La Photographie N’Est Pas L’Art, 12 Photographs

Man Ray, La Photographie N’Est Pas L’Art

Man Ray, La Photographie N’Est Pas L’Art
Softcover, 64 pp., offset 4/1, 160 x 245 mm
Edition of 1000
ISBN 978-3-902675-30-9
Published by Fotohof Editions

$39.00 · add to cart

Photography is not art, proclaims Man Ray in the essay re-published here as an impeccable facsimile edition of the 1937 original. A pamphlet of loose sheets and 12 images, this publication re-visits an issue that was hotly controversial during the first half of the 20th century — Is Photography Art? — as examined in the influential Paris magazine L’Art. Despite the fact that Man Ray’s provocative works were among the photographs generally agreed by critics to be, in fact, art, Man Ray himself seems barely interested in considering the question. “There’s no point trying to find out if it’s an art,” he said. “Art is a thing of the past. We need something else. You’ve got to watch light at work. It’s light that creates. I sit down in front of my sheet of photographic paper and I think.”

A for Alibi

Mariana Castillo Deball and Irene Kopelman, A for Alibi

Mariana Castillo Deball and Irene Kopelman, A for Alibi
Softcover + dust jacket, 240 pp., offset 2/2, 160 x 240 mm
Edition of 1000
ISBN 978-1-933128-33-7
Published by Sternberg Press

$29.00 · add to cart

A for Alibi explores the boundaries of scientific practice and art. The Uqbar Foundation invited a group of artists to perform research and develop projects using the impressive collection of historical instruments and optical devices. Fully illustrated, this book documents the artists’ projects as well as a symposium of the same name, where scientists and art historians lectured on the origins of modern visual culture.

Portable Document Format

Dexter Sinister, Portable Document Format

Dexter Sinister, Portable Document Format
Hardcover, 200 pp., offset 4/1, 4.25 x 6.75 inches
Edition of 1000
ISBN 978-1-933128-85-6
Published by Sternberg Press

$20.00 · add to cart

Over the past few years, Dexter Sinister has been interested in exploring contemporary publishing in its broadest, most exploded sense. The first part of this book consists of pieces of writings written since the conception of their New York basement workshop and bookstore in the summer of 2006. These writings were previously published online as PDFs in the Library at www.dextersinister.org. They were primarily written by Dexter Sinister or by one of a circle of regular collaborators, often for their house journal Dot Dot Dot, or as supplements to other books or exhibitions.

The second part consists of reproductions of a series of lithographic proof prints. Accompanying these prints are extended captions individually produced for different exhibitions in 2008. Each caption was composed in line with the manner of its accompanying image. Although never intended as a set, a number of generic themes emerged, such as abstraction, mathematics, logic, and cooperation. The book intends to demonstrate how ideas from the first part have been rechannelled in the second.

Billy Apple

Barrie Bates, Billy Apple

Zoë Gray, Nicolaus Schafhausen and Monika Szewczyk, Billy Apple
Softcover, 112 pp., offset 4/1, 125 x 200 mm
Edition of 1000
ISBN 978-90-73362-89-5
Published by Witte de With

$15.00 · add to cart

Billy Apple was created in 1962 as a work by the New Zealand-born artist Barrie Bates, who changed his name to become a living brand after graduating from London’s Royal College of Art. For this volume, four writers combine to discuss the brand, providing a chronology, a contextualization of Apple’s practice within institutional critique and his enduring significance for younger generations.

Traducing Ruddle / Two Connected Houses

Mark Manders, Traducing Ruddle

Mark Manders, Traducing Ruddle
Newspaper, 16 pp., web offset 1/1, 350 x 480 mm
Insert, 48 pp., offset 1/1, 215 x 280 mm
Edition of 3000
ISBN 978-0-9738133-7-1
Published by Fillip Editions, Roma Publications

$15.00 · add to cart

Traducing Ruddle is the fifth in a series of “fake” newspapers by Dutch artist Mark Manders. Using a nonsensical combination of English words, Traducing Ruddle creates a pretense of legibility that dissolves upon closer inspection. The newspaper is supplemented by Two Connected Houses, a 48 page insert developed in conjunction with the exhibition Contemplating the Void: Interventions in the Guggenheim Museum.

