
Phil Chang, Four Over One
Hardcover, 64 pp., offset 4/1, 240 x 320 mm
Edition of 500
ISBN 978-087588720-4-9
Published by LACMA
$39.00 · add to cart
In
Four Over One, the Los Angeles based artist
Phil Chang employs the format of an artists book to explore ideas of economy and obsolescence. In collaboration with designer Jonathan Maghen,
Four Over One is structured around Chang’s interest in how new outcomes arise from an antagonism between perceived and actual forms of value. The photographs that appear in the book were created using expired photographic materials exposed by an archival book scanner. Through a sparse display of color, black and white, and half-tone photographs, in conjunction with a restrained typographic treatment,
Four Over One employs an economy of scale in order to consider the roles of abstraction, methods of art production, and modes of distribution in our contemporary culture.
Art, Charlotte Cotton, Criticism, Culture, Design, Jonathan Maghen, LACMA, Phil Chang, Photography, RAM, Textfield, Typography, Wallis Annenberg Photography Department

Seth Price, Price, Seth
Hardcover, 108 pp., offset 4/4, 200 x 240 mm
Edition of 2000
ISBN 978-3-03764-028-9
Published by JRP|Ringier
$35.00 · add to cart
Through paintings, sculpture, video, and media work, Seth Price underlines the production strategies, dissemination modes, and valuation patterns of art. His appropriationist work, which he rather calls a “redistribution” of (often) pirated materials, disrupts the operations of commodity culture. Among his formats and tactics one should mention the recycling of iconic illustrations, reduplication (from digital to vacuum-formed techniques), the reenactment of projects, and the collaborative actions with
Continuous Project (formed in 2003 with Bettina Funcke, Wade Guyton, and Joseph Logan) or other artists.
The first monograph dedicated to the artist, this book includes an essay by Michael Newman as well as Price’s own critical take on his practice, given in the form of a videotaped conference that structures the presentation of his works.
Anja Nathan-Dorn, Art, Beatrix Ruf, Bettina Funcke, Clare Manchester, DAP, Farzad Owrang, Joseph Logan, JRP|Ringier, Kathrin Jentjens, Katy Homans, Kölnischer Kunstverein, Kunsthalle Zürich, Michael Newman, Richard G. Gallin, Sam Drake, Seth Price, Simon Vogel, Stefan Altenburger, Wade Guyton

Samuel Hodge, Pretty Telling I Suppose
Hardcover, 72 pp., offset 4/4, 203 x 266 mm
Edition of 1000
ISBN 978-0-9806516-0-7
Published by Rainoff Books
$45.00 · add to cart
Foreword by Gert Jonkers.
Art, Culture, Distribution, Gert Jonkers, Photography, Rainoff Books, Samuel Hodge

Elaine W. Ho, Wear 2010 (Cultural Exchange)
Hardcover, 80 pp. + 28 pp. insert, offset 4/4, 185 x 250 x 28 mm
Edition of 500
ISSN 2078-8691
Published by Wear
$25.00 · add to cart
This issue and the second season of HomeShop are marked by a more cynical bent, whereby the pointedness of quotation marks, as in “cultural exchange”, invite investigation into the deeper multiplicities and ambivalence hidden within this overwrought term. Continuing its documentation of daily life in the hutong, Wear number two intertwines HomeShop’s series of exercises in cultural exchange with commentary, imagery and special projects on the topic by contributors such as Carol Yinghua Lu, RAQS Media Collective, Meiya Lin and Michael Eddy. A special 28-page insert has also been created especially for the journal by artist Reinaart Vanhoe.
Wear is the independently published journal of HomeShop, an artists’ initiative located in one of the hutong alleyways in the centre of Beijing. Aiming to be an annual project, WEAR combines an artist book, theoretical reader and social research in printed form. The journal documents the public activities, discussions and interventions organised at HomeShop, also serving as a broader platform from which to gather contributions from artists, writers and the folks in the neighbourhood for a local dialogue and everyday reflection upon the contradictions and dynamism of a fast-changing China.
Anouchka van Driel, Art, Barbara Fang, Beatrice Ferrari, Carol Yinghua Lu, Claude Tao, Culture, Design, Distribution, Elaine Ho, Fashion, Gao Bei, Mai Dian, Meiya Lin, Michael Eddy, Qu Yizhen, Reinaart Vanhoe, Wear, Xia Jian, Yan Teng

