, and examples of real work for imitation. They need contact with nature, nourishing images from stories, and simple toys they can complete with the imagination. We learn, for example, that the beautiful doll and the anatomically correct doll are a hindrance to the child’s inner development, leaving nothing for her imagination to supply, and providing more than she can hold in awareness. Toys based on TV and movie characters (therefore with fixed personalities) leave little room for creative imagination. Baldwin urges that we consider not only the safety, but aesthetic quality of a toy. Is it beautiful? How does it feel to the touch? What pictures of the world does it offer the child?

She cautions us against providing rational and scientific answers before our children are ready. Because their verbal skills far outweigh their conceptual knowledge, we tend to answer at a level of abstraction far beyond their comprehension. Calling directly on the intellect and memory of the child during the first seven years, not only takes him away from movement and valuable play, but accelerates his change of consciousness and robs him of valuable years of early childhood — years vital to later physical health and mental development. At this age, children learn best through direct life experiences and imitation.

The young child accepts us as perfect and good; once he becomes older and sees our imperfections — the most important thing is that the child sees we are striving to do better. Our desire for inner growth (or our complacency) is perceived by the child and has a very deep impact.

Interviews Volume I

Hans Ulrich Obrist, Interviews Volume I

Hans Ulrich Obrist, Interviews Volume I
Softcover, 968 pp., offset 1/1, 140 x 205 mm
Edition of 2000
ISBN 9788881584314
Published by Charta

$59.00 ·

It is not an exaggeration to write that Hans Ulrich Obrist is everywhere, has curated everything and has interviewed everyone. If “peripatetic” is the word most overused to describe him, it is not inappropriate. The Swiss-born, everywhere-based curator and head of the Programme Migrateurs at the Musée d’Art Moderne de la Ville de Paris has an unstoppable wanderlust and a related symptom: his penchant for interviewing anyone and everyone who piques his curiosity, be they artist, scientist, writer, curator, composer, architect, thinker, etc. Since 1993, Obrist has conducted more than 300 interviews, 75 of which are collected here in a selection that respects the cultural and professional diversity of the interviewees. Each interview is introduced by a short text outlining the biography of the interviewee and giving some contextual information on the recording of the interview.

Bicycles

Michael Kim, Bicycles

Michael Kim, Bicycles
Softcover, 48 pp., offset 1/1, 4 x 5.75 inches
Edition of 500
Published by Tramnesia

$8.00 ·

After Modern History is a report on world events that re-edits the news of the day by linking together images according to a totally idiosyncratic perspective of pattern recognitions and typologies. After Modern History lifts photos from daily newspapers and re-organizes disparate, often atomized subjects into newly imagined affinities. For most people caught on the hard end of luck, the newspaper can be a lonely place. But in this second draft of history, bad news is no longer so isolated. There is no dateline.

Bicycles is a collection of newspaper clippings where bicycles appear incidentally to the photograph subject.

Three Acts

John Divola, Three Acts

John Divola, Three Acts
Hardcover, 144 pp., offset 4/duotone, 11 x 9.25 inches
Edition of 2000
ISBN 9781931788953
Published by Aperture

$50.00 ·

In 1973, California artist John Divola began the first of three highly ambitious and original bodies of work that form Three Acts, the first book dedicated to them. His Vandalism series comprises black-and-white photographs of interiors of abandoned houses. Entering illegally, Divola spray-painted markings that referenced action painting as readily as the graffiti that was then becoming a cultural phenomenon. For the following year’s Los Angeles International Airport Noise Abatement series, he photographed a condemned neighborhood bought out to serve as a noise buffer for new runways, focusing on evidence of previous unsanctioned entries by other vandals. His final work, Zuma, documents the destruction of an abandoned beachfront property by the artist and others, as it deteriorates frame by frame and eventually burns. Divola has much in common with artists such as Bruce Nauman and Robert Smithson who have used photography to investigate other topics. He describes his innovative practice succinctly: “My acts, my painting, my photographing, my considering, are part of, not separate from, this process of evolution and change. My participation was not so much one of intellectual consideration as one of visceral involvement.”