Sheets from Manders’ Traducing Ruddle form the central element of the artist’s Window with Fake Newspapers project, a site-specific public work on view through March 28th.

Some British Birds

Edwyn Collins, Some British Birds

Edwyn Collins, Some British Birds
Softcover, 72 pp., offset 1/1, 210 x 297 mm
Edition of 1000
ISBN 978-1-907071-07-2
Published by Mörel Books

$18.00 · add to cart

Foreword by Edwyn Collins and Vivienne Gaskin. Illustrations of native British Birds by Collins, after suffering two cerebral hemorrhages.

Untitled

Jonnie Craig, Untitled

Jonnie Craig, Untitled
Softcover, 72 pp., offset 4/4, 210 X 286 mm
Edition of 750
ISBN 978-1-907071-05-8
Published by Mörel Books

$15.00 · add to cart

Foreword by Andy Capper.

Before Things Change

Seth Fluker, Before Things Change

Seth Fluker, Before Things Change
Softcover, 28 pp. + fold-out, offset 4/4, 7.5 x 9.5 inches
Edition of 500
ISBN 978-0-9813947-0-1
Published by Schnauzer

$17.00 · add to cart

Before Things Change is a small insight into Seth Fluker’s undesirable occupation at Whole Foods Market Soho. Each image slowly evolved and quickly disappeared within his workspace while washing grimy kitchen utensils and haphazardly disposing customer waste. Through the sequencing of this edition, Seth aimed to represent the ever-changing emotions he felt during each shift.

Waste Bookmark

Jonathan Maghen, Waste Bookmark

Jonathan Maghen, Waste Bookmark
Bookmark, offset 1/0, 2 x 5.5 inches
Edition of 11 + 2 proofs, unnumbered
Published by Textfield

$2.00 · add to cart

Card used by Pressman to indicate any waste, errors, bad sheets, etc., on a printed job to the Bindery; typically made from the waste sheets of other printed jobs. Re-reused as a bookmark; part of an unfinished book, used to bookmark the pages of a finished book.

The Form of the Book Book

Sara De Bondt and Fraser Muggeridge, The Form of the Book Book

Sara De Bondt and Fraser Muggeridge, The Form of the Book Book
Softcover, 96 pp., offset 2/1, 140 x 230 mm
Edition of 1000
ISBN 978-0-9562605-1-2
Published by Occasional Papers

$20.00 · add to cart

A collection of essays on book design by Catherine de Smet, James Goggin, Jenni Eneqvist, Roland Früh, Corina Neuenschwander, Sarah Gottlieb, Richard Hollis, Chrissie Charlton, Armand Mevis.

Made in USA

Bernadette Corporation, Made in USA

Bernadette Corporation, Made in USA
Softcover, 128 pp., offset 4/1, 7 x 10 inches
Edition of 500
Fall/Winter 1999-2000
Published by Bernadette Corporation

out of print

condition: very good, shelf wear.

Bernadette Corporation: three people in New York City (today, 1999, or 2000) working together on a new fashion magazine called Made In USA and making art. We came from different backgrounds, but we had something in common: we wanted to change the world because we didn’t like the way it was.

The first issue of Made in USA is devoted to how people create their own spaces, spaces that can be invisible or imaginary. You may have heard this trend called DIY (do-it-yourself) or Amateurism. We like to call it the EMPTY WIDE SPACE trend, a place we can all disappear to, instead of being anti-everything and writing the new manifesto, or instead of being pro-everything and buying the latest CD.

PWR 1

Hanna Terese Nilsson and Rasmus Svensson, PWR 1

Hanna Terese Nilsson and Rasmus Svensson, PWR 1
Poster/folded, 16 pp., web offset 1/1, 570 x 760 mm
Edition of 1000
Published by PWR Paper

$6.00 · free* · add to cart

*free copy with each order

Both the future and the past are mysterious places filled with hidden delights and lurking dangers. This is a poster-magazine about traveling in time as well as in (cyber)space. The second manifestation of PWR will be revealed shortly.