Misha Hollenbach, Pink/Brown Stool/Stool
Softcover, 64 pp., offset 4/4, 4.5 x 7 inches
Edition of 250
ISBN 978-0-9825936-3-9
Published by Seems
$24.00 · add to cart
Born last century. Based in Melbourne, Australia. Misha Hollenbach lives and works in many languages, times and places. Hollenbach is one half of the brand Perks and Mini (P.A.M.) a multi media excursion encompassing art, design, fashion, and publishing. He is also part of The Changes, music and art collective.
Hollenbach is influenced by energy, as his work moves through various mediums including sculpture and painting, printed media and collage. Rather than shy away from objects deemed useless, or unwanted, he embraces their meaningless meanings to create an unfamiliar language containing familiar objects. By employing found objects and pairing them with wit and humor, he continues the narrative of the Dada and Pop artists.
In a lineage that extends through Jim Shaw, Andy Warhol and Marcel Duchamp, the rallying around the already readymade repositions things for freer symbolic enterprises. In the re-presentation of shit, Misha touches upon the etymological origins of faeces, which derives from faex, the Latin for dregs. He is using the dregs, things humans have casted away; shit becomes a metaphor for the unwanted.
By putting these outcasts back together with ready mix, the images of the objects do not return to us as they normally should; they lose their original function. With this method, he is breaking our own need to put the image back together in a fixed or familiar way. He strips back the structure of meaning — and this brings about a danger: the readymades return as phantasms and representations of abstract ideas. A Hush Puppy becomes a Push Poopy. Doodoo becomes Dada.
—Timothy Moore
Andy Warhol, Art, Culture, Distribution, Jim Shaw, Marcel Duchamp, Misha Hollenbach, Seems, Timothy Moore

Natilee Harren and Andrew Berardini, All Time Greatest
Softcover, 32 pp., mimeograph 1/1 + offset 4/4, 190 x 280 mm
Edition of 150
Vol. 1 (texts) + Vol. 2 (images)
Published by Fellows of Contemporary Art
$10.00 · add to cart
A two-volume, limited edition catalogue designed by Brian Roettinger, published as his contribution to the exhibition, including essays by Andrew Berardini and Natilee Harren. Vol. 1 with texts; Vol. 2 with images.
Beyond the emergent field of sound art, there exist certain artists for whom music forms one aspect of a multi-faceted practice or for whom it plays a deep influence that may not find expression outside the studio. Conceived as a concept album-turned-exhibition, All Time Greatest offers the opportunity to consider how artists’ musical predilections — the secret soundtrack to their production — might add a dimension of significance to their work in an exhibition setting. The exhibition features the work of 11 LA-based artists: Gabrielle Ferrer, Brendan Fowler, Alex Klein, Dave Muller, Eamon Ore-Giron, Vincent Ramos, Steve Roden, Brian Roettinger, Sumi Ink Club (Luke Fischbeck and Sarah Rara), and Stephanie Taylor.
With the curator repositioned as fan or enthusiast, artists were selected out of an admiration for or curiosity about their musical knowledge and tastes. The center of the gallery will feature a turntable and record collection composed of each artist’s chosen “all time greatest” album. Visitors are welcome to thumb through and listen to the records. The pairing of visual art and music emphasizes the temporal dimension of viewing, and comfortable seating will invite visitors to spend extended time with the works on display. Against the culture of rapid digital file sharing, All Time Greatest uses the exhibition format as an opportunity to revive an analog, old-school approach to sharing music at the same time that it adapts the fan culture of audiophiles to the task of the curator.
Alex Klein, Andrew Berardini, Art, Brendan Fowler, Brian Eno, Brian Roettinger, Caetano Veloso, Dave Muller, Distribution, Eamon Ore-Giron, Exhibitions, Fellows of Contemporary Art, Gabrielle Ferrer, Harry Nilsson, Liars, Man Is The Bastard, Natilee Harren, Ornette Coleman, Patti Smith, Stephanie Taylor, Stephen Sondheim, Steve Roden, Storm & Stress, Sumi Ink Club, Sun Ra, The Monk, The Mothers of Invention, Tom Waits, Vincent Ramos

