Born in Flames

Lizzie Borden, Born in Flames

Lizzie Borden, Born in Flames
Softcover, 32 pp., offset 4/4, 210 x 297 mm
Edition of 1000
ISBN 978-0-9562605-9-8
Published by Occasional Papers

$18.00 · out of stock

Born in Flames, the publication, is an illustrated transcript of Lizzie Borden’s 1983 film ‘Born in Flames’, edited and designed by Kaisa Lassinaro. It includes an interview with Borden conducted in Los Angeles by Lassinaro, as well as the lyrics of Undercover Nation by The Bloods and Born in Flames by Red Crayola, kindly supplied by Adele Bertei and Mayo Thompson.

Born in Flames poses the question of whether oppression against women will be eliminated under any kind of social system. […] It is a fantasy presenting a group of women who, confronted with the very “ordinary” oppression women have been experiencing for decades, refuse to take it any longer and become armed fighters against the government. Their position is that oppression against women is not eliminated automatically with “socialism” — not only do political values have to change, cultural values must change and become embedded in practice.’

— Lizzie Borden in Heresies #16, 1983

In the spirit of Borden’s film, the publication was collectively funded by the following individuals and institutions:

Stuart Bailey, Heather Bradley, Eleanor Brown, Geoffrey Brusatto, Culturgest, Wayne Daly, Chris Evans, Beatrice Gibson, Nick Gordon, The Hawthorne Archive, Erna Hecey, Onno Hesselink, Will Holder, Jeff Khonsary, Koenig Books, Uriel Orlow, Falke Pisano, Philomene Pirecki, PrintRoom: Karin de Jong, Ewoud van Rijn, Pro QM, David Reinfurt, Jane Rolo, Catherine de Smet, Benjamin Thorel, Giulia Vallicelli, and Julia Zay.

The Mock 1

The Mock 1

The Mock 1, The Blackletter
Softcover, 32 pp., offset 1/1, 135 x 210 mm
Edition of 500
Published by FormContent

$4.00 ·

The Mock and other superstition is a quarterly fanzine exploring the relation between artists writing and writing-as-art through a frontal confrontation of writers, curators and visual artists with the written word.

Basing each issue on a loose thematic title, The Mock creates a fluid space to research and experiment with writing as a parallel and yet autonomous art practice.