26 November 2009, Gothenburg, Sweden, Earth, Internet.

Bicycles

Michael Kim, Bicycles

Michael Kim, Bicycles
Softcover, 48 pp., offset 1/1, 4 x 5.75 inches
Edition of 500
Published by Tramnesia

$8.00 · add to cart

After Modern History is a report on world events that re-edits the news of the day by linking together images according to a totally idiosyncratic perspective of pattern recognitions and typologies. After Modern History lifts photos from daily newspapers and re-organizes disparate, often atomized subjects into newly imagined affinities. For most people caught on the hard end of luck, the newspaper can be a lonely place. But in this second draft of history, bad news is no longer so isolated. There is no dateline.

Bicycles is a collection of newspaper clippings where bicycles appear incidentally to the photograph subject.

The Occasion of Fracture

Keith Bormuth, The Occasion of Fracture

Keith Bormuth, The Occasion of Fracture
Softcover, 28 pp., offset 1/1, 160 x 240 mm
Edition of 500
Published by Keith Bormuth

$10.00 · add to cart

Keith Bormuth’s The Occasion of Fracture traces the notion that media fulfills itself in a phatic relationship to knowledge. Following a ghost image of Reyner Banham’s seminal text on Los Angeles, Bormuth melds the on-screen laughter of the 1940s Hollywood star Irene Dunne with the show Gossip Girl, F. Scott Fitzgerald’s posthumously published The Crack Up, and the cameo appearance by Georges Bataille as a priest in Jean Renoir’s film Partie de Campagne. Composed in 11 themes, the text seeks to fracture the semblance images have as things.

Municipal de Fútbol

Jennifer Doyle, Municipal de Futbol
Photography by Michael Wells. View additional images here.

Jennifer Doyle, Municipal de Fútbol
Hardcover/boxed, 192 pp., offset 4/1, 260 x 350 x 40 mm
two books, one poster, nine artist lithographs, and a fútbol jersey, in cloth box
essays in English and Spanish
Edition of 1000
ISBN 978-0-9816325-0-6
ISBN 978-0-9816325-1-3
ISBN 978-0-9816325-2-0
Published by Christoph Keller Editions, Textfield

$80.00 · add to cart

Distributed in North America by Distributed Art Publishers

Municipal de Fútbol is a collaborative edition about amateur soccer in Los Angeles—the everyday experience of playing in pick-up games, weekend and night park leagues. Jennifer Doyle, a contributor to frieze and author of Sex Objects: Art and the Dialectics of Desire, has contributed two essays to the books, both with Spanish translation. Housed in an embossed green clothbound box with black ribbon pulls, the edition includes two clothbound books (one of which studies the game as it is played throughout Los Angeles, on hijacked baseball fields, back lots and public squares, and the other of which focuses on one field in particular, the ultra-scrappy and always animated Lafayette Park); one poster; artist lithographs by As-Found, Roderick Buchanan, Mari Eastman, General Idea, Jakob Kolding, Jonathan Monk, Arthur Ou, Peter Piller and Michael Wells; and a European National team adidas fútbol jersey with a “Municipal de Fútbol/Los Angeles Recreation and Parks” embroidered patch and a reflective silk-screened number. The edition is designed by Jonathan Maghen and photography is by Michael Wells.

Jennifer writes, “Fútbol bubbles up from the ground. It rains down on parks and leaks through walls. It rises like an irrepressible tide, and recedes only when everybody has to go earn some money for themselves and their families. Nobody playing here thinks it’s going to make them rich. Or famoso. It is what happens instead of work.”

Pitch

Pitch

Jonathan Maghen, Pitch
Océ print/poster, 1/0 on green paper, 36 x 48 inches
Edition of 11 + 2 proofs, numbered
Published by Textfield

$28.00 · add to cart

A football pitch realized by printing alternating 25% and 50% black horizontal bands on 20lb green paper.

Multi-Level Marketing (Work From Home)

Multi-Level Marketing (Work From Home)

Jonathan Maghen, Multi-Level Marketing (Work From Home)
Océ print/poster, 1/0, 22 x 33 inches
Edition of 11 + 2 proofs, numbered
Published by Textfield

$13.00 · add to cart

Multi-level marketing (MLM), (also called network marketing) is a term that describes a marketing structure used by some companies as part of their overall marketing strategy. The structure is designed to create a marketing and sales force by compensating promoters of company products not only for sales they personally generate, but also for the sales of other promoters they introduced to the company, creating a downline of distributors and a hierarchy of multiple levels of compensation. The products and company are usually marketed directly to consumers and potential business partners by means of relationship referrals and word of mouth marketing.

