Put About: A Critical Anthology on Independent Publishing

Maria Fusco and Ian Hunt, Put About: A Critical Anthology on Independent Publishing

Maria Fusco and Ian Hunt, Put About: A Critical Anthology on Independent Publishing
Softcover, 194 pp., offset 4/1, 190 x 255 mm
Edition of 2000
ISBN: 1-870699-70-X
Published by Book Works

$40.00 ·

Put About: A Critical Anthology on Independent Publishing presents a timely discussion about independent publishing and publishing by artists, focusing on books where the makers keep control of every aspect of production through to distribution. Combining an interest in what and why publishers and artists feel compelled to deliver such materials, together with the economic models, audience and networks of association that can give independent productions a wider cultural presence, this book features a broad range of written and visual pieces alongside ‘case-studies’ from a selection of contemporary international publishers. Contributors include: John Baldessari, Simon Bedwell, Michael Bracewell, Andrea Brady, Cabinet Magazine, Bonnie Camplin, Maurizio Cattelan, David Dibosa, Matthew Higgs, Stewart Home, Lucy Lippard, Emily King, Gunilla Klingberg, Jakob Kolding, John Miller, Paul D. Miller aka Dj Spooky, Aleksandra Mir, Stéphanie Moisdon, David Osbaldeston, Raymond Pettibon, Lynne Tillman, Nicolas Trembley, and Axel John Wieder.

Everything Must Go

Jim Shaw, Everything Must Go

Jim Shaw, Everything Must Go
Softcover, 150 pp., offset 4/1, 8.25 x 10 inches
English and French
Edition of 2000
ISBN 2-919893-23-8
Published by Smart Art Press

$25.00 ·

A survey of his career from 1974 to the present, Everything Must Go is the first catalogue to incorporate the full range of Jim Shaw’s profoundly original and idiosyncratic work. From the massive 170-piece multimedia work My Mirage to his Thrift Store Paintings, Dream Drawings, and Dream Objects, Shaw has created a fantastic visual narrative that references diverse outside sources, moments of personal history, and fragments of our collective cultural consciousness. His highly individualized “outsider” perspective has established Shaw as a seminal figure in Europe and the United States, and he has contributed significantly to the influence of Los Angeles in the international art community. Essays by Amy Gerstler, Doug Harvey, Mike Kelley, Noëllie Roussel, and Fabrice Stroun.

all color book of Kittens

Howard Loxton, all color book of Kittens

Howard Loxton, all color book of Kittens
Hardcover, 62 pp., offset 4/4, 215 x 290 mm
Edition of 5000
ISBN 0-7064-0325-8
Published by Octopus Books

sold

condition: fair, missing dust jacket, worn cover, interior in good condition.

all color book of KITTENS, published in 1974 by Octopus Books, London. A collection of 108 photographs of kittens being as cute as they can, doing kitten things: drinking milk and playing with string. Black and white illustration on front and back cover, all color photographs inside. Contents: You and your kitten; The new arrival; The variety of kittens; Discovery and exploration; In high places; Kittens at play; Acknowledgments.

Forbidden Dreams

Rebecca Blake, Forbidden Dreams

Rebecca Blake, Forbidden Dreams
Hardcover, 132 pp., offset 4/4, 11 x 13 inches
Edition of 10,000
ISBN 0-7043-2475-X
Published by Quartet Books

$40.00 ·

condition: very good, with dust jacket, shelf wear, first edition, excellent reference copy.

Forbidden Dreams (1984) is the first monograph by Belgian-born, New York-based photographer Rebecca Blake. Elegant and darkly alluring fashion photography/erotica from the late 1970s and early 1980s.

Round The Way

Maya Hayuk, Round The Way

Maya Hayuk, Round The Way
Softcover, 20 pp., offset 4/4, 195 x 255 mm
Edition of 1000
ISBN 978-3-905714-79-1
Published by Nieves

$14.00 ·

In the olden days — when Europeans still thought the earth was flat — the universe was sometimes compared to the inside of a human skull. This was our notion of the infinite that lies beyond the world we live in, as a reflection of the infinity of our powers of thought and perception. This comparison, and the discovery of the most far-flung corners of the universe using the Hubble Space Telescope, are the basis of Ultra, Ultra Deep Fields by Brooklyn artist Maya Hayuk.

