KALEIDOSCOPE Magazine 16

KALEIDOSCOPE Magazine 16 — Fall 2012

KALEIDOSCOPE Magazine 16 — Fall 2012
Softcover, 210 pp. + Ken Price Drawings insert, offset 4/4, 220 x 287 mm
ISSN 2038-4807
Published by KALEIDOSCOPE Press

$12.00 · add to cart

At the core of a platform that includes an exhibition space and an independent publishing house, KALEIDOSCOPE is an international quarterly of contemporary art and culture founded in 2009 in Milan. Distributed worldwide on a seasonal basis, it has gained widespread recognition as a trusted and timely guide to the present (but also to the past and possible futures), unique in its interdisciplinary and unconventional approach.

HIGHLIGHTS
This issue’s opening section features Aleksandra Domanovic, whose videos and sculptures are seen by Pablo Larios as embodiments of the perpetually productive disunion of politics and art; the ambitious public art program of New York’s High Line, described by Piper Marshall as one that confronts artists with many challenges; the record label Tri Angle, whose founder Robin Carolan talks to Ruth Saxelby about how to embody the zeitgeist of electronic music; the Indian duo Desire Machine Collective, who discuss with Sandhini Poddar and Ulrich Baer about mapping an experimental history of colonization; and American painter Sylvia Sleigh, whose elusive politics is contrasted by Joanna Fiduccia to the detailed realism of her portraits.

MAIN THEME
The blend of cybernetics and underground culture realized in the symbolic and mythological repertoire of Cyberpunk continues to inspire sci-fi narratives and permeate the arts, reinforcing its status as a powerful aesthetic. This issue examines the emergence of an art that addresses the processes of mechanization, desexualisation and reification of the human body, and how they relate to questions of identity, morality and fantasy. Featured contributions include Michele D’Aurizio’s overview of the work of a new generation of artists; Karen Archey’s analysis of the work of Canadian artist David Altmejd; a discussion between Brody Condon and Jason Brown coordinated by DIS magazine; and a conversation between young artist Timur Si-Qin and influential philosopher Manuel De Landa.

MONO
Comprising an essay by Alessandro Rabottini, an interview by Matt Keegan and a photographic portrait by Grant Willing, this issue’s MONO is devoted to American artist Frank Benson, whose work rides the dialectic between the space of the photographic image and the space of sculpture. Evoking celebrated artists like Charles Ray, Jeff Koons and Robert Gober, Benson uses the latest technology available and yet imbues the sculptural process with a profound understanding of physical materiality — making works that oscillate between analogue and digital, solidity and suspension, humor and elegance.

REGULARS
Hans Ulrich Obrist interviews the New York-based provocateur Liz Magic Laser; Dorothée Dupuis introduces the hidden life of Marseille; Luca Cerizza analyzes the emotional topography of Alberto Garutti; and Carson Chan meets the DAAD’s visual arts director Ariane Beyn. The edition is enriched by our seasonal tips on following, reading, listening, stopping by, meeting and visiting; as well as by three special inserts — drawings by Ken Price, stickers by Alistair Frost and images by Alistair Frost.

KALEIDOSCOPE Magazine 16 — Fall 2012

KALEIDOSCOPE Magazine 16 — Fall 2012

KALEIDOSCOPE Magazine 16 — Fall 2012

KALEIDOSCOPE Magazine 16 — Fall 2012

KALEIDOSCOPE Magazine 16 — Fall 2012

KALEIDOSCOPE Magazine 16 — Fall 2012

NTNTNT

NTNTNT

Jason Brown and Zoe Crosher, NTNTNT
Softcover, 396 pp., offset 1/1, 4.25 x 5.5 inches
Edition of 1000
ISBN 0-9727045-0-7
Published by CalArts School of Art

$20.00 · add to cart

NTNTNT is a convoluted history of art and activism on the net, based on disjointed fragments, historical artifacts, and half-forgotten conversations among the participants of Natalie Bookchin’s conference.

The threads and fragments from the original conversations were woven together with techno-utopian ruins and associatively cross-indexed with fragments from the distant age of “Browser Wars,” creating a stuttering, paper-based constellation.

The resulting book is not so much a document as an artifact — a puzzled, puzzling, mnemonic object marked by passage of a particular time.