Pitch

Jonathan Maghen, Pitch

Jonathan Maghen, Pitch
Océ print/poster, 1/0 on green paper, 36 x 48 inches
Edition of 11 + 2 proofs, numbered
Published by Textfield

out of print

A football pitch realized by printing alternating 25% and 50% black horizontal bands on 20 lb uncoated green paper.

Multi-Level Marketing (Work From Home)

Multi-Level Marketing (Work From Home)

Jonathan Maghen, Multi-Level Marketing (Work From Home)
Océ print/poster, 1/0, 22 x 33 inches
Edition of 11 + 2 proofs, numbered
Published by Textfield

$13.00 ·

Multi-level marketing (MLM), (also called network marketing) is a term that describes a marketing structure used by some companies as part of their overall marketing strategy. The structure is designed to create a marketing and sales force by compensating promoters of company products not only for sales they personally generate, but also for the sales of other promoters they introduced to the company, creating a downline of distributors and a hierarchy of multiple levels of compensation. The products and company are usually marketed directly to consumers and potential business partners by means of relationship referrals and word of mouth marketing.

Multi-Level Marketing (Lose Weight Now)

Multi-Level Marketing (Lose Weight Now)

Jonathan Maghen, Multi-Level Marketing (Lose Weight Now)
Océ print/poster, 1/0, 22 x 33 inches
Edition of 11 + 2 proofs, numbered
Published by Textfield

$13.00 ·

Multi-level marketing (MLM), (also called network marketing) is a term that describes a marketing structure used by some companies as part of their overall marketing strategy. The structure is designed to create a marketing and sales force by compensating promoters of company products not only for sales they personally generate, but also for the sales of other promoters they introduced to the company, creating a downline of distributors and a hierarchy of multiple levels of compensation. The products and company are usually marketed directly to consumers and potential business partners by means of relationship referrals and word of mouth marketing.

Textfield IV / Bless N˚27, Eased Up

Textfield IV

Textfield IV / Bless N˚27, Eased Up
Softcover, 112 pp., offset 4/1, 6.5 x 9.5 inches
Edition of 2500
Published by Textfield

$20.00 ·

Contributors; Becca Albee, Timothy Aubry, AUDC, Pierre Bal-Blanc, Nina Jan Beier, Mariana Castillo Deball, Fritz Haeg, Chace Hartman, Nakako Hayashi, Marco Fiedler, Johnny Freedom, Marc Kremers, Prem Krishnamurthy, Marie Jan Lund, Jonathan Maghen, Rob McKenzie, Francois Perrin, Angelo Plessas, Achim Reichert, Anna Sew Hoy, Jennifer Stratford, Nikola Tosic, and Michael Wells.

Textfield III

Textfield III

Textfield III
Folded/perforated, 56 pp., web offset 4/1, 11 x 17 inches
Edition of 1500
Published by Textfield

$10.00 ·

Contributors; Andreas Angelidakis, AUDC, Nina Jan Beier, Andrew Burgess, Claude Closky, Trinie Dalton, Johnny Freedom, Marie Jager, Peter Kim, John Knuth, Marc Kremers, Gonzalo Lebrija, Spencer Lee, Marie Jan Lund, Miltos Manetas, Giles Miller, Doreen Morrissey, Angelo Plessas, Lucas Quigley, Rafaël Rozendaal, Eduardo Sarabia, Anna Sew Hoy, Nikola Tosic, Kazys Varnelis, Michael Wells, Sandy Yang, and Amy Yao.

Textfield I

Textfield I

Textfield I
Softcover, 112 pp., offset 1/1, 8.5 x 11 inches
Edition of 1000
Published by Textfield

out of print

Contributors; Piero Golia, Yuji Adachi, Miltos Manetas, Eduardo Sarabia, Boris Kopening, Jonathan Maghen, Jennifer Stratford, Francois Perrin, Experimental Jetset, Delaware, Nanette Sullano, Andreas Angelidakis, Sarah Shapiro, Franklyn Liegel, and Rafael Rozendaal.

7 Windmill Street W1

Mark Leckey, 7 Windmill Street W1

Mark Leckey, 7 Windmill Street W1
Hardcover, 162 pp., offset 4/4, 160 x 230 mm
Edition of 2000
ISBN: 978-2-940271-34-4
Published by JRP|Ringier/Walther König

out of print

condition: fine, minor shelf wear.

Mark Leckey’s best-known video, Fiorucci Made Me Hardcore (1999), is a 15-minute journey into urban British youth culture from the mid 1970s to the early 1990s. Leckey’s presentation of twenty years of dance hall material does not, however, result in a documentary work: the video is rather a visual essay with hedonistic promises of club culture, the birth of funky chic, and the cultural shift of the rise of Acid House. Active in music production through donAtella, a glam-trash duo formed by the artist and Ed Liq, Leckey also makes live performances, CDs, and sound installations. Plunged into the lowbrow of culture, Leckey is one of the most perceptive cultural readers of Western societies.

