Of two minds, simultaneously

Richard Hawkins, Of two minds, simultaneously

Richard Hawkins, Of two minds, simultaneously
Softcover, 164 pp., offset 4/1, 215 x 280 mm
Edition of 2000
ISBN 978-3-86560-425-5
Published by Walther König

$59.00 · add to cart

This monograph on Richard Hawkins is published on the occasion of his first institutional overview exhibition with works from 1993 to now: starting with his collages from the 1990s — intriguing because they show how a powerful artwork can originate from very few visual means – right up to his recent dolls houses transformed into brothels that herald another completely new direction in Hawkins heterogeneous oeuvre. In his work Hawkins looks both critically and appreciatively at social, cultural and historical phenomena, mixing these with autobiographical motives to create a multiform body of work linked by countless internal references in ideas, material and style. These formal and internal links resonate throughout the whole book as components of themes that range from male desire, gender issues and pop star idolization to the struggle of mixedrace Native Americans or the function of hermaphrodite statuary in the Roman era.

A Manual For the 21st Century Art Institution

Shamita Sharmacharja, A Manual For the 21st Century Art Institution

Shamita Sharmacharja, A Manual For the 21st Century Art Institution
Softcover, 184 pp., offset 2/2, 150 x 210 mm
Edition of 2000
ISBN 978-3-86560-618-1
Published by Walther König

$42.00 · add to cart

A Manual For the 21st Century Art Institution invites 12 writers — artists, academics, curators and gallery and museum directors—to assess the present trajectory of arts institutions by explicating various issues, each of which is associated with an imaginary room. Readers journey from the reception to the roof terrace via rooms dedicated to temporary exhibitions, site-specific commissions and collections displays, taking in the bookshop, café, auditorium and education spaces along the way. Bruce Altshuler, Iwona Blazwick, Chris Dercon, Maria Fusco, Caro Howell, Charles Merewether, Mark Nash, Brian O’Doherty, Niru Ratnam, Sukhdev Sandhu, Adam Szymczyk and Nayia Yiakoumaki are our guides to this inviting theater. The result is an indispensable handbook for art professionals, students and anyone curious about today’s art world.

Hans Ulrich Obrist and Hans-Peter Feldmann, Interview

Hans Ulrich Obrist and Hans-Peter Feldmann, Interview

Hans Ulrich Obrist and Hans-Peter Feldmann, Interview
Softcover, 130 pp., offset 4/1, 165 x 220 mm
English and German
Edition of 2000
ISBN 978-3-86560-660-0
Published by Walther König

$49.00 · add to cart

Hans Ulrich Obrist and Hans-Peter Feldmann, who have known each other for around 20 years, talked about the possibility of an interview for quite some time. They finally decided that Obrist pose the questions in writing, and Feldmann answer each of them with a picture.

Multiples 1982-1997

Martin Kippenberger, Multiples 1982-1997

Martin Kippenberger, Multiples 1982-1997
Softcover, 144 pp., offset 4/4, 215 x 270 mm
Edition of 2000
ISBN 9783883756783
Published by Walther König

$35.00 · add to cart

This latest reference work on Kippenberger catalogues all of the multiples produced between 1982 and 1997, documented by title, year, format, motive, edition, signature, and production. Here you will find many hard-to-describe works, including Mirror Babies, ELITE ‘88, Upside Down And Turning Me, Disco Bombs, and Kippen Seltzer.

Art from Los Angeles: From the 60s-90s

Gregory Williams, Art from Los Angeles: From the 60s-90s

Gregory Williams, Art from Los Angeles: From the 60s-90s
Softcover, 48 pp., offset 4/4, 215 x 270 mm
English and German
Edition of 2000
ISBN: 9783865603241
Published by Walther König

$26.00 · add to cart

Since the 1960s, Los Angeles has been a hub for groundbreaking art. This slim volume features work by Bas Jan Ader, Michael Asher, John Baldessari, Chris Burden, Douglas Huebler, Larry Johnson, Mike Kelley, William Leavitt, Paul McCarthy, Bruce Nauman, Maria Nordman, Raymond Pettibon, Stephen Prina, Allen Ruppersberg, Ed Ruscha and Christopher Williams.

The Collected Works

Frances Stark, The Collected Works

Frances Stark, The Collected Works
Softcover, 160 pp., offset 4/1, 220 x 280 mm
Edition of 2000
ISBN 978386560263
Published by Walther König

$54.00 · add to cart

The Los Angeles-based artist and art writer Frances Stark has gathered an international cult following for her prolific prose and her smart, honest and intimate artwork. This engaging artist’s book is conceived as a companion piece to Stark’s Collected Writings 1993–2003, fashioning itself as a graphic counterpart that draws from the artist’s paintings, collages, drawings, videos, poetry and more, from 1993 to the present. Through provocative and diaristic text notes printed alongside Stark’s sometimes humorous, often self-scrutinizing images, The Collected Works addresses the paradox of reproducing visual art that is essentially non-photogenic by nature — because of its tactility, detail or scale. The book formally addresses how verbiage flows in and out of the work(s), and leaves no space for the legitimizing language of the critic or curator. Neither a typical catalogue nor monograph, it pushes for a third form, a new art work constructed from existing pieces.

