A Narrow Scene of Hypothetical Circumstances

Sveinn Fannar Jóhannsson, A Narrow Scene of Hypothetical Circumstances

Sveinn Fannar Jóhannsson, A Narrow Scene of Hypothetical Circumstances
Hardcover, 84 pp., offset 4/4, 210 x 300 mm
English and Norwegian
Edition of 600
ISBN 978-82-997894-4-8
Published by Teknisk Industri AS

$42.00 · add to cart

In the book project A Narrow Scene of Hypothetical Circumstances we access a visual universe revolving around dismembered pieces of familiar objects. Sketches, pictures and materials are united into a steady flow of everyday examination, in which apparent contradictions — painstaking exactitude and violence, empathy and calculation — bubble away beneath the surface. Rearrangement, representation and repression melt together on the border between construction and collapse, with an elegant sense of seriousness. The works are supplemented with texts by Friedrich Tietjen, Caroline Ugelstad, Leif Magne Tangen and Christopher Muller.

Sveinn Fannar Jóhannsson, A Narrow Scene of Hypothetical Circumstances

Sveinn Fannar Jóhannsson, A Narrow Scene of Hypothetical Circumstances

Z-Girl and the Snake Charmer

Doniella Davy, Z-Girl and the Snake CharmerDoniella Davy, Z-Girl and the Snake Charmer

Doniella Davy, Z-Girl and the Snake Charmer
Edited and Designed by Daniel Wagner
Softcover, 44 pp. with inserts, mimeograph 2/2, 5.5 x 8.5 inches
Edition of 100, numbered
Published by The Kingsboro Press

$11.00 · add to cart

A semi-follow-up to Hippie Photos and Surfer Man, Los Angeles-based photographer Doniella Davy’s imprint Z-Girl and the Snake Charmer returns to the voyeuristic photo-based narrative format to weave a two part story of a woman in trouble and the mysterious “snake charmer”.

Joanne Oldham

Good Morning 1, Joanne Oldham

Good Morning 1, Joanne Oldham
Edited by Sammy Harkham
Softcover, 48 pp., offset 4/1, 6.5 x 9 inches
Edition of 500
Published by Family

$12.00 · add to cart

Joanne Oldham has quietly been making art in a range of mediums for several decades. Though mostly known for a scattering of Bonnie ‘Prince’ Billy releases, including the iconic cover for I See a Darkness, the vast majority of this prolific artist and writer’s work has never been seen outside of her circle of family and friends. Intensely personal, warm, and often terrifying, her art is playful and mysterious, existing in a space of constant conflict. The debut issue of Good Morning dedicates the entire issue to a selection of work done over the last 25 years showcasing Oldham’s unique vision. Collages, paintings, drawings, as well as excerpts from Oldham’s memoir of growing up in the south in the 1950s are included, as well as biographical notes written by the artist herself.

Good Morning 1, Joanne Oldham

Good Morning 1, Joanne Oldham

Good Morning 1, Joanne Oldham

Joan

P & Co., JoanP & Co., Joan

P & Co., Joan
Newspaper, 16 pp., web offset 1/1, 11 x 17 inches [17 x 22 inches unfolded]
Edition of 500
Published by P & Co.

free* · add to cart

*free copy with each order

P & Co. is a community broadsheet published biannually and co-edited by Aram Moshayedi, Carter Mull, and Jesse Willenbring.

A Book About Some People And Time

Myung Feyen, A Book About Some People And Time

Myung Feyen, A Book About Some People And Time
Softcover, 126 pp., offset 2/2, 170 x 240 mm
Edition of 500
ISBN 978-90-77713-48-8
Published by Myung Feyen

$33.00 · add to cart

When you meet Myung Feyen, you are never quite sure at what point everyday life spills over into art. Her letters arrive in archaic envelopes, handwritten or typed on an old fashioned typewriter on paper salvaged from an archive or a bankrupt stationery store. Such a letter becomes a unique ‘object’, a piece of graphic design. Her texts, however intentionally mundane, are meticulously crafted, often with an unexpected poetical twist. A correspondence regarding an upcoming appointment can easily turn into a small collection of poetry or visual art.

Such a correspondence cannot be distinguished from the projects, which she presents as works of art. She has a collection of passport photographs of people who have played an important role in her life in some way, accumulated since her early youth. She takes photographs of her parents on every occasion she meets them, keeping the photos in an archive along with the date they were taken. For years she has been making lists of everybody who has come over to visit her. She also creates diagrams of this information — strange calendars drawn on the walls of exhibition spaces. She collects water and sand of places she or her friends have visited. These samples are packed and kept in a standard uniform method and then documented. Bit by bit, an atlas containing the voyages of Myung Feyen and her friends comes into being.