Round the Way is a collection of paintings from the last two years leading up to Ultra, Ultra Deep Fields, Maya Hayuk’s exhibition at MU. Next to Round the Way Maya Hayuk also compiled the double CD soundtrack Inside Spaces, that will be available in a limited edition through MU.

Huge Supplement

Huge Supplement

Huge Supplement
Softcover, 24 pp., offset 4/4, 195 x 255 mm
Edition of 1000
Supplement to Huge Magazine No. 72
Published by Nieves

$12.00 ·

Huge Supplement (supplement to Huge Magazine No. 72) with Beni Bischof, Chris Johanson, Dimitri Broquard, Hendrik Hegray, Ingo Giezendanner, Johanna Jackson, Kim Gordon, Rita Ackermann, Stefan Marx, Warja Lavater, and Will Sweeney.

Memoranda

Raffi Kalenderian, Memoranda

Raffi Kalenderian, Memoranda
Softcover, 24 pp., offset 4/4, 195 x 255 mm
Edition of 1000
ISBN 978-3-905714-85-2
Published by Nieves

$18.00 ·

In Kalenderian’s works everything plays on the foreground. There are no horizons and no perspective. The artist reveals his world directly to us, showing us his friends, as if he had no secrets. His friends often seem melancholic while their environment is very colourful. Colourful details of clothes, materials or furniture seem to be striving to attract the spectator’s attention and distract from the figures. We often encounter the figure Shanti. Shanti is the artist´s brother. He is painted as a young man, sometimes almost androgynous, sometimes like a tough guy. It remains uncertain whether Kalenderian wants to reveal something to us about Shanti, Frankie or Elizabeth with his paintings. None of the figures look directly at us, but all of them seem to be in contact with us. We are the witnesses of their existence.

Memoranda, the title of the book and exhibition, can be likening portraiture to notes and memos kept for history, but not too specific to take away from someone’s own unique experience. In fact Kalenderian’s works are, as the artists himself states, a proof or better an evidence of existence.

Things to Say (Viktor)

 Jürg Lehni and Alex Rich, Things to Say

Jürg Lehni and Alex Rich, Things to Say (Viktor)
Softcover, 16 pp., offset 1/1, 195 x 255 mm
Edition of 1000
ISBN 978-3-905714-70-8
Published by Nieves

$14.00 ·

Before Viktor there was Hektor, a relatively simple spray-can output device driven by two motors. Invented in collaboration with the engineer Uli Franke, it made its debut as Jürg Lehni’s art-school graduation project at the Ecole Cantonale d’Art de Lausanne (ECAL) in 2002 and has performed regularly ever since.

Far from being a closed mechanical device — a black box between creative impulse and output — the concern of Hektor (and now Viktor) is the nuanced interaction between the user and the technologies of communication. The drawing machine Viktor is an amalgam of digital and mechanical technologies. A collage of tools, all of which were invented for other general and specific uses.

In response to the position of such technologies, Lehni together with Alex Rich started an ongoing e-mail correspondence about various devices, systems and technologies with which their work had a resonance. Lehni and Rich constructed an archive, one that they came to call A Recent History of Writing & Drawing and which inspired their installation at the Institute of Contemporary Arts, London (2008).

Upending assumptions that any one kind of communication is more authentic, more direct or more valid that any other, A Recent History of Writing & Drawing finds meaning, texture and poetry in the most unlikely places.

Things to Say (Viktor) is the first in a series of collected drawings produced in collaboration with invited guests to perform with Viktor every Thursday evening at the ICA throughout the duration of the exhibition, curated by Emily King.

Materialien (C)

Peter Piller, Materialien (C)

Peter Piller, Materialien (C)
Softcover, 62 pp., offset 4/4, 155 x 205 mm
Edition of 1000
ISBN 978-3-905714-84-5
Published by Nieves

$20.00 ·

Photographic portrait of the near surroundings of Ruhrschnellweg, freeway 40 in Bochum, Dükerweg with allotments, car tuning, cemetery, Burger King, noise barrier and fire station.

