X

Michael Cummings and Adam Michaels, X

Glen Cummings and Adam Michaels, X
Softcover, 112 pp., offset 1/1, 130 x 190 mm
Edition of 1000
Published by Glen Cummings and Adam Michaels

$10.00 ·

This publication is an initial attempt to examine the trajectory of the X symbol in underground music culture. While the X is broadly associated with the punk scene—in particular, straight edge hardcore—the symbol contains a wide range of often-contradictory meanings. This document presents our ongoing research; we welcome comments, corrections, and criticism.

Drafting Defeat: 10th Century Road Maps & 21st Century Disasters

Drafting Defeat: 10th Century Road Maps & 21st Century Disasters

Slavs and Tatars, Drafting Defeat: 10th Century Road Maps & 21st Century Disasters
Softcover, 14 pp., offset 1/1, 22 x 31 cm
Edition of 250
Published by Slavs and Tatars

$30.00 ·

A collection of highly stylized 10th century maps of the Middle East with translations of the legends that accompanied them in a 1933 Soviet edition of Nasser Khosrow’s Safarnameh (Book of Travels). Maps; The Arabian Peninsula, Egypt, Syria, The Persian Gulf, The Caspian Sea, Iraq

I Still See Communism Everywhere

Payam Sharifi, I Still See Communism Everywhere

Payam Sharifi, I Still See Communism Everywhere
Softcover, 32 pp., offset 1/1, hand-pasted color photographs, 19 x 24 cm
Edition of 500
Published by Slavs and Tatars

$30.00 ·

A series of short essays by Payam Sharifi exploring the clash of civilizations between the US and Iran across such cultural phenomena as the monobrow, soft drugs, and men’s ties.

A Thirteenth Month Against Time

A Thirteenth Month Against Time

Slavs and Tatars, A Thirteenth Month Against Time
Softcover/boxed, 32 pp., 21 x 28 cm
booklet, mimeograph print, offset hand-pasted color stickers, in black case
Edition of 100, signed and numbered
Published by Slavs and Tatars

$150.00 ·

A libretto of daily polemics, reflections, and musings on the very defeatist approach to time so dear to S&T, A Thirteenth Month Against Time runs thirty-two days (or pages) in length and acts as an addendum to one’s everyday calendar or diary.

Signature (Poster)

Shannon Ebner, Signature (Poster)
Shannon Ebner, Signature, offset poster, 24 × 36 inches (above: 12 x 18 inches folded)

Shannon Ebner, Signature (Poster)
Poster, perforated, offset 4/1, 6 x 9 inches [24 × 36 inches unfolded]
Edition of 280
Published by Wallspace

$10.00 · out of stock

Shannon Ebner’s work centers on a do-it-yourself alphabet of handmade letters and signs temporarily placed—and strategically displaced—in public contexts. The artist sets language in the service of photography, her cryptic messages captured and fixed in black-and-white photographs. Populating actual yet uncertain landscapes or mise-en-scènes including California real estate sites, the La Brea Tar Pits, and the Washington Monument, these ephemeral signs spell out such darkly ambiguous phrases as “Landscape Incarceration,”
“The Doom,” and “The Day—Sob—Dies.”

—Todd Alden

A La Cach Cachi Porra

Manuel Raeder, A La Cach Cachi Porra

Manuel Raeder, A La Cach Cachi Porra
Softcover, 120 pp., offset 3/1, 17 x 24 cm
agenda/calendar/file folders
Edition of 500
Published by Manuel Raeder

$40.00 ·

A calendar/day-planner for 2009 by graphic designer Manuel Raeder, exploring the possibilities of being a time storage device in a book format. Each copy has a different color scale iris print and every sixth page needs to be torn open by the reader.

032c 18

032c 18

032c 18, Thomas Demand
Softcover, 272 pp. + Thomas Demand dossier, offset 4/1, 20 x 27 cm
Edition of 2000
Published by 032c

$20.00 ·

I like your work: art and etiquette

Paper Monument, I like your work: art and etiquette

Paper Monument, I like your work: art and etiquette
Softcover, 56 pp., offset 1/1, 4.25 x 8.5 inches
Edition of 500
ISBN 978-0-9797575-2-5
Published by Paper Monument

out of print · order second edition

Paper Monument publishes its first pamphlet, I like your work: art and etiquette, with contributions from 38 artists, critics, curators, and dealers on the sometimes serious and sometimes ridiculous topic of manners in the art world.

The art world is now both socially professional and professionally social. Curators visit artists’ studios; collectors, dealers, and journalists assemble for a reception and reconvene later for dinner; everyone goes to parties. We exchange introductions and small talk; art is bought and sold; careers (and friendships) brighten or fade. In each situation, certain behaviors are expected while others are silently discouraged. Sometimes, what’s appropriate in the real world would be catastrophic in the art world, and vice versa.

Making these distinctions on the spot can be nerve-wracking and disastrous. So we asked ourselves: What is the place of etiquette in art? How do social mores establish our communities, mediate our critical discussions, and frame our experience of art? If we were to transcribe these unspoken laws, what would they look like? What happens when the rules are broken? Since we didn’t have all the answers, we politely asked our friends for some help.

Paper Monument 2

Paper Monument 2

Paper Monument 2
Softcover, 84 pp., offset 4/1, 7 x 10 inches
Edition of 2200
ISSN 1938-8918
ISBN 978-0-9797575-1-8
Published by n+1 Foundation, Inc.

$10.00 ·

Paper Monument is a semi-annual print journal of contemporary art published in association with n+1. It is edited by Naomi Fry, Dushko Petrovich, Prem Krishnamurthy, Jessica Slaven, and Roger White, and designed by Project Projects.

Paper Monument 1

Paper Monument 1

Paper Monument 1
Softcover, 84 pp., offset 4/1, 7 x 10 inches
Edition of 2200
ISSN 1938-8918
ISBN 978-0-9797575-0-1
Published by n+1 Foundation, Inc.

$10.00 ·

Paper Monument is a semi-annual print journal of contemporary art published in association with n+1. It is edited by Naomi Fry, Dushko Petrovich, Prem Krishnamurthy, Jessica Slaven, and Roger White, and designed by Project Projects.

Mono.Kultur 22

Mono.Kultur 22, Ai WeiWei

Mono.Kultur 22, Ai Weiwei
Softcover, 40 pp. + poster, offset 4/1, 140 x 200 mm
Edition of 5000
ISSN 1861-7085
Published by Mono.Kultur

$9.00 · out of stock

Ai Weiwei grew up under horrible conditions, living literally underground in a burrow in the Chinese regions of Manchuria and Xinjiang. Born in 1957 in Beijing, Ai Weiwei was the son of Ai Qing, a renowned poet denounced by the Chinese Communist Party and during the Cultural Revolution forced into exile in a labour camp. Under strong political control, his father had to clean public toilets.

Spilling Hot Gossip

Charlie White, Spilling Hot Gossip (Install)

Charlie White, Spilling Hot Gossip

Charlie White, Spilling Hot Gossip
Poster, 100 lb matte coated paper, offset 2/0, 18 x 24 inches
Edition of 500
Design by Jonathan Maghen
Published by Oslo Kunstforening

Collaboration with Charlie White and design of poster/take away for the exhibition Spilling Hot Gossip a selection from The Girl Studies at Oslo Kunstforening.