Ein Magazin über Orte 7, Sea
Softcover, 76 pp., offset 4/1, 210 x 270 mm
Edition of 1000
ISSN 1866-2331
Published by Ein Magazin über Orte
$18.00 · add to cart
Ein Magazin über Orte (A magazine about places) is published twice a year. It deals with a different location in every issue. The magazine collects works of various authors in the form of photographs, drawings and texts.
Adam Bartos, Alexander Binder, Alrun Odreicka, Amy Patton, Andrea Vollmer, Andreas Herzau, Anja Bonhof, Anna Simone Wallinger, Anne Schumann, Annie Pootoogook, Architecture, Armin Keller, Art, Bas Princen, Birgit Vogel, Birigi Vogel, Colin Stewart, Detlef Kuhlbrodt, Distribution, Ein Magazin über Orte, Elger Esser, Elias Hassos, Elmar Bambach, Enda Bowe, Espen Eichhofer, Felicitas Hoppe, Franziska Sinn, Fred Huning, Gotz Diergarten, Grit Schwerdtfeger, Gustav Gustafsson, Gustav Janus, Helene Hellmich, Hennie Haworth, Herbert Stattler, Hiroshi Sugimoto, Inka Lindergard, Iris Janke, Jan Stenmark, Jockum Nordstrom, Jorg Bruggemann, Jorg Bruggermann, Jorge Lohse, Julia Marquardt, Jurgen Becker, Jurgen Teller, Karen Weinert, Karin Apollonia Muller, Karin Mamma Andersson, Kerstin Kempker, Kyung-hwa Choi-ahoi, Leonard Cohen, Linus Bill, Lisa von Billerbeck, Magdalena Hutter, Marcel van Eeden, Marcelo Gomes, Marcus Oakley, Marius Wenker, Marten Lange, Martin Bogren, Martin Fengel, Massimo Vitali, Mathias Konigschulte, Matthias Koch, Michael Schmidt, Nan Goldin, Naoki Ishikawa, Niclas Holmstrom, Nico Bieutge, Nigel Peake, Niklas Eneblom, Patrizia Bach, Paula Kempker, Peter Bialobrzeski, Peter Bichsel, Peter Granser, Photography, Qiu Anxiong, Raoul de Keyser, Robert Longo, Robert Voit, Roger Willemsen, Ron Winkler, Ror Wolf, Rufina Wu, Sigrid Reinichs, Silvia Bachli, Stefan Canham, Stella Kalaw, Tanja Beate Heuser, Thomas Flechtner, Tom Bresemann, Wakaba Noda, Wolfgang Hilbig, Wolfgang Tillmans, Wolfram Lotz, Ye Rin Mok

Ein Magazin über Orte 6, Home
Softcover, 84 pp., offset 4/1, 210 x 270 mm
Edition of 1000
ISSN 1866-2331
Published by Ein Magazin über Orte
$18.00 · add to cart
Ein Magazin über Orte (A magazine about places) is published twice a year. It deals with a different location in every issue. The magazine collects works of various authors in the form of photographs, drawings and texts.
Alexander Binder, Alrun Odreicka, Amy Patton, Anja Bonhof, Anna Simone Wallinger, Anne Schumann, Annie Pootoogook, Architecture, Armin Keller, Art, Birgit Vogel, Birigi Vogel, Colin Stewart, Detlef Kuhlbrodt, Distribution, Ein Magazin über Orte, Elmar Bambach, Felicitas Hoppe, Fred Huning, Gustav Janus, Helene Hellmich, Hennie Haworth, Herbert Stattler, Iris Janke, Jan Stenmark, Julia Marquardt, Karen Weinert, Kyung-hwa Choi-ahoi, Magdalena Hutter, Martin Fengel, Matthias Koch, Michael Schmidt, Nigel Peake, Patrizia Bach, Peter Bichsel, Peter Granser, Photography, Rufina Wu, Stefan Canham, Tom Bresemann