Multi-Level Marketing (Lose Weight Now)

Multi-Level Marketing (Lose Weight Now)

Jonathan Maghen, Multi-Level Marketing (Lose Weight Now)
Océ print/poster, 1/0, 22 x 33 inches
Edition of 11 + 2 proofs, numbered
Published by Textfield

$13.00 · add to cart

Multi-level marketing (MLM), (also called network marketing) is a term that describes a marketing structure used by some companies as part of their overall marketing strategy. The structure is designed to create a marketing and sales force by compensating promoters of company products not only for sales they personally generate, but also for the sales of other promoters they introduced to the company, creating a downline of distributors and a hierarchy of multiple levels of compensation. The products and company are usually marketed directly to consumers and potential business partners by means of relationship referrals and word of mouth marketing.

Kidnapping Mountains

Slavs and Tatars, Kidnapping Mountains

Slavs and Tatars, Kidnapping Mountains
Softcover, 96 pp., offset 4/1, 20 x 26 cm
Edition of 1250
ISBN 978-1-906012-19-9
Published by Book Works

$32.00 · add to cart

Kidnapping Mountains is a playful and informative exploration of the muscular stories, wills, and defeat inhabiting the Caucasus region. The book is comprised of two parts: an eponymous section addressing the complexity of languages and identities on the fault line of Eurasia, and Steppe by Steppe Romantics, a restoration of the region’s seemingly reactionary approaches to romance.

The Sun As Error

Shannon Ebner, The Sun As Error

Shannon Ebner, The Sun As Error
Hardcover, 64 pp., offset 4/1, 11 x 14.5 inches
Edition of 1000
ISBN 978-0-87587-200-1
Published by LACMA

$65.00 · add to cart

The Los Angeles based artist Shannon Ebner extends her exploration of photography, sculpture and language in this remarkable book, The Sun as Error. In collaboration with Dexter Sinister (design duo David Reinfurt and Stuart Bailey), The Sun as Error re-investigates the meaning and language of photographs, creating both an open-ended reading of her practice and also rethinking the idea of an artist’s monograph. Far from straightforward, the book interweaves her bodies of work, previously unseen one-off pieces, with the language of technical diagrams, optical illusions, and graphic design. One of the persistent motifs through the book’s sequence is an asterisk and, specifically, one imbued with the legacy of the graphic designer Muriel Cooper. As the first design director for MIT Press and the cofounder of the Visible Language Workshop, Cooper’s legacy for reorienting and repositioning the direction of an artist’s monograph is imaginatively explored in the creative partnership of Dexter Sinister and Shannon Ebner.

Shannon Ebner’s work has been shown in exhibitions including Trace at The Whitney Museum of American Art at Altria (2006), The 2006 California Biennial at The Orange County Museum of Art, Uncertain States of America, at The Serpentine Gallery, London (2006), Learn to Read, at the Tate Modern, London (2007), and the 2008 Whitney Biennial at The Whitney Museum of American Art.

Slime the Boogie

Dash Snow, Slime the Boogie

Dash Snow, Slime the Boogie
Softback, 420 pp., offset 4/1, 5.5 x 8.5 inches
Edition of 300, signed and numbered, 275/300
Published by Peres Projects

$250.00 · add to cart

The artist’s photographic work is in a thematically similar mode to photographers Nan Goldin, Larry Clark, Ryan McGinley and Richard Billingham, often depicting scenes of a candid or illicit nature. Instances of sex, drug taking, violence and art-world pretentiousness are documented with disarming frankness and honesty, offering insight into the decadent lifestyle associated with young New York City artists and their social circles.

Whitney Catalog (Special Edition)

Terence Koh, Whitney Catalog (Special Edition)

Terence Koh, Whitney Catalog (Special Edition)
Softcover/boxed, 148 pp., offset 4/1, 8.25 x 12 inches
one unique sculpture, one book, one info card signed
Edition of 50
ISBN 13-9780300123
Published by Peres Projects

$1000.00 · add to cart

This special catalog has been created by Terence Koh on the occasion of his exhibition at the Whitney Museum of American Art, New York (January 19-May 27, 2007). Each includes a lead sculpture by the artist. Each book has been hand-gouached. The scratch marks on the surface of the publication made by the sculpture are the intention of the artist.

