KALEIDOSCOPE Magazine 20 — Winter 2014
Softcover, 242 pp. + three special inserts, offset 4/4, 220 x 287 mm
Published by KALEIDOSCOPE Press
$18.00 · add to cart
Edited by Kaleidoscope’s editor-in-chief Alessio Ascari and entitled #VOICEOVER, the MAIN THEME section is dedicated to the deployment of off-camera commentary as a conceptual device in moving image works. The survey presents an overview by Shama Khanna on a new generation of artists, including Ed Atkins, Camille Henrot, Pilvi Takala, Duncan Campbell and Laure Prouvost; a case study by Pablo Larios on Jordan Wolfson; an essay by Marie de Brugerolle on French filmmakers Chris Marker and Jean-Luc Godard; and a conversation between Oliver Laric and George Vasey on voiceover in the pop realm.
Riding the edge of contemporary art and show business, the controversial work of Francesco Vezzoli, our cover story and the subject of the MONO section, occupies a schizophrenic space between pop and conceptualism, high and low, cynicism and criticality. The section comprises an essay by Andrea Viliani, an interview by Kevin McGarry, and a visual project specially created by the artist based on Grindr profiles.
A selection of videos featured in the Mono and Main Theme sections will be soon available to watch on KALEIDOSCOPE Videoclub, our new online channel of video exhibitions. Stay tuned!
Lastly, this issue’s section of REGULARS features Hans Ulrich Obrist introducing Swiss artist Kaspar Müller; Carson Chan meeting young global curator Simon Castets; Davide Quadrio reporting on the art scene in Shanghai, in conversation with local duo Birdhead; Fredi Fischli and Niels Olsen rediscovering the art of Chicago artist Christina Ramberg in conversation with Albert Oehlen; and Matthew Erickson inaugurating a new series of articles focused on single art works, Close-up, with an in-depth look at Matthew Barney’s latest project, River of Fundament.
The issue is enriched by our seasonal TIPS on following, reading, listening, stopping by, meeting and visiting; as well as by three SPECIAL INSERTS by Belgian collective Leo Gabin, British maverick David Robilliard and Japanese legendary illustrator Hajime Sorayama.
KALEIDOSCOPE Magazine 18 — Summer 2013
Softcover, 228 pp. + three special inserts, offset 4/4, 220 x 287 mm
Published by KALEIDOSCOPE Press
$12.00 · add to cart
The issue’s opening section of HIGHLIGHTS features Andra Ursuta, whose practice is understood by Joanna Fiduccia as committed to annihilating sculpture’s distance from our world; the fashion-label-cum-art-project Shanzhai Biennial, whose tangible products, explains Kevin McGarry, are eclipsed by their collateral evidence; Sergei Tcherepnin, described by Lawrence Kumpf as creating a complex system of bodily configurations and social situations; Yngve Holen, whose works are read by Pablo Larios as sentient beings concerned with frustrated circulation, technological growth and associative networking; and Petrit Halilaj whose practice is framed by Elena Filipovic as rejecting pathos in favor of an intimate and critical inflection of the political.
This section, titled Post-i-Meta-Hyper-Materiality, brings together a substantial group of artists who introduce the concept of emotional and bodily alienation within the discourse dominated by the readymade, corporate art pursued by many of their digital-native peers. The elusive sculptural works of Nicholas Deshayes, Steve Bishop, Marlie Mul, Magali Reus, Ben Schumacher and Alice Channer are framed by Karen Archey as deeply engaged with materiality and production processes and imbued with bodily allusions, while also commenting on issues of abstraction, dispersion, consumption and technology. A visual essay curated by fashion futurologist Veronica So reveals how, from sculptures designed by digital simulations to edible candies formed by human body scans, the appearance of 3D printing kicks off a range of playful experiments with technology and originality. Also in this section, Alice Channer talks to Rebecca Geldard about the starting point of each work, which she describes as “a moment of material seduction”; and artists Pamela Rosenkratz and Alisa Baremboym discuss physicality versus technology and the shifting boundaries between our bodies and the external world in a cross-interview by Ruba Katrib.
