
Christoph Keller and Jérôme Saint-Loubert Bié, Double Page
Softcover, 256 pp., offset 4/3, 115 x 160 mm
Edition of 2000
ISBN 978-2917855-06-5
Published by Editions B42
$15.00 · out of stock
45 graphic designers, 90 photographs, 10 years of books on contemporary art.
This book is based on an invitation to graphic designers to choose two books on contemporary art from the past decade whose design they think is particularly pertinent to the content, to photograph one double-page spread from each book and, if they wish, to comment on their choices.
Double Page provides a selection of recent art publications as viewed by graphic designers who are internationally known for their contribution to that field, and offers a glimpse at the role of book design today in our knowledge and understanding of contemporary art.
Shedding light on this prevalent relationship between art and graphic design by means of photography, Double Page constitutes an unprecedented document of how graphic designers see the work of their peers and their own practices as an essential part of the editorial process.
Alberto Vieceli, Alex Rich, Alexandre Dimos, Alexia de Visscher, Armand Mevis, Art, Arthur Herrman, Aude Lehmann, Benjamin Sommerhalder, Caroline Fabès, Catherine de Smet, Change is Good, Christian Haas, Christoph Keller, Christoph Steinegger, Counterspace, Daniel Eatock, David Reinfurt, David Rust, Design, deValence, Dexter Sinister, Dimitri Bruni, Dorothea Weishaupt, École régionale des Beaux-Arts de Rennes, Editions B42, Erik Kessels, Frédéric Teschner, Gaël Étienne, Gail Swanlund, Gavillet & Rust, Georg Rutishauser, Gilles Gavillet, groenlandbasel, Interkool, Jean-Marc Ballée, Jean-Marie Courant, Jeroen Kummer, Jérôme Saint-Loubert Bié, Jocelyn Cottencin, Jon Sueda, Jonathan Maghen, José Albergaria, Joseph Logan, Joséphine Guérin, Julia Born, KesselsKramer, Kummer & Herrman, Lehni-Trueb, Lex Trueb, Lieuxcommuns, Linda van Deursen, Ludovic Balland, Manuel Krebs, Manuel Raeder, Markus Dreßen, Markus Weisbeck, Maureen Mooren, Mevis & van Deursen, Michael Worthington, Mike Meire, Müller & Wesse, NORM, O-R-G, Peter Bilak, Philipp Arnold, Pierre Huyguebaert, Prill & Vieceli, Purtill Family Business, Raffinerie AG für Gestaltung, Regular, Rik Bas Backer, Roger Willems, Roma, Sara De Bondt, Secondary Modern, Simon Josebury, Spector, Speculoos, Stephan Müller, Stripe, Stuart Bailey, Studio Ahoy, Tania Prill, Textfield, Typography Cabinet, Typotheque, Urs Lehni, Warren Olds, Will Holder, Yvonne Quirmbach

Dexter Sinister, Portable Document Format
Hardcover, 200 pp., offset 4/1, 4.25 x 6.75 inches
Edition of 1000
ISBN 978-1-933128-85-6
Published by Sternberg Press
$20.00 · add to cart
Over the past few years, Dexter Sinister has been interested in exploring contemporary publishing in its broadest, most exploded sense. The first part of this book consists of pieces of writings written since the conception of their New York basement workshop and bookstore in the summer of 2006. These writings were previously published online as PDFs in the Library at www.dextersinister.org. They were primarily written by Dexter Sinister or by one of a circle of regular collaborators, often for their house journal
Dot Dot Dot, or as supplements to other books or exhibitions.
The second part consists of reproductions of a series of lithographic proof prints. Accompanying these prints are extended captions individually produced for different exhibitions in 2008. Each caption was composed in line with the manner of its accompanying image. Although never intended as a set, a number of generic themes emerged, such as abstraction, mathematics, logic, and cooperation. The book intends to demonstrate how ideas from the first part have been rechannelled in the second.
Anthony Huberman, David Reinfurt, David Senior, Dexter Sinister, Edgar Allan Poe, Giles Weaver, Louis Kaplan, RAM, Rob Giampietro, Seth Price, Sternberg Press, Stuart Bailey, Walead Beshty

