PWR 1

Hanna Terese Nilsson and Rasmus Svensson, PWR 1

Hanna Terese Nilsson and Rasmus Svensson, PWR 1
Poster/folded, 16 pp., web offset 1/1, 570 x 760 mm
Edition of 1000
Published by PWR Paper

$6.00 · free* · add to cart

*free copy with each order

Both the future and the past are mysterious places filled with hidden delights and lurking dangers. This is a poster-magazine about traveling in time as well as in (cyber)space. The second manifestation of PWR will be revealed shortly.

26 November 2009, Gothenburg, Sweden, Earth, Internet.

Bicycles

Michael Kim, Bicycles

Michael Kim, Bicycles
Softcover, 48 pp., offset 1/1, 4 x 5.75 inches
Edition of 500
Published by Tramnesia

$8.00 · add to cart

After Modern History is a report on world events that re-edits the news of the day by linking together images according to a totally idiosyncratic perspective of pattern recognitions and typologies. After Modern History lifts photos from daily newspapers and re-organizes disparate, often atomized subjects into newly imagined affinities. For most people caught on the hard end of luck, the newspaper can be a lonely place. But in this second draft of history, bad news is no longer so isolated. There is no dateline.

Bicycles is a collection of newspaper clippings where bicycles appear incidentally to the photograph subject.

Karel Martens: Counterprint

Karel Martens: Counterprint

Karel Martens: Counterprint
Softcover, 32 pp., offset 4/4, 210 x 297 mm
Edition of 4000
ISBN 978-0-907259-25-1
Published by Hyphen Press

$35.00 · add to cart

Throughout his career as a designer, Karel Martens has made artistic (uncommissioned) work. In his early days he used sheets of paper, cut to make reliefs. Then he began to make prints from Meccano, metal plates and washers, and other found objects. These prints were made in very small numbers, or were perhaps one-offs. They were studies in form and colour, done as experiments or intended as gifts to friends. The work was very much in the Dutch tradition of experimental printing (the artist H.N.Werkman is the great exemplar here). But Martens kept this work largely apart from his graphic design work. He has occasionally shown it in exhibitions, and some pieces were published in the book Karel Martens: printed matter / drukwerk.

This is the first publication devoted to Martens’s prints. It is made in association with the printer Lecturis, in Eindhoven, and is produced to the highest quality. Bound in Chinese/Japanese fashion, like the first Martens book, it has a strong quality as an object. The main text in the book is an essay by the English designer Paul Elliman: ‘The world as a printing surface’. Dutch critic and teacher Carel Kuitenbrouwer provides a short introduction. The book is designed by Hans Gremmen, under the supervision of Karel Martens, at the Werkplaats Typografie in Arnhem.

I Like Your Music I Love Your Music

Dave Muller, I Like Your Music I Love Your Music

Dave Muller, I Like Your Music I Love Your Music
Hardcover, 168 pp., offset 4/4, 305 x 305 mm
Edition of 2000
ISBN 9783905829860
Published by JRP|Ringier

$68.00 · add to cart

The exquisite paintings of record covers and spines by Los Angeles-based artist Dave Muller give us a glimpse into his cultural identity. I Like Your Music I Love Your Music presents a selection of recent works dealing with the ways in which we construct our cultural identities through music — which he represents as a network of aesthetic, social and personal exchanges. Muller’s multifaceted practice includes curating, cultural agitating, DJing and record collecting — his collection tops out at 15,000 digital albums. He is particularly well known for his multitextured installations that blend his own sound tracks with his visual work. He is represented by Blum & Poe in Los Angeles and was included in the 2004 Whitney Biennial. This volume is published in collaboration with Spain’s Museo de Arte Contemporáneo de Castilla y León (MUSAC), and includes an essay by artist and Director of New York’s White Columns, Matthew Higgs.

PSYOP: Post-9/11 Leaflets

PSYOP: Post-9/11 Leaflets

Christoph Büchel and Giovanni Carmine, PSYOP: Post-9/11 Leaflets
Softcover, 144 pp., offset 4/4, 165 x 235 mm
Edition of 2000
ISBN 9783905701128
Published by JRP|Ringier

$22.00 · add to cart

In the spirit of Taliban, this artist’s book on military “psychological operations” collects over 120 propaganda leaflets that have been dropped by the U.S. Army on Afghanistan and Iraq, as well as other similar material. It offers unique insight into the intense and varied strategies in play in a chaotic Middle East.