Album

Hans-Peter Feldmann, Album

Hans-Peter Feldmann, Album
Hardcover, 308 pp., offset 4/4, 240 x 305 mm
Edition of 2000
ISBN 9783865602602
Published by Walther König

$95.00 · add to cart

Pin-up girls, weight-lifting studies, newspaper clippings, baby pictures…Hans-Peter Feldmann tells stories with pictures. Accordingly, apart from the title page, this photo album contains no text. Even the frontispiece is a photograph of boxes from Feldmann’s picture archive — amassed over many years and comprising images from magazines, advertising supplements, photography books, postcards and collectibles. Travel photos, family snapshots and pictures of friends play their part as well. In recent years, Feldmann has become increasingly noted for his commentary on the way we archive photos, sending up the everyday from a very personal perspective. He seeks out the trivial incidents, the unnoticed moments, and keeps them close at hand. According to Feldmann, “Works of art should not be expensive, nor unique, but cheap and fast to produce. A painting immediately acquires a sort of importance, whereas a photo is much more arbitrary, as it’s a lot easier to throw away.”

Portraits

Wolfgang Tillmans, Portraits

Wolfgang Tillmans, Portraits
Softcover, 144 pp., offset 4/4, 235 x 305 mm
Edition of 2000
ISBN 9781891024368
Published by Walther König/Distributed Art Publishers

$40.00 · add to cart

For artist Wolfgang Tillmans, portraiture is a collaborative process between photographer and accomplice. While Tillmans’ photographs are often referred to as casual, they are actually the result of a carefully constructed process of engagement with his models. Each sitter, be they a world-famous rock star or a family member, projects both vulnerability and dignity. Presented here are a selection of some of the best of these portraits, taken between 1988 to 2001, and chosen by Tillmans himself. Subjects include filmmaker John Waters, architect Rem Koolhaas, musicians Moby and Michael Stipe, actresses Irm Hermann and Chloë Sevigny, as well as the artist’s family and friends.

Un Coup de Dés: Writing Turned Image. An Alphabet of Pensive Language

Un Coup de Dés: Writing Turned Image An Alphabet of Pensive Language

Un Coup de Dés: Writing Turned Image. An Alphabet of Pensive Language
Softcover, 250 pp., offset 4/1, 215 x 280 mm
Edition of 5000
ISBN 9783865605436
Published by Walther König

$60.00 · add to cart

In her essay “Writing Turned Image. An Alphabet of Pensive Language,” Sabine Folie writes, “An idea…explored in Stéphane Mallarmé’s Un coup de dés (A roll of the dice) of 1897 has in the twentieth century become an integral part of the poetological and, more generally, the avant-gardist vocabulary: the idea of unmasking language as a convention whose purpose it is to discipline the individual and to subject it to a regulated system of capitalist exploitation as well as to guarantee orientation in the world… Writing was released from the textual ensemble of the book and integrated into the flow of its media — as a disturbance, a deconstruction of meaning.” The ideas of Symbolist poet and galvanizing nineteenth-century intellectual Stéphane Mallarmé are discussed in this text-heavy volume in relation to works by Robert Barry, Lothar Baumgarten, Marcel Broodthaers, Theresa Hak Kyung Cha and Rodney Graham, among others. Scholarly essays by Sabine Folie, Anna Sigridur Arnar, Jacques Rancière, Gabriele Mackert and Michael Newman accompany a generous selection of images by each of the artists.

Buch/Book No. 9

Hans-Peter Feldmann, Buch/Book No. 9

Hans-Peter Feldmann, Buch/Book No. 9
Hardcover, 208 pp., offset 4/4, 225 x 310 mm
Edition of 5000
ISBN 9783865602329
Published by Walther König

$49.00 · add to cart

Düsseldorf-based Hans-Peter Feldmann is a passionate collector of images and stories, an original thinker and one of the first conceptual artists. This is Feldmann’s most personal book, a racy parcours through images before and behind the retina: clouds and strawberries, women in graceful poses, pants that don’t fit, the longing of retired civil servants, flying people, Christmas decorations, soccer images, collections of country-code plates and much more. These images are at once common, strange, smart, stupid and human. Of his focus on the “poetic moments of the ordinary,” a 2003 review in Artforum said, “It is precisely this continual, ever-expanding reflection on and skepticism about the various functions and values of images, their truth content and modes of employment, that make Feldmann’s work now seem seminal. And his relevance to contemporary art practice derives not least from his acknowledgment of the arbitrary relationship between signifier and signified, the moments of displacement and projection inherent in every form of representation.”