The Coming Insurrection

The Invisible Committee, The Coming Insurrection

The Invisible Committee, The Coming Insurrection
Softcover, 136 pp., offset 1/1, 4.5 x 7 inches
Edition of 2000
ISBN 978-1-58435-080-4
Published by Semiotext(e)

$13.00 ·

Thirty years of “crisis,” mass unemployment, and flagging growth, and they still want us to believe in the economy…We have to see that the economy is itself the crisis. It’s not that there’s not enough work, it’s that there is too much of it.
—from The Coming Insurrection

The Coming Insurrection is an eloquent call to arms arising from the recent waves of social contestation in France and Europe. Written by the anonymous Invisible Committee in the vein of Guy Debord — and with comparable elegance — it has been proclaimed a manual for terrorism by the French government (who recently arrested its alleged authors). One of its members more adequately described the group as “the name given to a collective voice bent on denouncing contemporary cynicism and reality.” The Coming Insurrection is a strategic prescription for an emergent war-machine to “spread anarchy and live communism.”

Written in the wake of the riots that erupted throughout the Paris suburbs in the fall of 2005 and presaging more recent riots and general strikes in France and Greece, The Coming Insurrection articulates a rejection of the official Left and its reformist agenda, aligning itself instead with the younger, wilder forms of resistance that have emerged in Europe around recent struggles against immigration control and the “war on terror.”

Hot-wired to the movement of ‘77 in Italy, its preferred historical reference point, The Coming Insurrection formulates an ethics that takes as its starting point theft, sabotage, the refusal to work, and the elaboration of collective, self-organized forms-of-life. It is a philosophical statement that addresses the growing number of those — in France, in the United States, and elsewhere — who refuse the idea that theory, politics, and life are separate realms.

Reviews
“…without a doubt the most thought-provoking radical text to be published in the past ten years. It deserves to be read and discussed.”
—Daniel Miller, New Statesman

“Any book indirectly responsible for massive raids involving helicopters and anti-terrorist police, a splenetic Fox News broadcast and an impromptu book-reading at a Barnes & Noble bookshop in New York (also attended by the police) must have something going for it. And so it is with The Coming Insurrection, the kind of political pamphlet last fashionable in the 17th century (and perhaps for a period in the 1960s and ‘70s).”
—Nina Power, Frieze Magazine

“I am not calling for a ban on this book. It’s important that you read this book. [...] And let me tell you something: Don’t dismiss these people. Don’t dismiss them.”
—Glenn Beck, Fox News/Glenn Beck Program

The Conversation Series 15

Hans Ulrich Obrist and Enzo Mari, The Conversation Series

Hans Ulrich Obrist and Enzo Mari, The Conversation Series 15
Softcover, 88 pp., offset 4/1, 135 x 210 mm
Edition of 5000
ISBN 9783865604019
Published by Walther König

$25.00 ·

Volume 15 of The Conversation Series features a riveting dialogue between series editor and cultural catalyst Hans Ulrich Obrist and the renowned Italian designer Enzo Mari. More concerned with theoretical issues in design than commercial success, Mari is one of the most thoughtful and intellectually provocative designers of the late twentieth century. His work as a product and furniture designer, as well as a writer, teacher and artist, has proved influential both to his peers and to younger generations. In this volume, Mari discusses his iconic designs for cutting-edge production houses Danese, Olivetti and Castelli, his experience of the contradictory aspects of postwar Italy and his unique take on the design trends of the 1960s and 1970s.

Enzo Mari was born in 1932 in Novara, Italy. He has most recently completed a series of tubular aluminum chairs for Vienna’s Gebrüder Thonet and a collection for the Japanese home store Muji.

Negative Space

Mungo Thomson, Negative Space

Mungo Thomson, Negative Space
Softcover, 160 pp., offset 4/4, 175 x 255 mm
Edition of 5000
ISBN 978-3-905770-27-8
Published by JRP|Ringier, CK editions

$29.00 ·

The Negative Space project is a book made of photographs taken by the Hubble Space Telescope and inverted. As “color negatives” of outer space (stars, solar systems, galaxies, nebulae, black holes, and exotic cosmic phenomena) it maps our universe in a book form. The book had been conceived by the artist in collaboration with graphic designer Conny Purtill, on the occasion of Thomson’s exhibition at GAMEC, Bergamo.

This publication is part of the series of artists projects edited by Christoph Keller. Personally selected by Keller, for Textfield, as one of his top five from the series.

Celebration at Persepolis

Michael Stevenson, Celebration at Persepolis

Michael Stevenson, Celebration at Persepolis
Hardcover, 64 pp., offset 4/1, 125 x 160 mm
Edition of 5000
ISBN 978-3-905829-48-8
Published by JRP|Ringier/Arnolfini

$19.00 ·

Described as an “anthropologist of the avant-garde,” Michael Stevenson investigates the mythology that surrounds renowned and controversial events which have been significant in the spheres of both art and politics.