Myung Feyen, A Book About Some People And Time

Myung Feyen, A Book About Some People And Time

Myung Feyen, A Book About Some People And Time

Issue f like fernglas (binocular)

der:die:das:, Issue f like fernglas (binocular)

der:die:das:, Issue f like fernglas (binocular)
Softcover, 96 pp., offset 4/1, 200 x 270 mm
English and German
Edition of 1000
ISSN 1663-2508
Published by der:die:das:

$22.00 · add to cart

Some words on, and images of, fernglas (binocular). Featuring: Merry Alpern, Big Zis, Tobias Brücker, Sophie Calle, Anne-Catherine Eigner, Ingo Giezendanner, Charles Negre, Niklaus Rüegg, Paul Scheerbart, Kohei Yoshiyuki, et al.

der:die:das:, Issue f like fernglas (binocular)

der:die:das:, Issue f like fernglas (binocular)

der:die:das:, Issue f like fernglas (binocular)

On Acid: A Field Guide to Altered States

William Rauscher and John Moeller, On Acid

William Rauscher and John Moeller, On Acid
A Field Guide to Altered States
Softcover, 100 pp., offset 4/3, 200 x 265 mm
Edition of 1000
ISBN 978-0-615-53398-8
Published by CCC

$15.00 · add to cart

On Acid presents a radically subjective re-edit of the history of drug experience, following the emergence of drugs as a technology and modernity’s conflicted obsessions with altered states. Tracing a path beginning with philosopher Benjamin Blood’s 1874 pamphlet ‘The Anesthetic Revelation and the Gist of Philosophy’ which declares the existence of a ‘majesty and supremacy unspeakable’ observable only after being dosed by nitrous oxide, On Acid assembles texts and images that draw a line connecting archival works by William James, Antonin Artaud, Timothy Leary, and various modernist explorers, to the practice of contemporary artists such as Rodney Graham, Francis Alÿs, Jonah Freeman and Justin Lowe. Removed from the familiar cultural contexts of Haight-Ashbury and Grateful Dead psychedelia, On Acid is in itself an experimental program, a recursive acidic process that mirrors the deconstructive relations to counterculture cultivated in contemporary art. The book concludes with a series of new conversations with Freeman and Lowe, Hamilton Morris and Arik Roper.

William Rauscher and John Moeller, On Acid

William Rauscher and John Moeller, On Acid

William Rauscher and John Moeller, On Acid

William Rauscher and John Moeller, On Acid

Live

Ken Seeno and Jeremy Sigler, Live

Ken Seeno and Jeremy Sigler, Live
12-inch vinyl record, silkscreened 1/1, 12 x 12 inches [12.75 x 12.75 in poly sleeve]
Edition of 150, numbered
Published by The Kingsboro Press

$25.00 · add to cart

A side: Ken Seeno, A Breezy Memory/Cool Hand, Shadow; Jeremy Sigler, excerpt from Plankticus Erectus
B side: Jeremy Sigler, excerpt from Plankticus Erectus; Ken Seeno, Spirit of 77
Recorded in Baltimore in May 2011, Live marks not only the first ever vinyl release from The Kingsboro Press, but also the first officially released project from longtime friends, colleagues, and schemers Seeno and Sigler. 3 tracks from Seeno (ex-Ponytail) highlight his uniquely ambient and immersive new age-tingled solo work, alongside 2 poems read from New York-based poet Sigler. L.L. Being, an accompanying text (a dialogue between Sigler and Seeno that covers everything from 2 Fat Ladies and Being There, to Windham Hill and khakis) is available here .

Shit Karmas

David Armacost and Nik Planck, Shit KarmasDavid Armacost and Nik Planck, Shit Karmas

David Armacost and Nik Planck, Shit Karmas
Stapled w/ clear poly sleeve*, 12 pp., mimeograph 1/1, 10.75 x 12 inches
Edition of 75
Published by The Kingsboro Press

$8.00 · add to cart

A new collaborative artists book from Baltimore-based painters Armacost and Planck. Sourcing their longstanding and fervent correspondence, Shit Karmas scrutinizes all elements of artistic practice, from grandiose pursuits to foolhardy routine. Deeply rooted in painting, Armacost and Planck have etched out a collaborative process in which every element informs the next, and drawings and paintings are endlessly referenced and parodied in a seemingly-endless back and forth interchange between artists.

*Note: mimeograph printed on matte coated paper (ink may transfer during handling).