Ein Magazin über Orte 5, Crime Scene
Softcover, 84 pp., offset 4/1, 210 x 270 mm
Edition of 1000
ISSN 1866-2331
Published by Ein Magazin über Orte
$18.00 · add to cart
Ein Magazin über Orte (A magazine about places) is published twice a year. It deals with a different location in every issue. The magazine collects works of various authors in the form of photographs, drawings and texts.
Alexander Binder, Alrun Odreicka, Amy Patton, Anja Bonhof, Architecture, Armin Keller, Arnold Odermatt, Art, Avigail Neumeister, Birgit Vogel, Christoph Mayer, Colin Stewart, Detlef Kuhlbrodt, Distribution, Dominique Hurth, Ein Magazin über Orte, Elmar Bambach, Hennie Haworth, Herbert Stattler, Jee Hoon Stark, Joel Sternfield, Jose Maria Rosa, Julia Marquardt, Karen Weinert, Kyung-hwa Choi-ahoi, Magdalena Hutter, Maria Bleda, Martin Fengel, Max Ruf, Michael Schmidt, Pati Marinelli, Patrizia Bach, Peter Piller, Photography, Popahna Brandes, Sarah Pickering, Sr. Garcia, Tom Bresemann

Ein Magazin über Orte 4, Desk
Softcover, 80 pp., offset 4/1, 210 x 270 mm
Edition of 1000
ISSN 1866-2331
Published by Ein Magazin über Orte
$18.00 · add to cart
Ein Magazin über Orte (A magazine about places) is published twice a year. It deals with a different location in every issue. The magazine collects works of various authors in the form of photographs, drawings and texts.
Alexander Binder, Alrun Odreicka, Amy Patton, Anja Bonhof, Architecture, Armin Keller, Art, Birgit Vogel, Colin Stewart, Detlef Kuhlbrodt, Distribution, Ein Magazin über Orte, Elmar Bambach, Hennie Haworth, Herbert Stattler, Julia Marquardt, Karen Weinert, Kyung-hwa Choi-ahoi, Magdalena Hutter, Martin Fengel, Michael Schmidt, Patrizia Bach, Photography, Tom Bresemann

der:die:das:, Issue c like corduroy
Softcover, 96 pp., offset 4/4, 200 x 270 mm
English and German
Edition of 1000
ISSN 1663-2508
Published by der:die:das:
$22.00 · add to cart
Some words on, and images of, corduroy.
Anandi Sharan Meili, Andrea Jaeger, Art, Basil Rogger, Big Zis, Daniel Buren, der:die:das:, Distribution, Feliz Scheinberger, Florence Tetier, Gabi Deutsch, Helve Leal, Hin Van Tran, Katharina Tietze, Marina Aebi, Marion Strunk, Nadja Aebi, Nicolas Coulomb, Nina Langosch, Nobuo Nakamura, Pascal Christoph Tanner, Patrick Hausermann, Peter Hauser, Photography, Vania Kukleta, Veronique Hoegger, Yvonne Gasser

C Magazine 106, The Supernatural
Softcover, 64 pp., offset 4/1, 210 x 295 mm
Edition of 2000
ISSN 1480-5472
Published by C Magazine
$7.50 · add to cart
Issue 106 includes feature articles by Jennifer Fisher on psychometry, Lynn Crosbie on Michael Jackson, and Louis Kaplan on Nate Larson’s photographic miracles; David Lillington interviews Paulette Phillips, and Leah Modigliani interviews The Center for Tactical Magic; book and exhibition reviews from Antwerp, Chicago, Toronto, Edmonton, Victoria, Charlottetown, Stratford Ontario, McIvers Newfoundland and Ridgefield Connecticut, with a special section covering Vancouver during the 2010 Winter Olympics; artist project by Scott Treleaven, accompanied by an essay by Elijah Burgher.
Aaron Peck, Amish Morrell, Art, Bruce LaBruce, C Magazine, Christopher Olson, Criticism, David Lillington, Distribution, Elijah Burgher, Holland Gidney, Jennifer Fisher, Jesse Birch & Jesse Grey, Joni Low, Liz Parks, Louis Kaplan, Luis Jacob, Lynn Crosbie, Paulette Phillips, Performance, Photography, Rachelle Sawatsky, Richard Ibghy and Marilou Lemmens, Sarah Aranha, Scott Treleaven, the Center for Tactical Magic, Theory