Secession

Christopher Williams, Secession

Christopher Williams, Secession
Softcover, 96 pp., offset 4/duotone, 210 x 297 mm
Edition of 5000
ISBN 9783865600417
Published by Walther König

$25.00 · add to cart

In late 2005, Vienna’s Secession gallery exhibited work by the influential Los Angeles Conceptual artist and master of appropriated commercial imagery, Christopher Williams, alongside work by the Dutch collaborators Jeroen de Rijke and Willem de Rooij. The show was documented in two separate catalogues — one for each artist (or artist team) — and this volume presents the work of Williams only. It includes photographs of a model showcasing a shower door, cameras and camera parts, corncobs, car interiors, bicycles and other elements of the urban landscape. Viewers may be familiar with some of the work, which was featured in 2006 on the cover of Artforum. The de Rijke and de Rooij volume of this two-part catalogue is not available here.

A Torment of Follies

Frances Stark, A Torment of Follies

Frances Stark, A Torment of Follies
Softcover, 96 pp., offset 4/1, 200 x 310 mm
Edition of 5000
ISBN 9783865604644
Published by Walther König

$40.00 · add to cart

This exhibition catalogue disguised as an artist’s book presents recent work by the Los Angeles artist, writer and all-around favorite, Frances Stark. Taking as her starting point the novel Ferdydurke by the esteemed Polish author Witold Gombrowicz, Stark explores two key aspects of the novel, according to Andras Palffy, President of the esteemed Viennese exhibition space, Secession — “the individual’s right to uncertainty or immaturity and all possible forms of masquerade” and “deception towards one’s environment.” Whereas Gombrowicz took on the sinister political developments of 1930s Poland, Stark aptly and humorously attacks the hierarchies, systems and pigeon holes of the contemporary commercial art world. Of special note are the very effective optical illusions embedded in the images reproduced here.

The Conversation Series 15

Hans Ulrich Obrist and Enzo Mari, The Conversation Series

Hans Ulrich Obrist and Enzo Mari, The Conversation Series 15
Softcover, 88 pp., offset 4/1, 135 x 210 mm
Edition of 5000
ISBN 9783865604019
Published by Walther König

$25.00 · add to cart

Volume 15 of The Conversation Series features a riveting dialogue between series editor and cultural catalyst Hans Ulrich Obrist and the renowned Italian designer Enzo Mari. More concerned with theoretical issues in design than commercial success, Mari is one of the most thoughtful and intellectually provocative designers of the late twentieth century. His work as a product and furniture designer, as well as a writer, teacher and artist, has proved influential both to his peers and to younger generations. In this volume, Mari discusses his iconic designs for cutting-edge production houses Danese, Olivetti and Castelli, his experience of the contradictory aspects of postwar Italy and his unique take on the design trends of the 1960s and 1970s.

Enzo Mari was born in 1932 in Novara, Italy. He has most recently completed a series of tubular aluminum chairs for Vienna’s Gebrüder Thonet and a collection for the Japanese home store Muji.

7 Windmill Street W1

Mark Leckey, 7 Windmill Street W1

Mark Leckey, 7 Windmill Street W1
Hardcover, 162 pp., offset 4/4, 160 x 230 mm
Edition of 2000
ISBN: 978-2-940271-34-4
Published by JRP|Ringier/Walther König

out of print

condition: fine, minor shelf wear.

Mark Leckey’s best-known video, Fiorucci Made Me Hardcore (1999), is a 15-minute journey into urban British youth culture from the mid 1970s to the early 1990s. Leckey’s presentation of twenty years of dance hall material does not, however, result in a documentary work: the video is rather a visual essay with hedonistic promises of club culture, the birth of funky chic, and the cultural shift of the rise of Acid House. Active in music production through donAtella, a glam-trash duo formed by the artist and Ed Liq, Leckey also makes live performances, CDs, and sound installations. Plunged into the lowbrow of culture, Leckey is one of the most perceptive cultural readers of Western societies.

This publication is the first to be dedicated to his work. Conceived as a source book of his working methods and fields of interest, it has been edited by the artist and features images of his main productions, as well as a wealth of other visual materials he has gathered through the years. In addition to original contributions, it includes reprints of texts from Michel Leiris and the 19th century-writer Walter Pater, as well as song lyrics. Designed by NORM in close collaboration with the artist, this printed project takes the shape of a hardbound drawing book, accentuating the idea of a point of departure rather than arrival.

The book was realized on the occasion of Leckey’s solo exhibition at the Museum für Gegenwartskunst Migros in Zurich, a co-edition with König Books London.

·