Rock/Music Writings
Dan Graham, Rock/Music Writings
Softcover, 224 pp., offset 4/1, 5.5 x 8.25 inches
Edition of 3000
ISBN 978-0978869-73-1
Published by Primary Information
$18.00 · add to cart
This is Work
Bas Morsch, This is Work
Softcover, 10 posters/80 pp., offset 4/1, 210 x 297 mm
Edition of 1000
Published by Bas Morsch
$5.00 · add to cart
I Like Your Music I Love Your Music
Dave Muller, I Like Your Music I Love Your Music
Hardcover, 168 pp., offset 4/4, 305 x 305 mm
Edition of 2000
ISBN 9783905829860
Published by JRP|Ringier
$68.00 · add to cart
OMG BFF LOL
Charlie White, OMG BFF LOL
DVD, 9 min., 6 sec., NTSC, digital 4/4, 5.25 x 7.5 inches
Plays in a loop of the three scenes: A, B, A, C
Includes We Love to Shop *, the theme song from OMG BFF LOL
Published by Charlie White
$12.00 · add to cart
Based on a two-year study of the behavior of an actual American teenage girl, the animation is part of a larger project called The Girl Studies that dissects the desires and social anxieties of our era. The animation is meant to perform as a viable cartoon for young girls, while simultaneously providing a platform from which viewers can critique them. White’s works in photography, film, and more recently animation, often offer fictitious narratives to help us understand and evaluate the underlying realities of contemporary life.
This particular project features Tara and Blakey, two American-girl cartoon characters with pink-glitter accessories, trendy clothing, and commercial desires. These archetypes of the American teen are used to examine their representation from different angles. Set in three looping scenes, OMG BFF LOL contains the cartoon’s capitalist manifesto, “having is so much better than wanting,” discussed by the girls in a crystal shopping mall scene. The second and third scenes, set in a bedroom and bathroom, open the door to the interior loneliness and isolation of the two main characters, as viewers observe them surfing TV channels and radio stations, snacking, posing in front of a full length mirror, and crying, as a digital clock marks the passage of time.
White wrote and directed OMG BFF LOL, working in collaboration with Chuck Gammage studios, a Canadian animation house, to create the intentionally dated quality of the scenes. He explains, “The three segments loop on a now obsolete 4:3 Sony Trinitron monitor, which conjures the television as both box and broadcast mechanism.”
—Mónica Ramírez-Montagut
* A free download (MP3) of the teen-dance remix of We Love to Shop is available here.
Excerpt from Charlie White’s cartoon OMG BFF LOL (Mall) from his project The Girl Studies, 2008. (Run Time: 3 min., 16 sec.)
7 Windmill Street W1
Mark Leckey, 7 Windmill Street W1
Hardcover, 162 pp., offset 4/4, 160 x 230 mm
Edition of 2000
ISBN: 978-2-940271-34-4
Published by JRP|Ringier/Walther König
out of print
Mark Leckey’s best-known video, Fiorucci Made Me Hardcore (1999), is a 15-minute journey into urban British youth culture from the mid 1970s to the early 1990s. Leckey’s presentation of twenty years of dance hall material does not, however, result in a documentary work: the video is rather a visual essay with hedonistic promises of club culture, the birth of funky chic, and the cultural shift of the rise of Acid House. Active in music production through donAtella, a glam-trash duo formed by the artist and Ed Liq, Leckey also makes live performances, CDs, and sound installations. Plunged into the lowbrow of culture, Leckey is one of the most perceptive cultural readers of Western societies.
This publication is the first to be dedicated to his work. Conceived as a source book of his working methods and fields of interest, it has been edited by the artist and features images of his main productions, as well as a wealth of other visual materials he has gathered through the years. In addition to original contributions, it includes reprints of texts from Michel Leiris and the 19th century-writer Walter Pater, as well as song lyrics. Designed by NORM in close collaboration with the artist, this printed project takes the shape of a hardbound drawing book, accentuating the idea of a point of departure rather than arrival.
The book was realized on the occasion of Leckey’s solo exhibition at the Museum für Gegenwartskunst Migros in Zurich, a co-edition with König Books London.
Is It Really So Strange?
William E. Jones, Is It Really So Strange?
Softcover, 108 pp., offset 4/1, 9.5 x 12 inches
Edition of 1000
ISBN 0-9772347-1-1
Published by David Kordansky Gallery
$30.00 · add to cart
Making the connection between The Smiths’ working-class, Manchester-raised, ethnic Irish experience and that of the sons and daughters of Latino immigrants in Los Angeles, Is It Really So Strange? is the companion book to William Jones’ documentary of the same name.
The Moi Non Plus
Bas Morsch, The Moi Non Plus
Softcover, 60 pp. + CD, offset 1/1, 210 x 297 mm
Edition of 1000
Published by Bas Morsch
$15.00 · add to cart
X
Glen Cummings and Adam Michaels, X
Softcover, 112 pp., offset 1/1, 130 x 190 mm
Edition of 1000
Published by Glen Cummings and Adam Michaels
$10.00 · add to cart
This publication is an initial attempt to examine the trajectory of the X symbol in underground music culture. While the X is broadly associated with the punk scene—in particular, straight edge hardcore—the symbol contains a wide range of often-contradictory meanings. This document presents our ongoing research; we welcome comments, corrections, and criticism.
Mono.Kultur 16
Mono.Kultur 16, Miranda July
Softcover, 16 pp. + poster, offset 4/1, 140 x 200 mm
Edition of 5000
ISSN 1861-7085
Published by Mono.Kultur
$8.00 · add to cart
During this time, she also founded Joanie 4 Jackie (formerly Big Miss Moviola). Joanie 4 Jackie was a non-commercial distribution system for women video-makers in the pre-YouTube mid-1990s. Any woman could submit a video short and July would put it onto a compilation tape with nine other videos; she then re-circulated these new ‘chain letter’ tapes so each video-maker could see what others were making. Joanie 4 Jackie was an explicitly feminist project, stemming from the anti-consumerist ethos of third wave feminism. Feminist concerns are also evident in July’s early short video works, which explored mother/daughter dynamics, voyeurism, and female spectatorship. In her videos The Amateurist and Nest of Tens, her characters hunt for or establish patterns, imposing their own personal systems of control onto the bewildering world around them. She extended these themes of unexpected longing and loss in Me and You, her short stories, and her recent performances.