Appendix Appendix

Stuart Bailey and Ryan Gander, Appendix Appendix

Stuart Bailey and Ryan Gander, Appendix Appendix
Softcover, 192 pp., offset 4/1, 215 x 280 mm
Edition of 5000
ISBN 978-3-905770-19-3
Published by JRP|Ringier, CK editions

$29.00 · add to cart

Appendix Appendix is conceived as the sequel to Ryan Gander and Stuart Bailey’s 2003 book “Appendix.” Like its predecessor, it attempts “a translation of practice” based on Ryan Gander’s recent body of work. Neither straight
documentation, nor an “artist’s book,” it pushes for a third way, editing and presenting each individual piece of work in a manner appropriate to its specific nature. In the years since “Appendix,” Gander’s work has increasingly encompassed sound and the moving image in addition to the earlier objects and installations. This shift will directly affect the form of Appendix Appendix.

Born in 1976, Ryan Gander lives and works in London and Amsterdam. His photographs, films, installations and sculptures draw on multiple layers of facts and fiction. He has exhibited in the USA and throughout England and Europe.

The English-born Stuart Bailey (*1973) has forged a formidible creative base for himself in Amsterdam where he has benefited greatly from Dutch design tradition. Since his arrival in the Netherlands, he has become a steady contributor to the art and design culture as a writer, critic, editor, and graphic designer.

This publication is part of the series of artists projects edited by Christoph Keller. Personally selected by Keller, for Textfield, as one of his top five from the series.

Peter Saville Estate

Peter Saville, Estate

Peter Saville, Peter Saville Estate
Softcover, 272 pp., offset 4/4, 210 x 270 mm
Edition of 5000
ISBN 978-3-905701-66-1
Published by JRP|Ringier

$50.00 · add to cart

Peter Saville Estate traces the development of designer, artist and cultural observer Peter Saville, from his groundbreaking work for Factory Records in the late 1970s, though to his most recent explorations of art and design’s role in the highly commodified, visually hyper-literate early 21st century. Taking Saville’s 2005 exhibition at the Migros Museum für Gegenwartskunst Zürich as its starting point, the book features essays by Michael Bracewell and Heike Munder, alongside personal responses to Saville’s work from artists Slater Bradley, Liam Gillick, Steven Gontarski, Thomas Grünfeld, Robert Longo, Sarah Morris, Oliver Payne and Nick Relph, Sean Snyder, Wolfgang Tillmans, Kelley Walker and T.J. Wilcox.

Peter Saville Estate is not a conventional account of Saville’s professional practice, but collects together work, reference material and ephemera from his archive to form an illuminating and highly personal topography of the life and working methods of one of the most influential designers of the last 30 years.

Born in Manchester (U.K.) in 1955, Peter Saville studied graphic design at Manchester Polytechnic. He found early inspiration in the elegantly ordered aesthetic of Jan Tschichold, the German-born book and type designer who was to become the chief propagandist for the New Typography. In 1979 he co-founded Factory Records (with Tony Wilson), and in the following year he co-designed the famous Haçienda nightclub.

Pitch

Pitch

Jonathan Maghen, Pitch
Océ print/poster, 1/0 on green paper, 36 x 48 inches
Edition of 11 + 2 proofs, numbered
Published by Textfield

$28.00 · add to cart

A football pitch realized by printing alternating 25% and 50% black horizontal bands on 20lb green paper.

Multi-Level Marketing (Work From Home)

Multi-Level Marketing (Work From Home)

Jonathan Maghen, Multi-Level Marketing (Work From Home)
Océ print/poster, 1/0, 22 x 33 inches
Edition of 11 + 2 proofs, numbered
Published by Textfield

$13.00 · add to cart

Multi-level marketing (MLM), (also called network marketing) is a term that describes a marketing structure used by some companies as part of their overall marketing strategy. The structure is designed to create a marketing and sales force by compensating promoters of company products not only for sales they personally generate, but also for the sales of other promoters they introduced to the company, creating a downline of distributors and a hierarchy of multiple levels of compensation. The products and company are usually marketed directly to consumers and potential business partners by means of relationship referrals and word of mouth marketing.