As Above So Below

Will Sweeney, As Above So Below

Will Sweeney, As Above So Below
Softcover, 16 pp., offset 5/5, 195 x 255 mm
Edition of 1000
ISBN 978-3-905714-78-4
Published by Nieves

$14.00 · out of stock –>

As Above So Below is a visual narrative based on a series of randomly selected photographs from my collection of National Geographic Magazine, dating between 1940 and the present day. The idea was to take visual motifs from a version of the real world and push them into the realm of the subconscious, a kind of dream generator. Dreams are made up of fragments of experiences, elements of stories which when laid side by side, often become striking or fantastical. Using a random number generating website I created a series of numbers. Each series became a month, year and page number, which were then cross referenced with a corresponding magazine. The first image that came up was from an article describing an archeological dig at a Corsican pagan tomb, the second a photograph of temple street market in Hong Kong, other references came up with pages of text and I would fix upon a phrase or name which conjured up an interesting image — such as an unfinished castle, upon an island or an animal shedding it’s skin. The theme of crossing dimensions and of an event happening simultaneously across the world emerged. The title comes from medieval hermetic philosophy, and relates to the alchemical relationship between microcosm (the body) and macrocosm (the universe).

Anonymous Engravings on Ecstasy Pills

Frédéric Post, Anonymous Engravings on Ecstasy Pills

Frédéric Post, Anonymous Engravings on Ecstasy Pills
Hardcover, 544 pp., offset 1/1, 154 x 232 mm
Edition of 500
ISBN 978-2-940409-02-0
Published by Boabooks

$68.00 ·

The patterns used in Anonymous Engravings on Ecstasy Pills were designed by unknown people who abandoned them. In this book of drawings, Frédéric Post offers a piece of research worthy of a modern-times archaeologist. He collected and re-created these figures, conferring thus value to an underground iconography of over 500 signs.

The classification of the drawings into three groups (figures, typography, symbols) was carried out with Izet Sheshivari. The collection shows elements of a visual folklore that hints at popular figures. The book implicitly describes our societies’ ambiguities: “Nowadays, with drug use, we want to experiment this unconstrained pleasure, disrupt the humdrum routine, make love longer; we want to party even though we are tired (…). At the end of the day, this is in line with the whole idea of work, profitability and performance”. Is ecstasy therefore an excessive metaphor of the market economy?

The Split Show

The Split Show

The Split Show
Hardcover, 144 pp., offset 4/1, 230 x 200 mm
Edition of 450
ISBN 978-2-940409-18-1
Published by Boabooks

$38.00 ·

A wall-less group show
Publishing a book is in many ways similar to curating a show. The Split Show is the outcome in this idea — a group artists book. The basic idea was to ask artists to create a recto/verso 720 x 1020 mm poster. Once folded, this format becomes a 24-page 230 x 200 mm folio.

Yves Klein: With The Void, Full Powers

erry Brougher and Philippe Vergne, Yves Klein: With The Void, Full Powers

Kerry Brougher and Philippe Vergne, Yves Klein: With The Void, Full Powers
Hardcover, 352 pp., offset 4/4, 8 x 10 inches
Edition of 5000
ISBN 978-0-935640-94-6
Published by Walker Art Center

$65.00 ·

Yves Klein: With the Void, Full Powers is published to accompany the first major retrospective of the artist’s work in the United States in nearly 30 years. It includes examples from all of Klein’s major series, including his Anthropometries, Cosmogonies, fire paintings, planetary reliefs and blue monochromes, as well as selections of his lesser-known gold and pink monochromes, body and sponge reliefs, “air architecture” and immaterial works. Essays by curators Kerry Brougher and Philippe Vergne, Klein scholar Klaus Ottmann, art historian Kaira M. Cabañas and curatorial fellow Andria Hickey, as well as archival materials and translations of Klein’s published and unpublished writings, offer insights into the artist’s endeavors and process. Born in Nice, France, in 1928, Yves Klein created what he considered his first artwork when he signed the sky above Nice in 1947, making his earliest attempt to capture the immaterial. The artist carved out new aesthetic and theoretical territory based on his study of the mystical sect Rosicrucianism, philosophical and poetic investigations of space and science, and the practice of Judo, which he described as “the discovery of the human body in a spiritual space.”