Benzanoe 63
Newspaper, 12 pp., web offset 1/1, 12.5 x 18 inches
Edition of 100
Published by Benzanoe
$8.00 · add to cart
(Dreams) do not exist in the moment. (They) yearn for a future.
“Harnessing the spirit of the dawn, and with heads full of utopian dreams, we go in search of Benzanoe*. Forever correcting our course, with no accordance with commission or compromise. Ignoring the lag between memory and vision, we continue. Though we may never find it, imagine what we will create along the way.”
—Walter Leachman (1914)
Anders Ekblom, Anna Maria Murphy, Art, Benzanoe, Callum Mitchell, Criticism, Dion Star, Distribution, Ian Kingsnorth, Jane Pugh, John Kerrison, Mark Jenkin, Photography, Sally Rodgers, Steve Tanner, Theory, Walter Leachman

Olaf Knarvik, Iranian Tales
Softcover, 16 pp., offset 4/1, 150 x 210 mm
Edition of 500
Published by Aki Books
$9.00 · add to cart
Aki Book No. 3
Aki Books, Culture, Distribution, Olaf Knarvik, Photography

Morten Spaberg, Men ikke si det til noen (But don’t tell anyone)
Softcover, 20 pp., offset 1/1, 150 x 210 mm
Edition of 500
Published by Aki Books
$9.00 · add to cart
Aki Book No. 2
Aki Books, Distribution, Morten Spaberg, Photography

Aslak Gurholt Rønsen, Summer of 66
Softcover, 12 pp., offset 1/1, 150 x 210 mm
Edition of 500
Published by Aki Books
$9.00 · add to cart
Aki Book No. 1
Aki Books, Art, Aslak Gurholt Rønsen, Design, Distribution, Photography

Morten Spaberg, Aki Books Poster, offset poster, 500 × 700 mm (above: folded, 250 x 350 mm)
Morten Spaberg, Aki Books Poster
Poster, offset 1/0, 500 x 700 mm
Edition of 500
Published by Aki Books
$5.00 · add to cart
Aki Poster No. 1
Aki Books, Distribution, Morten Spaberg, Photography

Sara De Bondt and Fraser Muggeridge, The Master Builder
Softcover, 28 pp., offset 4/4, 130 x 230 mm
Edition of 1000
ISBN 978-0-9562605-0-5
Published by Occasional Papers
$8.00 · add to cart
The Master Builder: Talking with Ken Briggs by Sara De Bondt and Fraser Muggeridge, is a slim (28 pp. plus covers) volume, the size (and look and feel, with coated and uncoated stocks) of a typical Briggs NT programme. It comprises an interview with Briggs, a short biography and portrait, plenty of pictures (24 in colour) of his pioneering posters and programmes for the theatre in the 1960s and 70s, and a detail of Briggs’ slide archive, carefully labelled with Dymo tape.
When asked about his structured, asymmetrical booking forms for the theatre, Briggs claims ‘I didn’t care about beauty or the lack of it. They are purely typographic,’ then goes on to explain his colour system: ‘from warm colours in winter to cool colours in summer: red, ochre, purple, bright blue and so on.’ Which is why he was known as the colourist.
Antony Hudek, Design, Distribution, Fraser Muggeridge, Graphics, Illustration, Ken Briggs, National Theatre, Occasional Papers, Sara De Bondt, Typography

Christoph Keller, Cloudbuster Project Maroc
Softcover, 192 pp., offset 2/4, 110 x 170 mm
French, English, German, Arabic
Edition of 250 for each language
Published by Christoph Keller
$15.00 · add to cart
In 2008, German artist Christoph Keller traveled through Morocco with his own version of Wilhelm Reich’s cloudbuster machine to engage local people in the age-old process of conjuring rainstorms. This artists book, which combines cinematic flip-book elements with more straightforward photo documentation, is a record of Keller’s project. Small color photographs depict the cloudbuster machine being built and used to make rain in four different locations. The only explanatory text appears on the book’s cover, which in this case is printed in English.
Africa, Art, Christoph Keller, Cloudbuster, Culture, Design, Distribution, Manuel Raeder, Morocco, Wilhelm Reich