Multi-Level Marketing (Lose Weight Now)

Multi-Level Marketing (Lose Weight Now)

Jonathan Maghen, Multi-Level Marketing (Lose Weight Now)
Océ print/poster, 1/0, 22 x 33 inches
Edition of 11 + 2 proofs, numbered
Published by Textfield

$13.00 · add to cart

Multi-level marketing (MLM), (also called network marketing) is a term that describes a marketing structure used by some companies as part of their overall marketing strategy. The structure is designed to create a marketing and sales force by compensating promoters of company products not only for sales they personally generate, but also for the sales of other promoters they introduced to the company, creating a downline of distributors and a hierarchy of multiple levels of compensation. The products and company are usually marketed directly to consumers and potential business partners by means of relationship referrals and word of mouth marketing.

Textfield IV / Bless N˚27, Eased Up

Textfield IV

Textfield IV / Bless N˚27, Eased Up
Softcover, 112 pp., offset 4/1, 6.5 x 9.5 inches
Edition of 2500
Published by Textfield

$20.00 · add to cart

Contributors; Becca Albee, Timothy Aubry, AUDC, Pierre Bal-Blanc, Nina Jan Beier, Mariana Castillo Deball, Fritz Haeg, Chace Hartman, Nakako Hayashi, Marco Fiedler, Johnny Freedom, Marc Kremers, Prem Krishnamurthy, Marie Jan Lund, Jonathan Maghen, Rob McKenzie, Francois Perrin, Angelo Plessas, Achim Reichert, Anna Sew Hoy, Jennifer Stratford, Nikola Tosic, and Michael Wells.

Textfield III

Textfield III

Textfield III
Folded/perforated, 56 pp., web offset 4/1, 11 x 17 inches
Edition of 1500
Published by Textfield

$10.00 · add to cart

Contributors; Andreas Angelidakis, AUDC, Nina Jan Beier, Andrew Burgess, Claude Closky, Trinie Dalton, Johnny Freedom, Marie Jager, Peter Kim, John Knuth, Marc Kremers, Gonzalo Lebrija, Spencer Lee, Marie Jan Lund, Miltos Manetas, Giles Miller, Doreen Morrissey, Angelo Plessas, Lucas Quigley, Rafaël Rozendaal, Eduardo Sarabia, Anna Sew Hoy, Nikola Tosic, Kazys Varnelis, Michael Wells, Sandy Yang, and Amy Yao.

Textfield I

Textfield I

Textfield I
Softcover, 112 pp., offset 1/1, 8.5 x 11 inches
Edition of 1000
Published by Textfield

out of print

Contributors; Piero Golia, Yuji Adachi, Miltos Manetas, Eduardo Sarabia, Boris Kopening, Jonathan Maghen, Jennifer Stratford, Francois Perrin, Experimental Jetset, Delaware, Nanette Sullano, Andreas Angelidakis, Sarah Shapiro, Franklyn Liegel, and Rafael Rozendaal.

7 Windmill Street W1

Mark Leckey, 7 Windmill Street W1

Mark Leckey, 7 Windmill Street W1
Hardcover, 162 pp., offset 4/4, 160 x 230 mm
Edition of 2000
ISBN: 978-2-940271-34-4
Published by JRP|Ringier/Walther König

out of print

condition: fine, minor shelf wear.

Mark Leckey’s best-known video, Fiorucci Made Me Hardcore (1999), is a 15-minute journey into urban British youth culture from the mid 1970s to the early 1990s. Leckey’s presentation of twenty years of dance hall material does not, however, result in a documentary work: the video is rather a visual essay with hedonistic promises of club culture, the birth of funky chic, and the cultural shift of the rise of Acid House. Active in music production through donAtella, a glam-trash duo formed by the artist and Ed Liq, Leckey also makes live performances, CDs, and sound installations. Plunged into the lowbrow of culture, Leckey is one of the most perceptive cultural readers of Western societies.