C Magazine 112

C Magazine112, Exhibition PracticesC Magazine 112, Exhibition Practices

C Magazine 112, Exhibition Practices
Softcover, 62 pp., offset 4/1, 210 x 295 mm
Edition of 2200
ISSN 1480-5472
Published by C Magazine

$7.50 · add to cart

Issue 112, Exhibition Practices, include Jesse Birch, A Sea of Contingencies: Durational Projects, on Sabine Bitter and Helmut Weber’s A Sign for the City and Cate Rimmer’s curatorial project, The Voyage, or Three Years at Sea; Philip Monk, Some Like it Haute, on the General Idea Retrospective at the Art Gallery of Ontario; Caroline Seck Langill, Me Calling Him — Him Calling Me, on Tom Sherman’s recent video work; Denise Frimer, Paris/Ojibwa, an interview with Robert Houle; and Tatiana Mellema, New Experiments in Communal Living, looking at projects including the La Commune.

Exhibition reviews include Taryn Simon: A Living Man Declared Dead and Other Chapters, at the Tate Modern; Art Ex 2011, in Grand Falls-Windsor, NFLD; Pavillon levé (dix jours à vaincre les mortes-eaux), at Circa Gallery, Montreal; The Normal Condition of Any Communication, at TPW in Toronto; Gwen MacGregor and Sandra Rechico: Backtrack, at A trans Pavilion, Berlin; The Art of Eating, at CX Catalunya Caixa Obra Social, La Pedrera, Barcelona; Louise Bourgeois: El Retorno de lo Reprimido, Fundación Proa, Buenos Aires; Haven’t We Been Here Before?, at Platform Centre for Photographic + Digital Arts, Winnipeg; New Photography 2011, at the Museum of Modern Art, New York; and Carl Beam: The Poetics of Being, at the National Gallery of Canada, Ottawa. Also included in issue 112 are book reviews and an artist project by Alex Wolfson.

fillip 15

fillip 15fillip 15

fillip 15
Softcover, 176 pp., offset 2/1, 170 x 245 mm
Edition of 2500
ISSN 1715-3212
ISBN 978-0-9868326-5-9
Published by Fillip

$15.00 · add to cart

Fillip is a publication of art, culture, and ideas released three times a year.

Fillip 15 initiates a new, ongoing series of texts entitled Apparatus, Capture, Trace examining the links between biopolitics and photography. The series opens with essays by Saul Anton on Osama bin Laden and Gabrielle Moser on the work of Jon Rafman, alongside an introduction by series editor Kate Steinmann.

The issue continues essays from the Intangible Economies series, which is the focus of a three-day forum co-organized by Artspeak. Presenting speakers include Melanie Gilligan, Hadley+Maxwell, Candice Hopkins, Olaf Nicolai, Monika Szewczyk, and Jan Verwoert, as well as series editor Antonia Hirsch. The event will be broadcast worldwide on Livestream.

The issue also investigates WikiLeaks: Axis of Reputation, a research-based project by Metahaven produced in conjunction with Fillip 15. Part of Metahaven’s ongoing Transparency, Inc. (2010–), the work interrogates the constantly fluctuating image politics of the online whistleblower Web site WikiLeaks.

1. Christian Hänggi on Stockhausen and 9/11
2. Christian Nagler and Joseph del Pesco on curating and algorithms
3. Chris Fitzpatrick and Post Brothers on parasitical practices
4. Christina Linden on survivalism and sustainability
5. Peta Rake on artist-run initiatives in Brisbane
6. Plus a Criticism Roundtable with Julian Myers, Tara McDowell (the Exhibitionist), and Alexander Provan (Triple Canopy), among others

Ein Magazin über Orte 9

Ein Magazin über Orte 9, Berlin

Ein Magazin über Orte 9, Berlin
Softcover, 84 pp., offset 4/4, 210 x 270 mm
Edition of 1000
ISSN 1866-2331
Published by Bücher & Hefte

$18.00 · add to cart

Ein Magazin über Orte (A magazine about places) is published twice a year. Each issue deals with a different place. The magazine collects works of various authors in the form of photographs, drawings and texts.

Travelling Across the USA

Paul Gerhard Diez, Travelling Across the USA

Paul Gerhard Diez, Travelling Across the USA
Softcover/with flaps, 176 pp., offset 4/4, 120 x 170 mm
English and German
Edition of 400
ISBN 978-3-9814530-1-0
Published by Bücher & Hefte

$35.00 · add to cart

The photo book Travelling Across the USA shows photographs by passionate amateur photographer and then student of theology Paul Gerhard Diez which he took during a journey across the USA in 1954. The photographer wrote a short comment on each picture.

Travelling Across the USA is published in a German and an English edition, with an accompanying essay by journalist Georg Diez, the photographer’s son.

Paul Gerhard Diez, Travelling Across the USA

Paul Gerhard Diez, Travelling Across the USA

Paul Gerhard Diez, Travelling Across the USA

Paul Gerhard Diez, Travelling Across the USA

Paul Gerhard Diez, Travelling Across the USA