Jonathan Berger, Nothing Up My Sleeve
Softcover, 160 pp., offset 4/1, 8.5 x 11.5 inches
Edition of 1000
ISBN 978-098023-241-7
Published by Regency Arts Press, Participant Inc.
$20.00 · add to cart
Nothing Up My Sleeve: An Exhibition Based on the Work of Stuart Sherman, is a curator’s book co-published with the New York not-for-profit space, Participant Inc. The exhibition, curated by Jonathan Berger, took place at Participant Inc. in the winter of 2010.
Berger paired the work of Stuart Sherman, a brilliant performance artist who died in 2001, with other performers and artists whose work, while not directly affected by Sherman, shares a similar spirit and exploration of authenticity. The book is an extension of the exhibition, composed of entries from each performer/artist included in the show: Matthew Brannon, Carol Bove, James Lee Byars, Vaginal Davis, Harry Houdini, Andy Kaufman, and several others. Reprinted in the book, with new commentary, are two early critical texts about Stuart Sherman’s spectacle works, by John Matturri (written in 1978), and Berenice Reynaud (published in issue eight of October art journal, 1979). There are also texts by Lia Gangitano, Jonathan Berger, Molly McGarry, and Mark Bradford.
Andy Kaufman, Art, Berenice Reynaud, Carol Bove, Distribution, Harry Houdini, James Lee Byars, John Matturri, Jonathan Berger, Lia Gangitano, Mark Bradford, Matthew Brannon, Molly McGarry, Participant Inc, Performance, Regency Arts Press, Stuart Sherman, Vaginal Davis

Anthony Pearson, Solarizations
Hardcover, 72 pp., offset 1/1, 6.25 x 9.75 inches
Edition of 1000
ISBN 978-0-9768664-2-9
Published by Midway Contemporary Art
$25.00 · add to cart
An essay by Tim Griffin and an interview between Anthony Pearson and John Rasmussen discuss Pearson’s unusual approach to photography, his solarization and lens flare pieces, and his process. Twenty plates give the reader a clear sense of this body of work.
Pearson’s work over the past few years has been an exploration of perceptual and historical aspects of photography and abstraction. Working in both chemical and electronic processes, Pearson has melded these photographic methods in a highly personal manner to suggest that the concerns of the analog and digital are not as disparate as supposed. His ongoing series of solarized, silver gelatin prints exploit elements of chance and variability through a highly controlled three-part process. Pearson begins by constructing tableaus of foil, spray-paint, and ripped paper through both additive and subtractive methods, alluding to precedents such as the décollage of the Nouveau Realistes. After photographing details of these drawings and constructions, the prints are then solarized in the darkroom during a process by which tonality of the image is inverted to varying degrees through a brief exposure to white light. While the small scale of these photographs could be read as referencing reproductive plates of gestural mid-century paintings, the unique nature of each photograph elaborates a highly personalized language that builds upon historical strains of abstraction.
Abi Chase, Anthony Pearson, David Kordansky Gallery, Distribution, John Rasmussen, Midway Contemporary Art, Shane Campbell Gallery, Tim Griffin

Christoph Keller and Jérôme Saint-Loubert Bié, Double Page
Softcover, 256 pp., offset 4/3, 115 x 160 mm
Edition of 2000
ISBN 978-2917855-06-5
Published by Editions B42
$15.00 · out of stock
45 graphic designers, 90 photographs, 10 years of books on contemporary art.
This book is based on an invitation to graphic designers to choose two books on contemporary art from the past decade whose design they think is particularly pertinent to the content, to photograph one double-page spread from each book and, if they wish, to comment on their choices.
Double Page provides a selection of recent art publications as viewed by graphic designers who are internationally known for their contribution to that field, and offers a glimpse at the role of book design today in our knowledge and understanding of contemporary art.
Shedding light on this prevalent relationship between art and graphic design by means of photography, Double Page constitutes an unprecedented document of how graphic designers see the work of their peers and their own practices as an essential part of the editorial process.
Alberto Vieceli, Alex Rich, Alexandre Dimos, Alexia de Visscher, Armand Mevis, Art, Arthur Herrman, Aude Lehmann, Benjamin Sommerhalder, Caroline Fabès, Catherine de Smet, Change is Good, Christian Haas, Christoph Keller, Christoph Steinegger, Counterspace, Daniel Eatock, David Reinfurt, David Rust, Design, deValence, Dexter Sinister, Dimitri Bruni, Dorothea Weishaupt, École régionale des Beaux-Arts de Rennes, Editions B42, Erik Kessels, Frédéric Teschner, Gaël Étienne, Gail Swanlund, Gavillet & Rust, Georg Rutishauser, Gilles Gavillet, groenlandbasel, Interkool, Jean-Marc Ballée, Jean-Marie Courant, Jeroen Kummer, Jérôme Saint-Loubert Bié, Jocelyn Cottencin, Jon Sueda, Jonathan Maghen, José Albergaria, Joseph Logan, Joséphine Guérin, Julia Born, KesselsKramer, Kummer & Herrman, Lehni-Trueb, Lex Trueb, Lieuxcommuns, Linda van Deursen, Ludovic Balland, Manuel Krebs, Manuel Raeder, Markus Dreßen, Markus Weisbeck, Maureen Mooren, Mevis & van Deursen, Michael Worthington, Mike Meire, Müller & Wesse, NORM, O-R-G, Peter Bilak, Philipp Arnold, Pierre Huyguebaert, Prill & Vieceli, Purtill Family Business, Raffinerie AG für Gestaltung, Regular, Rik Bas Backer, Roger Willems, Roma, Sara De Bondt, Secondary Modern, Simon Josebury, Spector, Speculoos, Stephan Müller, Stripe, Stuart Bailey, Studio Ahoy, Tania Prill, Textfield, Typography Cabinet, Typotheque, Urs Lehni, Warren Olds, Will Holder, Yvonne Quirmbach