Such Things I Do Make Myself More Attractive To You

Terence Koh, Such Things I Do Make Myself More Attractive To You

Terence Koh, Such Things I Do Make Myself More Attractive To You
Softcover/boxed, 48 pp., offset 1/1, 6 x 8 x 1.5 inches
three booklets, one unique sculpture, black jelly beans
Edition of 200
Published by Peres Projects

out of print

Synopsis: Koh’s artists’ books and editions are integral to his exploration of the intersection between death and desire. Such Things I Do To Make Myself More Attractive To You amps up the sense of impending cataclysmic consummation. Each of the edition of 200 consists of a black box containing three booklets resting on a bed of black jellybeans, along with a unique ebony-colored, organically-shaped sculpture of black plaster and black glitter, and a black-on-black colophon card with a unique signed “drawing” on the reverse, individually charred around the edges. The first of the three pamphlets presents tiny ghostly black and white photographs, internet images of attractive young men, each centered in a sea of black. Each page of the second pamphlet presents a burn mark, which has in turn been burned with a cigarette, creating a series of negatives spaces surrounded by brown ashy tracing and reptilian bubbles. The last booklet, holding only a single tipped-in image, frames the overwhelming drive towards a loss of individuality though a prism of suicidal impulses.

Gone, Yet Still

Terence Koh, Gone, Yet Still

Terence Koh, Gone, Yet Still
Hardcover, 136 pp., offset 4/1, 9 x 6.75 inches
Edition of 1000
ISBN 3-901926-80-1
Published by Secession

out of print

Includes: critical essay by Shamim Momim, essays by AA Bronson, Bruce LaBruce, and Bruce Benderson, and Phil Aarons; images of past works and works included in the Secession exhibit Gone, Yet Still.

Here and There 9

Here and There 9

Nakako Hayashi, Here and There 9
Softcover, 56 pp., offset 4/duotone, 210 x 297 mm
Edition of 1000
ISBN 978-3-905714-69-2
Published by Nieves

$20.00 · add to cart

The theme of the nineth issue of Here and There is HER LIFE. It deals with the various factors that make up the many waves in a woman’s life, such as working, becoming pregnant, giving birth. The colorful stories told by Elein Fleiss, Laetitia Bena, Yurie Nagashima, Miranda July, Midori Araki and Aiko Yamada, reflect each of their lives.

Nakako Hayashi writes: “There are various lives, various moments and various emotions. I wish to capture the ripples of emotion in our daily lives as seeds, right before they turn into fluff and float away. I wish to keep observing what grows from there. I guess this may be what I want to do with Here and There.”

James Earl Scones

Darren Bader, James Earl Scones

Darren Bader, James Earl Scones
Softcover, 96 pp., offset 1/1, 6 x 9 inches
Edition of 1000, signed and numbered
Published by David Kordansky Gallery, Rivington Arms

$25.00 · out of stock

“In an art world vernacular, Darren Bader joins the pointed yet poetic, museumoligical interventions of Christopher D’Arcangelo to the cheesy, rank diaristic meditations of Dieter Roth. Punster and prankster, the demon spawn of Julia Child and David Markson, in a less highfalutin patois, he’s about the only guy I know who one-ups Don Novello’s great Lazlo Toth letters by signing his own name. Taking (so-called) institutional critique apart brick by gold-sanctioned brick, he’s critiquing the world and partying at the same time—Tom Cruise and NASA, stand warned. It’s about time someone tapped Al Qaeda as an aesthetic. James Earl Scones are my new favorite way to start the day.”

—Bruce Hainley

X

Michael Cummings and Adam Michaels, X

Glen Cummings and Adam Michaels, X
Softcover, 112 pp., offset 1/1, 130 x 190 mm
Edition of 1000
Published by Glen Cummings and Adam Michaels

$10.00 · add to cart

This publication is an initial attempt to examine the trajectory of the X symbol in underground music culture. While the X is broadly associated with the punk scene—in particular, straight edge hardcore—the symbol contains a wide range of often-contradictory meanings. This document presents our ongoing research; we welcome comments, corrections, and criticism.

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