Hans Ulrich Obrist and Hans-Peter Feldmann, Interview

Hans Ulrich Obrist and Hans-Peter Feldmann, Interview

Hans Ulrich Obrist and Hans-Peter Feldmann, Interview
Softcover, 130 pp., offset 4/1, 165 x 220 mm
English and German
Edition of 2000
ISBN 978-3-86560-660-0
Published by Walther König

$49.00 ·

Hans Ulrich Obrist and Hans-Peter Feldmann, who have known each other for around 20 years, talked about the possibility of an interview for quite some time. They finally decided that Obrist pose the questions in writing, and Feldmann answer each of them with a picture.

Inserate/Advertisements 1971/1972

Dieter Roth, Inserate/Advertisements 1971/1972

Dieter Roth, Inserate/Advertisements 1971/1972
Softcover, 156 pp., offset 2/1, 110 x 205 mm
English and German
Edition of 2000
ISBN 978-3-907474-77-8
Published by Edizioni Periferia

$19.00 · out of stock

Actionist, maker of objects, writer and graphic artist Dieter Roth created an exceptionally diverse and convoluted oeuvre. In Lucerne he published a series of small ads twice weekly in the newspaper Anzeiger Stadt Luzern und Umgebung, consisting of an aphorism and signed by his initials. Embedded in advertisements from real life, these ads conjured the surreal, subversive side of existence as in statements like “A good beginning is an evil end”, “A tear is as evil as a good word” and “Two tears are better than five stones”. The paper’s bourgeois readers raised such a protest over the disturbance of their peace by such enigmatic profundity that the paper felt compelled to terminate publication after 248 ads. From 1973 to 1979, Roth published his statements in artist’s books, titled The Sea of Tears (with the original pages of the newspaper) and Sea of Tears 1–5. This is the first complete, chronological publication of the ads, along with an English translation.

Coffee Coffee

Aram Saroyan, Coffee Coffee

Aram Saroyan, Coffee Coffee
Softcover, 88 pp., offset 1/1, 5 x 7 inches
Edition of 1000
ISBN 978-0-9788697-5-5
Published by Primary Information

$10.00 ·

Infamous artist book by one of the 1960s most controversial poets. Coffee Coffee was originally published as a mimeographed edition by Vito Acconci and Bernadette Mayer on their 0 To 9 press in 1967. True to Saroyan’s minimalist approach of the time, Coffee Coffee’s pages contain one word (sometimes 2 and once or twice, 3), each pulling you to the next (revolving door-like). Selections from Coffee Coffee appear in the recent anthology Complete Minimal Poems (Ugly Duckling Presse) edited by Primary Information co-founder James Hoff; however, this is the first time that this work has appeared in its complete and initial form since 1967.

“In the late Sixties, when I called myself a poet, Aram was the poet I envied. Because you couldn’t be sure if he was fooling or if he had really gotten to all there is to get. Because while the rest of us tried to be verbs, like everybody told us to do, he had the nerve to stop at nouns. Because he took a deep breath and willed himself into the self-confidence of naming. Because it wasn’t ‘nouns,’ it was ‘noun,’ only one noun, because he boiled it all down to one. Because then he let himself go, he let himself stutter, he let the one go and let the one double and go out of focus: while the rest of us ran for our lives all over the place and over the page, his noun shimmered and breathed and trembled and moved-shh! softly, softly-from within.”

—Vito Acconci

Paper Monument 3

Paper Monument 3

Paper Monument 3
Softcover, 84 pp., offset 4/1, 7 x 10 inches
Edition of 2200
ISSN 1938-8918
ISBN 978-0-9797575-3-2
Published by n+1 Foundation, Inc.

$12.00 ·

Paper Monument is a journal of contemporary art published in association with n+1. It is edited by Naomi Fry, Dushko Petrovich, Prem Krishnamurthy, Jessica Slaven, and Roger White, and designed by Project Projects. Issue Three includes new artworks by Matthew Brannon, Leslie Hewitt, Munro Galloway, and Jessie LeBaron; and writing by Sarah Hromack, Lauren O-Neill Butler, James Bae, Christopher Hsu, and many others.

fillip 11

fillip 11

fillip 11
Softcover, 120 pp., offset 4/1, 170 x 245 mm
Edition of 2000
ISSN 1715-3212
Published by Fillip

$15.00 ·

Inaugurating a new, bound format that remains true to its broadsheet roots, Fillip’s Spring 2010 issue features Lawrence Rinder on painting and politics, Keith Bormuth on Jean-Luc Godard’s 2 ou 3 choses que je sais d’elle, and Berlin-based artist Haris Epaminonda in conversation with Danish curator Jacob Fabricius. Other long form reviews and essays are provided by Liz Park, Renato Rodrigues da Silva, and Arni Haraldsson, amongst others.

The issue also features Dear Silvia…July 2009, an artist pamphlet by Silvia Kolbowski that compliments the artist’s audio work of the same name commissioned by Fillip for the Living Clay Art Writing Readings series at Whitechapel, London, last Fall:

Silvia Kolbowski, Dear Silvia…July 2009
Softcover, 16 pp., offset 3/3, 120 x 180 mm
Edition of 2300
ISBN 978-0-9738133-8-8
Published by Fillip

Mono.Kultur 23

Mono.Kultur 23, Sissel Tolaas

Mono.Kultur 23, Sissel Tolaas
Softcover, 44 pp., offset 4/1, 150 x 200 mm
Edition of 5000
ISSN 1861-7085
Published by Mono.Kultur

$9.00 ·

Mono.Kultur 23 features Norwegian scientist and artist Sissel Tolaas who has dedicated her life and work to the world of smells. And what an issue it’s going to be — Mono.Kultur 23 contains no visual imagery but clears the page for our most primary sense: the magazine is impregnated with 12 scents curated by Sissel Tolaas. And we’re not talking about perfumes either, but what Tolaas would coin ‘difficult smells’. With a special technique called microencapsulation, the scents are literally printed into the magazine — you rub the paper to release them.