This publication is the first to be dedicated to his work. Conceived as a source book of his working methods and fields of interest, it has been edited by the artist and features images of his main productions, as well as a wealth of other visual materials he has gathered through the years. In addition to original contributions, it includes reprints of texts from Michel Leiris and the 19th century-writer Walter Pater, as well as song lyrics. Designed by NORM in close collaboration with the artist, this printed project takes the shape of a hardbound drawing book, accentuating the idea of a point of departure rather than arrival.

The book was realized on the occasion of Leckey’s solo exhibition at the Museum für Gegenwartskunst Migros in Zurich, a co-edition with König Books London.

Kidnapping Mountains

Slavs and Tatars, Kidnapping Mountains

Slavs and Tatars, Kidnapping Mountains
Softcover, 96 pp., offset 4/1, 20 x 26 cm
Edition of 1250
ISBN 978-1-906012-19-9
Published by Book Works

$32.00 · add to cart

Kidnapping Mountains is a playful and informative exploration of the muscular stories, wills, and defeat inhabiting the Caucasus region. The book is comprised of two parts: an eponymous section addressing the complexity of languages and identities on the fault line of Eurasia, and Steppe by Steppe Romantics, a restoration of the region’s seemingly reactionary approaches to romance.

The Sun As Error

Shannon Ebner, The Sun As Error

Shannon Ebner, The Sun As Error
Hardcover, 64 pp., offset 4/1, 11 x 14.5 inches
Edition of 1000
ISBN 978-0-87587-200-1
Published by LACMA

$65.00 · add to cart

The Los Angeles based artist Shannon Ebner extends her exploration of photography, sculpture and language in this remarkable book, The Sun as Error. In collaboration with Dexter Sinister (design duo David Reinfurt and Stuart Bailey), The Sun as Error re-investigates the meaning and language of photographs, creating both an open-ended reading of her practice and also rethinking the idea of an artist’s monograph. Far from straightforward, the book interweaves her bodies of work, previously unseen one-off pieces, with the language of technical diagrams, optical illusions, and graphic design. One of the persistent motifs through the book’s sequence is an asterisk and, specifically, one imbued with the legacy of the graphic designer Muriel Cooper. As the first design director for MIT Press and the cofounder of the Visible Language Workshop, Cooper’s legacy for reorienting and repositioning the direction of an artist’s monograph is imaginatively explored in the creative partnership of Dexter Sinister and Shannon Ebner.

Shannon Ebner’s work has been shown in exhibitions including Trace at The Whitney Museum of American Art at Altria (2006), The 2006 California Biennial at The Orange County Museum of Art, Uncertain States of America, at The Serpentine Gallery, London (2006), Learn to Read, at the Tate Modern, London (2007), and the 2008 Whitney Biennial at The Whitney Museum of American Art.

Celebrating 10 Years of Themelessness

Bless, Celebrating 10 Years of Themelessness

Bless, Celebrating 10 Years of Themelessness, Nº00 — Nº29
Softcover, 496 pp., offset 4/1 + fore-edge printing, 185 x 250 mm
Edition of 2000
ISBN 978-1-933128-15-3
Published by Sternberg Press

$59.00 · add to cart

Bless came to fame in the winter of 97/98, when the models of a Martin Margiela fashion show wore Bless wigs made out of fur. Heralded as one of fashion’s most innovative designers, the Paris and Berlin-based duo (Desiree Heiss and Ines Kaag) quickly refused to capitalize on one milieu. Constantly investigating the boundaries of style, Bless slides from fashion to beauty, interior decoration to art exhibition, collaboration with other brands to stylized advertising. Their production, which sits on the fine line between art object and design, high function and high fashion, is always unique and marked by the recycling and adaptation of unexpected items put to use in a totally new way.

Designed by Manuel Raeder, this fully illustrated book features for the first time the wide range of Bless’ activity and documents a unique mode of cultural production.

Bless have exhibited internationally at the 1st berlin biennale (1998/99), Musée d’Art Moderne de la Ville de Paris (1999), Centre Pompidou (2000), Manifesta 4 (2002), Palais de Tokyo (2003), Moderna Museet, Stockholm (2004), and most recently at the Museum Boijmans Van Beuningen, Rotterdam (2006). Their collaborations with other brands range from Adidas to Levi’s, Nike, Mikli and Droog over to the jewellery designer Bucherer.