Stuart Bailey and Robin Kinross, God’s amateur: the writing of E.C. Large
Softcover, 96 pp., offset 3/1, 170 x 240 mm
Edition of 2000
ISBN 978-0-907259-38-1
Published by Hyphen Press
$20.00 · add to cart
A book of and about E.C. Large, which contains a selection of his shorter writings — travel essays, reportage, reveries, reviews, critiques, autobiographical pieces — and which reveals the extent of his achievement. These show a notably exact writer, with sane no-nonsense views, and yet with great imagination. Some unpublished texts are shown in facsimile. Also here is a bibliography of his published writings (both ‘literary’ and scientific), and an essay by Stuart Bailey, which sees his work with present-day eyes.
Criticism, E.C. Large, Hyphen Press, PAP, Robin Kinross, Stuart Bailey

Maria Fusco and Ian Hunt, Put About: A Critical Anthology on Independent Publishing
Softcover, 194 pp., offset 4/1, 190 x 255 mm
Edition of 2000
SBN: 1-870699-70-X
Published by Book Works
$40.00 · add to cart
Put About: A Critical Anthology on Independent Publishing presents a timely discussion about independent publishing and publishing by artists, focusing on books where the makers keep control of every aspect of production through to distribution. Combining an interest in what and why publishers and artists feel compelled to deliver such materials, together with the economic models, audience and networks of association that can give independent productions a wider cultural presence, this book features a broad range of written and visual pieces alongside ‘case-studies’ from a selection of contemporary international publishers. Contributors include: John Baldessari, Simon Bedwell, Michael Bracewell, Andrea Brady, Cabinet Magazine, Bonnie Camplin, Maurizio Cattelan, David Dibosa, Matthew Higgs, Stewart Home, Lucy Lippard, Emily King, Gunilla Klingberg, Jakob Kolding, John Miller, Paul D. Miller aka Dj Spooky, Aleksandra Mir, Stéphanie Moisdon, David Osbaldeston, Raymond Pettibon, Lynne Tillman, Nicolas Trembley, and Axel John Wieder.
Aleksandra Mir, Andrea Brady, Art, Axel John Wieder, Bonnie Camplin, Book Works, Cabinet Magazine, Criticism, David Dibosa, David Osbaldeston, Design, Emily King, Gunilla Klingberg, Ian Hunt, Jakob Kolding, John Baldessari, John Miller, Lucy Lippard, Lynne Tillman, Maria Fusco, Matthew Higgs, Maurizio Cattelan, Michael Bracewell, Nicolas Trembley, RAM, Raymond Pettibon, Simon Bedwell, Stéphanie Moisdon, Stewart Home, Stuart Bailey

Stuart Bailey and Ryan Gander, Appendix Appendix
Softcover, 192 pp., offset 4/1, 215 x 280 mm
Edition of 5000
ISBN 978-3-905770-19-3
Published by JRP|Ringier, CK editions
$29.00 · add to cart
Appendix Appendix is conceived as the sequel to Ryan Gander and Stuart Bailey’s 2003 book “Appendix.” Like its predecessor, it attempts “a translation of practice” based on Ryan Gander’s recent body of work. Neither straight
documentation, nor an “artist’s book,” it pushes for a third way, editing and presenting each individual piece of work in a manner appropriate to its specific nature. In the years since “Appendix,” Gander’s work has increasingly encompassed sound and the moving image in addition to the earlier objects and installations. This shift will directly affect the form of
Appendix Appendix.
Born in 1976, Ryan Gander lives and works in London and Amsterdam. His photographs, films, installations and sculptures draw on multiple layers of facts and fiction. He has exhibited in the USA and throughout England and Europe.
The English-born Stuart Bailey (*1973) has forged a formidible creative base for himself in Amsterdam where he has benefited greatly from Dutch design tradition. Since his arrival in the Netherlands, he has become a steady contributor to the art and design culture as a writer, critic, editor, and graphic designer.
This publication is part of the series of artists projects edited by Christoph Keller. Personally selected by Keller, for Textfield, as one of his top five from the series.
Art, Christoph Keller, CK editions, DAP, Design, Dexter Sinister, Film, Graphics, JRP|Ringier, Ryan Gander, Stuart Bailey, Theory

