Double Page
Christoph Keller and Jérôme Saint-Loubert Bié, Double Page
Softcover, 256 pp., offset 4/3, 115 x 160 mm
Edition of 2000
ISBN 978-2917855-06-5
Published by Editions B42
$15.00 · out of stock
This book is based on an invitation to graphic designers to choose two books on contemporary art from the past decade whose design they think is particularly pertinent to the content, to photograph one double-page spread from each book and, if they wish, to comment on their choices.
Double Page provides a selection of recent art publications as viewed by graphic designers who are internationally known for their contribution to that field, and offers a glimpse at the role of book design today in our knowledge and understanding of contemporary art.
Shedding light on this prevalent relationship between art and graphic design by means of photography, Double Page constitutes an unprecedented document of how graphic designers see the work of their peers and their own practices as an essential part of the editorial process.
032c 18
032c 18, Thomas Demand
Softcover, 272 pp. + Thomas Demand dossier, offset 4/1, 20 x 27 cm
Edition of 2000
Published by 032c
$20.00 ·
032c 17
032c 17, Mike Mills
Softcover, 256 pp. + Slavs and Tatars booklet, offset 4/1, 20 x 27 cm
Edition of 2000
Published by 032c
$20.00 ·
“All we ever wanted was everything,” MIKE MILLS reveals ways of getting through the recession/depression in a 40-page cover special; Ronnie Cooke Newhouse narrates a day in the life of her best friend PHARRELL WILLIAMS; publisher GERHARD STEIDL races jet lag across the Atlantic from Karl Lagerfeld’s haute couture show in Paris to Robert Frank’s Canadian solitude; distinguished historian ERIC HOBSBAWM discusses his views on the future of globalization with Hans Ulrich Obrist; SLAVS & TATARS revisits the Islamic Revolution of 1979 in Tehran with the first installment of its project 79/89/09 for 032c; AGYNESS DEYN nude story by Alasdair McLellan; gallerist MAUREEN PALEY bares her perseverance: “It’s something where you’ve been given a path that you must follow, where you don’t know what else you would do. Once you see this, many things appear that indicate the way forward for you.”
032c 16
032c 16, Post-America
Softcover, 256 pp., offset 4/1, 20 x 27 cm
Edition of 2000
Published by 032c
$20.00 ·
“A new world is coming into being almost unnoticed.” JOHN GRAY tells Hans Ulrich Obrist about the political and financial unrest in the “Post American Age;” STEVEN MEISEL reveals fashion’s cruel and beautiful in a rare interview (plus a seven-page foldout madness of all his Vogue Italia covers); Wes Jones illustrates Dubai and the effects of superabundance; artist STURTEVANT tackles copy, copyright, and the ready-made; architect Jürgen Mayer H., and artists Ralf Ziervogel and Roth Stauffenberg form a cluster of 3-4 FANTASTIC GERMANS (with 032c’s Architectural Digest visit to Mozambique’s Grand Hotel gone bad); Photographers Max Farago and Alasdair McLellan bring on “THE NUDES.”
032c 15
032c 15, Haus der Kunst
Softcover, 256 pp., offset 4/1, 20 x 27 cm
Edition of 2000
Published by 032c
$20.00 ·
Rem Koolhaas, Jacques Herzog and Hans Ulrich Obrist consider Haus der Kunst, Munich: From Nazi temple to Art Laboratory; Collier Schorr tells Thomas Demand how she made Germany hers; LAM magazine transforms Moscow youth culture; art director Richard Pandiscio and Marc Jacobs’ Robert Duffy school us in luxury marketing; architect Greg Lynn curves his enthusiasm; a happy birthday to Maison Martin Margiela.
032c 14
032c 14, Cecil Balmond
Softcover, 256 pp., offset 4/1, 20 x 27 cm
Edition of 2000
Published by 032c
out of print
Cecil Balmond is a structural engineer, author, and man of ideas; he is deputy chairman at the global design and engineering firm ARUP, and director of its think-tank, the Advanced Geometry unit. Architects Rem Koolhaas, Zaha Hadid, and Toyo Ito, among others, are indebted to his groundbreaking structural work. Both Cecil Balmond and artist Wolfgang Tillmans have dismantled the very architecture of their genres – Balmond’s genre being architecture itself, and Tillmans’ being the representational genres of portraiture and still life. A dismantling pictured and reformulated in an image essay, in which Tillmans distills an early 21st century office life so liberated by innovation that it is uninhibited by its cubicles.
032c 13
032c 13, Energy Experimentation
Softcover, 256 pp., offset 4/1, 20 x 27 cm
Edition of 2000
Published by 032c
$20.00 ·
“Maybe we only ever learn something when some form we think of as foreign provokes us – and we resist. But sometimes, many times, in the middle of the resistance, we end up loving this thing that has provoked us.”