Comprising an essay by Jonathan Griffin, an interview by Francesco Manacorda and a photographic portrait by Ari Marcopoulos, this issue’s MONO is devoted to the Director of the International Art Exhibition at this year’s Venice Biennale, Massimiliano Gioni. Pragmatic bordering on opportunistic throughout his adventurous career, and yet described as “a hopeless romantic” by one of his most affectionate colleagues, Gioni states that his own failure to understand is what fuels his interest in art. Generally averse to chronological or historically comprehensive presentations and departing from the tautology of the masterpiece, he is instead a proponent of Outsider and self-taught art. His exhibitions, which he defines as products of a collective intelligence, are often concerned with the position of art within our image-based society, as well as the sites of an exploration of interior worlds, dream states and psychological visions.
Finally, it this issue’s REGULARS, Hans Ulrich Obrist and Simon Castets interview emerging artist Amalia Ulman; Gary Carrion-Murayari stages a three-way interview with Valentin Carron and Isabelle Cornaro; Felix Burrichter meets design critic Alice Rawsthorn; Leung Chi Wo, David Clarke and Lam Tung-pang engage in a round table about the art scene in Hong Kong then and now; finally, Laura McLean-Ferristraces the legacy of folk in British contemporary art from the exhibition Black Eyes and Lemonade to the practice of Jeremy Deller.
The edition is enriched by our seasonal TIPS on following, reading, listening, stopping by, meeting and visiting; as well as by three SPECIAL INSERTS, including a selection of paintings by Benjamin Senior, photographs by Jochen Lempert and collages by Sterling Ruby.
KALEIDOSCOPE Magazine 16 — Fall 2012
Softcover, 210 pp. + Ken Price Drawings insert, offset 4/4, 220 x 287 mm
Published by KALEIDOSCOPE Press
$12.00 · add to cart
This issue’s opening section features Aleksandra Domanovic, whose videos and sculptures are seen by Pablo Larios as embodiments of the perpetually productive disunion of politics and art; the ambitious public art program of New York’s High Line, described by Piper Marshall as one that confronts artists with many challenges; the record label Tri Angle, whose founder Robin Carolan talks to Ruth Saxelby about how to embody the zeitgeist of electronic music; the Indian duo Desire Machine Collective, who discuss with Sandhini Poddar and Ulrich Baer about mapping an experimental history of colonization; and American painter Sylvia Sleigh, whose elusive politics is contrasted by Joanna Fiduccia to the detailed realism of her portraits.
The blend of cybernetics and underground culture realized in the symbolic and mythological repertoire of Cyberpunk continues to inspire sci-fi narratives and permeate the arts, reinforcing its status as a powerful aesthetic. This issue examines the emergence of an art that addresses the processes of mechanization, desexualisation and reification of the human body, and how they relate to questions of identity, morality and fantasy. Featured contributions include Michele D’Aurizio’s overview of the work of a new generation of artists; Karen Archey’s analysis of the work of Canadian artist David Altmejd; a discussion between Brody Condon and Jason Brown coordinated by DIS magazine; and a conversation between young artist Timur Si-Qin and influential philosopher Manuel De Landa.
Comprising an essay by Alessandro Rabottini, an interview by Matt Keegan and a photographic portrait by Grant Willing, this issue’s MONO is devoted to American artist Frank Benson, whose work rides the dialectic between the space of the photographic image and the space of sculpture. Evoking celebrated artists like Charles Ray, Jeff Koons and Robert Gober, Benson uses the latest technology available and yet imbues the sculptural process with a profound understanding of physical materiality — making works that oscillate between analogue and digital, solidity and suspension, humor and elegance.
Hans Ulrich Obrist interviews the New York-based provocateur Liz Magic Laser; Dorothée Dupuis introduces the hidden life of Marseille; Luca Cerizza analyzes the emotional topography of Alberto Garutti; and Carson Chan meets the DAAD’s visual arts director Ariane Beyn. The edition is enriched by our seasonal tips on following, reading, listening, stopping by, meeting and visiting; as well as by three special inserts — drawings by Ken Price, stickers by Alistair Frost and images by Alistair Frost.