Textfield V
Softcover, 128 pp., offset 4/1, 6.5 x 9.5 inches
Edition of 2500
ISSN 1934-2446
Published by Textfield
$20.00 · add to cart
Contributors; Darren Bader, Stuart Bailey, Nina Jan Beier, Chris Bolton, Rainer Borgemeister, Binna Choi, Ryan Conder, Chris Cullens, Jason DeLeón, Thomas Eberwein, Marco Fiedler, Steve Hanson, Danielle Kays, Robin Kinross, Marc Kremers, Marie Jan Lund, Yukinori Maeda, Miltos Manetas, Emily Mast, Slobodan Milosevic, Angelos Plessas, Manuel Raeder, Achim Reichert, Rafaël Rozendaal, Eduardo Sarabia, Artur Schmal, Nanette Sullano, Gerard Unger, Amy Yao, and Cosmic Wonder.
Achim Reichert, Amy Yao, Angelo Plessas, Angelos Plessas, Art, Artur Schmal, Binna Choi, Chris Bolton, Chris Cullens, Cosmic Wonder, Criticism, Danielle Kays, Darren Bader, Design, Distribution, Eduardo Sarabia, Emily Mast, Fashion, Fiction, Gerard Unger, Jason DeLeón, Jonathan Maghen, Manuel Raeder, Marc Kremers, Marco Fiedler, Marie Jan Lund, Miltos Manetas, Nanette Sullano, Nina Jan Beier, Photography, Rafael Rozendaal, Rainer Borgemeister, Robin Kinross, Ryan Conder, Slobodan Milosevic, Steve Hanson, Stuart Bailey, Textfield, Theory, Thomas Eberwein, Typography, Yukinori Maeda

Shannon Ebner, The Sun As Error
Hardcover, 64 pp., offset 4/1, 11 x 14.5 inches
Edition of 1000
ISBN 978-0-87587-200-1
Published by LACMA
$65.00 · add to cart
The Los Angeles based artist Shannon Ebner extends her exploration of photography, sculpture and language in this remarkable book,
The Sun as Error. In collaboration with Dexter Sinister (design duo David Reinfurt and Stuart Bailey),
The Sun as Error re-investigates the meaning and language of photographs, creating both an open-ended reading of her practice and also rethinking the idea of an artist’s monograph. Far from straightforward, the book interweaves her bodies of work, previously unseen one-off pieces, with the language of technical diagrams, optical illusions, and graphic design. One of the persistent motifs through the book’s sequence is an asterisk and, specifically, one imbued with the legacy of the graphic designer Muriel Cooper. As the first design director for MIT Press and the cofounder of the Visible Language Workshop, Cooper’s legacy for reorienting and repositioning the direction of an artist’s monograph is imaginatively explored in the creative partnership of Dexter Sinister and Shannon Ebner.
Shannon Ebner’s work has been shown in exhibitions including Trace at The Whitney Museum of American Art at Altria (2006), The 2006 California Biennial at The Orange County Museum of Art, Uncertain States of America, at The Serpentine Gallery, London (2006), Learn to Read, at the Tate Modern, London (2007), and the 2008 Whitney Biennial at The Whitney Museum of American Art.
Art, Charlotte Cotton, Dexter Sinister, Graphics, LACMA, Photography, RAM, Shannon Ebner, Stuart Bailey, Theory, Typography, Wallis Annenberg Photography Department
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