American Letter

Becky Beasley, American Letter

Becky Beasley, American Letter
Softcover, 64 pp., offset 4/1, 8.5 x 11 inches
Edition of 500
Published by Laura Bartlett Gallery

$30.00 · add to cart

An artist’s publication, American Letter, published by Laura Bartlett Gallery, with text by John Slyce and Becky Beasley has been produced in an edition of 500 copies to coincide with the exhibition Three Notable American Novellas.

The Moi Non Plus

Bas Morsch, The Moi Non Plus

Bas Morsch, The Moi Non Plus
Softcover, 60 pp. + CD, offset 1/1, 210 x 297 mm
Edition of 1000
Published by Bas Morsch

$15.00 · add to cart

60 pages + 9 tracks

X

Michael Cummings and Adam Michaels, X

Glen Cummings and Adam Michaels, X
Softcover, 112 pp., offset 1/1, 130 x 190 mm
Edition of 1000
Published by Glen Cummings and Adam Michaels

$10.00 · add to cart

This publication is an initial attempt to examine the trajectory of the X symbol in underground music culture. While the X is broadly associated with the punk scene—in particular, straight edge hardcore—the symbol contains a wide range of often-contradictory meanings. This document presents our ongoing research; we welcome comments, corrections, and criticism.

A La Cach Cachi Porra

Manuel Raeder, A La Cach Cachi Porra

Manuel Raeder, A La Cach Cachi Porra
Softcover, 120 pp., offset 3/1, 17 x 24 cm
agenda/calendar/file folders
Edition of 500
Published by Manuel Raeder

$40.00 · add to cart

A calendar/day-planner for 2009 by graphic designer Manuel Raeder, exploring the possibilities of being a time storage device in a book format. Each copy has a different color scale iris print and every sixth page needs to be torn open by the reader.

Weeping

Michael Kim, Weeping

Michael Kim, Weeping
Softcover, 48 pp., risograph 2/1, 4 x 5.75 inches
Edition of 300
Published by Tramnesia

$7.00 · add to cart

After Modern History is a report on world events that re-edits the news of the day by linking together images according to a totally idiosyncratic perspective of pattern recognitions and typologies. After Modern History lifts photos from daily newspapers and re-organizes disparate, often atomized subjects into newly imagined affinities. For most people caught on the hard end of luck, the newspaper can be a lonely place. But in this second draft of history, bad news is no longer so isolated. There is no dateline.

Weeping is a collection of newspaper clippings from the New York Times and the Wall Street Journal of people crying.

Paper Monument 2

Paper Monument 2

Paper Monument 2
Softcover, 84 pp., offset 4/1, 7 x 10 inches
Edition of 1000
ISSN 1938-8918
ISBN 978-0-9797575-1-8
Published by Paper Monument

$10.00 · add to cart

Paper Monument is a semi-annual print journal of contemporary art published in association with n+1. It is edited by Naomi Fry, Dushko Petrovich, Prem Krishnamurthy, Jessica Slaven, and Roger White, and designed by Project Projects.

Paper Monument 1

Paper Monument 1

Paper Monument 1
Softcover, 84 pp., offset 4/1, 7 x 10 inches
Edition of 1000
ISSN 1938-8918
ISBN 978-0-9797575-0-1
Published by Paper Monument

$10.00 · add to cart

Paper Monument is a semi-annual print journal of contemporary art published in association with n+1. It is edited by Naomi Fry, Dushko Petrovich, Prem Krishnamurthy, Jessica Slaven, and Roger White, and designed by Project Projects.

Mono.Kultur 22

Mono.Kultur 22, Ai WeiWei

Mono.Kultur 22, Ai Weiwei
Softcover, 40 pp. + poster, offset 4/1, 140 x 200 mm
Edition of 5000
ISSN 1861-7085
Published by Mono.Kultur

$9.00 · add to cart

Ai Weiwei grew up under horrible conditions, living literally underground in a burrow in the Chinese regions of Manchuria and Xinjiang. Born in 1957 in Beijing, Ai Weiwei was the son of Ai Qing, a renowned poet denounced by the Chinese Communist Party and during the Cultural Revolution forced into exile in a labour camp. Under strong political control, his father had to clean public toilets.
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