KALEIDOSCOPE Magazine 22

KALEIDOSCOPE Magazine 22

KALEIDOSCOPE Magazine 22, Fall 2014
Softcover, 256 pp. + Ari Marcopoulos poster, offset 4/4, 230 x 300 mm
English edition
ISSN 2038-4807
Published by KALEIDOSCOPE Press

$18.00 ·

Kaleidoscope’s newest release, Issue 22 (Fall 2014), introduces a completely redesigned and revamped version of the magazine, under the visionary art direction of Munich-based Bureau Mirko Borsche. The magazine’s new direction combines its defining curatorial and interdisciplinary approach with an emphasis on the power of images and a keen attention to the update, and is best epitomized by the new cover tagline: VISUAL CULTURE NOW.

In the renovated opening section of HIGHLIGHTS, twelve profiles account for the best of the season: Boychild (by Francesca Gavin), Ed Fornieles (by George Vasey), Adriano Costa (by Laura McLean-Ferris), Liu Chuang (by Venus Lau), Carol Rama (by Jesi Khadivi), Tabor Robak (by Alex Gartenfeld), Jana Euler (by Martha Kirszenbaum), Guan Xiao (by Pablo Larios), Alex Da Corte (by Piper Marshall), David Ostrowski (by Peter J. Amdam), Aphex Twin (by Francesco Tenaglia), and Torey Thornton (by Ross Simonini).

To follow, our signature MAIN THEME section, titled SO NY, is dedicated to practices informed and inspired by the city of New York. From the gritty urban feeling to the great sense of community — living and working in NYC provides endless inspiration and fuel for artists and creators. We have selected four pairs, from different generations and circles, to share memories and discuss perspectives: Jeffrey Deitch and Fab 5 Freddy, Chris Martin and Joyce Pensato, Brendan Dugan and Ari Marcopoulos, and Cecilia Alemani and Marianne Vitale. The result is a choral tale of convergences, strategies, connections, and old and new magics. Enriched with a collectable poster by Ari Marcopoulos!

On the other hand, the MONO section and cover story are dedicated to Norwegian, Los Angeles-based photographer Torbjørn Rødland. Seemingly speaking the fetishistic idiom of advertisement, marketing and food photography, Rødland’s images are in fact pervaded by the most compelling kind of perversity and haunted by boredom, spiritual longing, and a sense of aftermath. This monographic survey comprises an essay by Chris Sharp, an interview by Hanne Mugaas, and original portraits by Trine Hisdal.

Later on, a brand new section invites the eye to an enthralling journey across over 80 pages of visual contributions by artists, curators and image-makers, affirming the magazine’s centrality as a tool to show and experience art. This issue’s VISIONS include “Chopped & Screwed: Austin Lee and David Benjamin Sherry,” curated by Alessio Ascari; H.R. Giger’s “Biomechanoid”; Dorothea Tanning’s “Paintings”; Alexandra Bachzetsis’s “From A to B via C”; “Rondes Bosses,” curated by Nicolas Trembley; Chris Wiley’s “Technical Compositions”; and David Rappeneau’s “$$$$$$$$$$$$$$$$$$$$$$$$$$$.”

Lastly, the closing section of REGULARS features our insightful columns on the past, present and future of art and culture: in the first installment of Futura 89+ Hans Ulrich Obrist and Simon Castets interview American poet Andrew Durbin; Producers features Carson Chan’s conversation with Artsy’s founder Carter Cleveland; Christopher Schreck explores Francesco Clemente’s India as part of the Panorama series; and in Pioneers Fredi Fischli and Niels Olsen talk to legendary artist Ashley Bickerton.

KALEIDOSCOPE Magazine 22

KALEIDOSCOPE Magazine 22

KALEIDOSCOPE Magazine 22

KALEIDOSCOPE Magazine 22

KALEIDOSCOPE Magazine 22

Capricious 13

Capricious 13, WaterCapricious 13, Water

Capricious 13, Water
Softcover, 158 pp., offset 4/4, 210 x 270 mm
Edition of 2000
ISSN 1573-3076
Published by Capricious

$17.00 ·

With the theme of Water, Capricious delves into one of the most pressing global concerns of the 21st century, finding a dynamic intersection between social consciousness and fine arts photography. Culled from hundreds of submissions, the editorial selection evokes not only the most visually profound forms of water, but documents our shifting relationship with water, whether it be through celebration, or sense of loss.

Capricious 13 moves through sections like Arid, Drift, and Quiet, a fluid visual narrative honoring water. And speaks to our palimpsest-like landscape, where the rise and fall of water lines are marked, and the history of water remains tangible. The work selected explores a myriad of watery dimensions, from the intimate, as water spills into our personal histories, quietly shaping our daily rituals; to global, as water is tamed, an ancient presence spun through industrialization. What ultimately comes to surface is, to what degree water has, in turn, overwhelmed and overcome us.

Also included, is a special chapter of curated texts by Hanna Wilde, including diverse variations on the theme, from poetry to political essay, to stage performance and film excerpt.

Capricious 13, Water

Capricious 13, Water

Capricious 13, Water

Capricious 13, Water

Capricious 13, Water

Capricious 13, Water