Stevenson revisits the site of an infamous week-long party held in 1971 by the Shah of Iran among the ruins of the ancient Persian city of Persepolis. Reconstructing part of the temporary architecture built for the celebrations (itself now a ruin), Stevenson looks at this pivotal moment in Iranian history which led toward the subsequent cultural revolution.

This publication is part of the series of artists projects edited by Christoph Keller. Personally selected by Keller, for Textfield, as one of his top five from the series.

Zeitung

Peter Piller, Zeitung

Peter Piller, Zeitung
Hardcover, 384 pp., offset 4/1, 280 x 280 mm
Edition of 5000
ISBN 978-3-905829-10-5
Published by JRP|Ringier, CK editions

$95.00 ·

From 1994 to 2005 Peter Piller earned his living as Head of Documentation in a big Hamburg media agency, responsible for the day-to-day analysis and archiving of over 150 regional newspapers. This activity was the springboard for his artistic work, the Peter Piller Archive. The newspaper photographs were classified according to a subjective methodology involving some 80 collection categories and assigned to a typology of picture journalism that graphically manages the grotesque mundaneness of our news culture and its visual archetypes.

This publication is the most complete compilation to date of Peter Piller’s collection of found images. More than 2000 illustrations chosen from newspapers are organized in such categories as “Touching Cars,” “Sad, Hopeless, Despair, Tristesse,” “Girls Firing Arms,” “Stand-in, Protests,” or “Man and Fire.” An improbable typology of press photography of the last decades.

This publication is part of the series of artists projects edited by Christoph Keller. Personally selected by Keller, for Textfield, as one of his top five from the series.

Cloud, the, 3

Helen Mirra, Cloud, the, 3

Helen Mirra, Cloud, the, 3
Hardcover, 304 pp., offset 4/1, 140 x 195 mm
Edition of 5000
ISBN 978-3-905770-17-9
Published by JRP|Ringier, CK editions

$45.00 ·

For the past few years Helen Mirra’s writing has been in the form of the index. Dislocated from a source text, the entries point out into the world at large. This volume relies upon John Dewey’s “Reconstruction in Philosophy” (1920). While Dewey’s book is largely about the conceptualization of ideas, Mirra’s project is a materialization of conceptualization, under the auspices of a spare poetics.

This publication is part of the series of artists projects edited by Christoph Keller. Personally selected by Keller, for Textfield, as one of his top five from the series.

Appendix Appendix

Stuart Bailey and Ryan Gander, Appendix Appendix

Stuart Bailey and Ryan Gander, Appendix Appendix
Softcover, 192 pp., offset 4/1, 215 x 280 mm
Edition of 5000
ISBN 978-3-905770-19-3
Published by JRP|Ringier, CK editions

$29.00 ·

Appendix Appendix is conceived as the sequel to Ryan Gander and Stuart Bailey’s 2003 book “Appendix.” Like its predecessor, it attempts “a translation of practice” based on Ryan Gander’s recent body of work. Neither straight
documentation, nor an “artist’s book,” it pushes for a third way, editing and presenting each individual piece of work in a manner appropriate to its specific nature. In the years since “Appendix,” Gander’s work has increasingly encompassed sound and the moving image in addition to the earlier objects and installations. This shift will directly affect the form of Appendix Appendix.

Born in 1976, Ryan Gander lives and works in London and Amsterdam. His photographs, films, installations and sculptures draw on multiple layers of facts and fiction. He has exhibited in the USA and throughout England and Europe.

The English-born Stuart Bailey (*1973) has forged a formidible creative base for himself in Amsterdam where he has benefited greatly from Dutch design tradition. Since his arrival in the Netherlands, he has become a steady contributor to the art and design culture as a writer, critic, editor, and graphic designer.

This publication is part of the series of artists projects edited by Christoph Keller. Personally selected by Keller, for Textfield, as one of his top five from the series.

Weeping

Michael Kim, Weeping

Michael Kim, Weeping
Softcover, 48 pp., risograph 2/1, 4 x 5.75 inches
Edition of 300
Published by Tramnesia

$7.00 ·

After Modern History is a report on world events that re-edits the news of the day by linking together images according to a totally idiosyncratic perspective of pattern recognitions and typologies. After Modern History lifts photos from daily newspapers and re-organizes disparate, often atomized subjects into newly imagined affinities. For most people caught on the hard end of luck, the newspaper can be a lonely place. But in this second draft of history, bad news is no longer so isolated. There is no dateline.

Weeping is a collection of newspaper clippings from the New York Times and the Wall Street Journal of people crying.

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