Robert Pincus-Witten and Rotraut Klein-Moquay, Yves Klein: USA
Hardcover, 204 pp., offset 4/1, 176 x 242 mm
Edition of 2000
ISBN 978-291627-564-2
Published by Editions Dilecta
$32.00 · add to cart
This book, produced in collaboration with the Yves Klein Archives, recounts the relationship between Yves Klein, one of the major artists of the postwar period, and the United States — a relationship of mutual fascination and reciprocal influence. Numerous documents, many of them previously unpublished, bear witness to the close ties that Klein forged with the U.S. The rising stars of the early 1960s American art scene (Robert Rauschenberg, Jasper Johns and Frank Stella, plus Marcel Duchamp) all make an appearance here, as does President Eisenhower! The book includes an interview with Rotraut Klein-Moquay, who talks about her trip to the United States with Yves Klein in 1961, as well as the artist’s comments on his own work. It also includes a hitherto unpublished essay by the American critic Robert Pincus-Witten, who met the protagonists of this story when he worked for dealer Leo Castelli.
In the spring of 1961, Yves Klein and his fiancee Rotraut Uecker, a distinguished artist herself, were en route to New York City. Leo Castelli, a leading American art dealer, had scheduled an exhibition of the work of “Yves le Monochrome” (as the painter had styled himself), to begin on April 11th. The exhibition marked Klein’s first solo show in the United States and its closing, set for the 29th of that month, virtually coincided with the artist’s thirty-third birthday, celebrated just the day before.
At the time, apart from the focus of a circle of fellow artists, noted critics and European dealers, a few alert collectors and many incensed detractors, Klein was still far from being recognized as the most influential artist to have emerged in postwar France — as he is regarded today; nor would one even dream that in scarcely more than a year he would be dead.
Art, DAP, Frank Stella, Jasper Johns, Leo Castelli, Marcel Duchamp, Robert Pincus-Witten, Robert Rauschenberg, Rotraut Klein-Moquay, Rotraut Uecker, Yves Klein

Katya Garcia-Anton and Emily King, Wouldn’t it be nice
Softcover, 300 pp., offset 4/1, 232 x 297 mm
Edition of 2000
ISBN 978-3-905829-24-2
Published by JRP|Ringier
$42.00 · add to cart
Contemporary culture is witnessing one of the most significant shifts of recent times. The old dividing lines between artists and designers appear to be dissolving into one another. Indeed the breadth and range of investigation and inspiration they share is possibly the widest to date. This publication
Wouldn’t it be nice hopes to present a series of projects emerging from these lines of dissolution, which reflect the current spirit of cultural production internationally.
The publication includes interviews with Jurgen Bey, Bless, Dexter Sinister, Dunne & Raby and Michael Anastassiades, Alicia Framis, Martino Gamper, Ryan Gander, Martí Guixé, Tobias Rehberger, and Superflex. Fully illustrated, the book presents a number of projects that have been specially commissioned for the exhibition. Quoting the aesthetic of the glossy magazine, the publication is designed by London-based group Graphic Thought Facility, and has attached to each cover a Bless N°14–2000, Shopping Supports Stickerbags self-adhesive purse/multiple.
Alicia Framis, Art, Bless, Christian Brändle, Criticism, DAP, Design, Dexter Sinister, Emily King, Fashion, Jean-Pierre Greff, JRP|Ringier, Jurgen Bey, Katya Garcia-Anton, Martí Guixé, Martino Gamper, Ryan Gander, Theory, Tobias Rehberger