Meanwhile, Sissel Tolaas is a phenonemon in herself: born and raised between Norway and Iceland, with degrees from Scandinavia, Poland and Russia in sciences, chemistry and fine arts, Tolaas has become an expert on everything related to scents, odours, smells. She is a professor at Harvard Universiy for invisible communication, while working on hospital and research projects as well as for commercial clients; while exhibiting the results of her research in museums such as the MoMA New York, the National Musem of Beijing or the Hamburger Bahnhof in Berlin. A vibrant and determined character with a unique expertise and biography, Sissel Tolaas is everything we could have hoped for in our forthcoming issue.

In The Softest Grey Petals of the Bomb, Lay Your Finger Across My Lips

Dash Snow, In The Softest Grey Petals of the Bomb, Lay Your Finger Across My LIps

Dash Snow, In The Softest Grey Petals of the Bomb, Lay Your Finger Across My Lips
Softcover, 32 pp., digital 4/1, 5.25 x 8.25 inches
Edition of 300
Published by Peres Projects

out of print

Handmade saddle stitched booklet/zine of the artists photographs.

Terminus Ante Quem

Anthony Pearson, Terminus Ante Quem

Terminus Ante Quem
Softcover, 8 pp., offset 1/1, 8 x 10 inches
Edition of 500
Published by Shane Campbell Gallery

$5.00 ·

Published on the occasion of the exhibition Terminus Ante Quem
Shane Huffman, Barbara Kasten, Anthony Pearson, Erin Shirreff
May 1 — June 12, 2010

Organized by Anthony Pearson
Essay by Alex Klein
Designed by Mark Owens

Smoke Bath

Peter Sutherland, Smoke Bath

Peter Sutherland, Smoke Bath
Softcover, 328 pp., offset 1/1, 5.25 x 8 inches
Edition of 500
ISBN 978-0-98259360202
Published by Seems

out of print

Smoke Bath is a collection of photographs and art work loosely based on the theme of camping, nature, and exploring.

The goal of Smoke Bath is to showcase the work of artists that are inspired by nature and raise money for freshair.org in the process. The Fresh Air Fund (freshair.org) is an independent, not-for-profit agency that provides free summer vacations to New York City children from low-income communities.

Art in Ruins and Unknown Stranger, London 1994, an unpublished project for Frieze

Eva Weinmayr, Art in Ruins and Unknown Stranger, London 1994, an unpublished project for Frieze

Eva Weinmayr, Art in Ruins and Unknown Stranger, London 1994, an unpublished project for Frieze
Softcover, 16 pp., mimeograph/laser 1/1, 210 x 297 mm
Edition of 300
ISBN 978-0-9562605-2-9
Published by Occasional Papers and FormContent

$8.00 ·

This booklet is published as part of I Wonder What The Silence is About, a body of work, speculating on the (temporary?) disappearance of Art In Ruins. This English collaborative art practice was formed in 1984 and created a radical stance towards the art world, based on critical post-modern thinking. They have been for a short period omnipresent in the London/Berlin art scene before they fell silent in 2001. I contacted Art In Ruins and asked for permission to reprint one of their publications as part of my project. This they rejected but suggested to publish this interview instead, which was initially written for Frieze Magazine in 1994. It has not been printed until today.

—Eva Weinmayr

C Magazine 105

C Magazine 105, Sports

C Magazine 105, Sports
Softcover, 56 pp., offset 4/1, 210 x 295 mm
Edition of 2000
ISSN 1480-5472
Published by C Magazine

$7.50 ·

Issue 105 includes feature contributions from Ray Cronin on Graeme Patterson, and Elizabeth Matheson and Emelie Chhangur on Humberto Vélez; Karlyn De Jongh interviews Teching Hsieh, Kaitlin Till-Landry interviews Martha Wilson, and Deborah Root examines the performance interventions of Lorena Wolffer; with book and exhibition reviews from Vancouver, Toronto, Montreal, New York and Basel; artist project by Patrick Krzyzanowski.

Free Press Light Catalog 1

Cosmic Wonder, Free Press Light Catalog 1

Cosmic Wonder, Free Press Light Catalog 1
Softcover, 36 pp., offset 4/4, 148 x 205 mm
Edition of 1000
ISBN 978-3-905714-76-0
Published by Nieves

out of print

The Solar Garden COSMIC WONDER Light Source is a new ecological lifestyle project made with the harmonized energy of the earth and its plants.

This 100% organic cotton collection ranges from daily wear to dance wear, underwear, towels, and scarves. The entire production process is chemical-free. The cotton is grown free of petrochemical fertilizers and sprayed insecticides. All products are hand-dyed with herbs: akane, gardenia, pomegranate, mulberry leaf, rose bengal, catechu, and natural indigo. Prints are also done by hand with herbal dyes. Though these processes are time-consuming, we believe that the care that goes into making them is reflected in the natural beauty of the finished pieces.

Safari

Anders Edström, Safari

Anders Edström, Safari
Softcover, 32 pp., offset 4/4, 195 x 255 mm
Edition of 1000
ISBN 978-3-905714-58-6
Published by Nieves

$26.00 ·

In Anders Edstrom’s Safari photographs, for instance, a slow, deliberate looking, a looking focused on a singular subject, a looking that by all appearances holds the outside world at bay, nonetheless reveals an image of openness one might better expect from street or landscape photography, genres bent by time, context, event, and change. But what changes in these Safari pictures? Do they have time or context? What is their world?

—Bennett Simpson