Simon Lamunière, Utopics: Systems and Landmarks
Hardcover, 160 pp., offset 4/4, 160 x 220 mm
Edition of 2000
ISBN 978-3-03764-056-2
Published by JRP|Ringier
$45.00 · add to cart
This publication examines the spaces, nations, and communities created by artists or indivuals to develop alternative modes of living. Throughout history individuals have continuously developed systems based on a mix of reality, fiction, and mediatization, create micro-nations, or fight for their existence. All these proposals are simultaneously real and utopic. By inventing identity signs (IDs, flags, constitutions, currencies, etc.), by practicing their beliefs (be it through dance, naturism, terrorism, or collectivism), and by working on the boundaries of reality (parallel worlds, isolationism, new territories, etc.), these proposals are challenging our definitions of normalcy and territoriality. The title
Utopics is itself the free contraction of utopias, you, topic, topos, and pics.
Conceived as a glossary, the book includes artists such as Le Bélier, Carsten Höller, Clemens von Wedemeyer, Fabrice Gygi, General Idea, Lang/Baumann, Matt Mullican, Mai-Thu Perret, NSK (Irwin), Peter Coffin, Steiner & Lenzlinger, Superflex, as well as intitiatives such as La République Géniale (Robert Filliou), State of Sabotage (Robert Jelinek), micro-nations, L’Ecole de Stéphanie, etc.
Andrea Zittel, Anthroposophy, Architecture, Art, Betty Stocker, Buckminster Fuller, Carsten Höller, Clemens von Wedemeyer, Criticism, DAP, Fabienne Bideau, Fabrice Gygi, General Idea, Ildiko Dao, James Turrell, JRP|Ringier, Landmarks, Lang/Baumann, Le Bélier, Liam Gillick, Mai-Thu Perret, Matt Mullican, Nicolas Bourriaud, NSK (Irwin), Peter Coffin, Philippe Parreno, Photography, Pics, Pictures, Rirkrit Tiravanija, Rudoph Steiner, Simon Lamunière, Steiner & Lenzlinger, Superflex, Systems, Theory, Topic, Topos, Utopias, Waldorf

Wolfgang Tillmans, Wolfgang Tillmans
Hardcover, 80 pp., offset 1/1, 218 x 305 mm
Edition of 2000
ISBN 978-3-905829-36-5
Published by JRP|Ringier
$35.00 · add to cart
This publication is a reprint of the first book realized by Wolfgang Tillmans in 1995. A very atmospheric, if measured, compilation of black and white images, it combines portraits of youth culture with landscape, city scenes with slogans, clippings from newspapers, and book illustrations. Released now into a different context from its first appearance, the book is emblematic of the new approach and the energy Tillmans has developed since the end of the 1980s to the present in terms of genres, quality, and the status of photography as a medium.
Andrea Rosen, Art, DAP, Galerie Daniel Buchholz, JRP|Ringier, Kunsthalle Zürich, Nicola von Senger, Photography, Wolfgang Tillmans

Richard Hawkins, Of two minds, simultaneously
Softcover, 164 pp., offset 4/1, 215 x 280 mm
Edition of 2000
ISBN 978-3-86560-425-5
Published by Walther König
$59.00 · add to cart
This monograph on Richard Hawkins is published on the occasion of his first institutional overview exhibition with works from 1993 to now: starting with his collages from the 1990s — intriguing because they show how a powerful artwork can originate from very few visual means – right up to his recent dolls houses transformed into brothels that herald another completely new direction in Hawkins heterogeneous oeuvre. In his work Hawkins looks both critically and appreciatively at social, cultural and historical phenomena, mixing these with autobiographical motives to create a multiform body of work linked by countless internal references in ideas, material and style. These formal and internal links resonate throughout the whole book as components of themes that range from male desire, gender issues and pop star idolization to the struggle of mixedrace Native Americans or the function of hermaphrodite statuary in the Roman era.
Art, Bruce Hainley, Christopher Müller, DAP, Edna Van Duyn, Richard Hawkins, Walther König