This publication is the first to be dedicated to his work. Conceived as a source book of his working methods and fields of interest, it has been edited by the artist and features images of his main productions, as well as a wealth of other visual materials he has gathered through the years. In addition to original contributions, it includes reprints of texts from Michel Leiris and the 19th century-writer Walter Pater, as well as song lyrics. Designed by NORM in close collaboration with the artist, this printed project takes the shape of a hardbound drawing book, accentuating the idea of a point of departure rather than arrival.

The book was realized on the occasion of Leckey’s solo exhibition at the Museum für Gegenwartskunst Migros in Zurich, a co-edition with König Books London.

The Sun As Error

Shannon Ebner, The Sun As Error

Shannon Ebner, The Sun As Error
Hardcover, 64 pp., offset 4/1, 11 x 14.5 inches
Edition of 1000
ISBN 978-0-87587-200-1
Published by LACMA

$65.00 · out of stock

The Los Angeles based artist Shannon Ebner extends her exploration of photography, sculpture and language in this remarkable book, The Sun as Error. In collaboration with Dexter Sinister (design duo David Reinfurt and Stuart Bailey), The Sun as Error re-investigates the meaning and language of photographs, creating both an open-ended reading of her practice and also rethinking the idea of an artist’s monograph. Far from straightforward, the book interweaves her bodies of work, previously unseen one-off pieces, with the language of technical diagrams, optical illusions, and graphic design. One of the persistent motifs through the book’s sequence is an asterisk and, specifically, one imbued with the legacy of the graphic designer Muriel Cooper. As the first design director for MIT Press and the cofounder of the Visible Language Workshop, Cooper’s legacy for reorienting and repositioning the direction of an artist’s monograph is imaginatively explored in the creative partnership of Dexter Sinister and Shannon Ebner.

Shannon Ebner’s work has been shown in exhibitions including Trace at The Whitney Museum of American Art at Altria (2006), The 2006 California Biennial at The Orange County Museum of Art, Uncertain States of America, at The Serpentine Gallery, London (2006), Learn to Read, at the Tate Modern, London (2007), and the 2008 Whitney Biennial at The Whitney Museum of American Art.

Celebrating 10 Years of Themelessness

Bless, Celebrating 10 Years of Themelessness

Bless, Celebrating 10 Years of Themelessness, Nº00 — Nº29
Softcover, 496 pp., offset 4/1 + fore-edge printing, 185 x 250 mm
Edition of 2000
ISBN 978-1-933128-15-3
Published by Sternberg Press

out of print

Bless came to fame in the winter of 97/98, when the models of a Martin Margiela fashion show wore Bless wigs made out of fur. Heralded as one of fashion’s most innovative designers, the Paris and Berlin-based duo (Desiree Heiss and Ines Kaag) quickly refused to capitalize on one milieu. Constantly investigating the boundaries of style, Bless slides from fashion to beauty, interior decoration to art exhibition, collaboration with other brands to stylized advertising. Their production, which sits on the fine line between art object and design, high function and high fashion, is always unique and marked by the recycling and adaptation of unexpected items put to use in a totally new way.

Designed by Manuel Raeder, this fully illustrated book features for the first time the wide range of Bless’ activity and documents a unique mode of cultural production.

Bless have exhibited internationally at the 1st berlin biennale (1998/99), Musée d’Art Moderne de la Ville de Paris (1999), Centre Pompidou (2000), Manifesta 4 (2002), Palais de Tokyo (2003), Moderna Museet, Stockholm (2004), and most recently at the Museum Boijmans Van Beuningen, Rotterdam (2006). Their collaborations with other brands range from Adidas to Levi’s, Nike, Mikli and Droog over to the jewellery designer Bucherer.

American Letter

Becky Beasley, American Letter

Becky Beasley, American Letter
Softcover, 64 pp., offset 4/1, 8.5 x 11 inches
Edition of 500
Published by Laura Bartlett Gallery

$30.00 ·

An artist’s publication, American Letter, published by Laura Bartlett Gallery, with text by John Slyce and Becky Beasley has been produced in an edition of 500 copies to coincide with the exhibition Three Notable American Novellas.

The Moi Non Plus

Bas Morsch, The Moi Non Plus

Bas Morsch, The Moi Non Plus
Softcover, 60 pp. + CD, offset 1/1, 210 x 297 mm
Edition of 1000
Published by Bas Morsch

$15.00 ·

60 pages + 9 tracks

X

Michael Cummings and Adam Michaels, X

Glen Cummings and Adam Michaels, X
Softcover, 112 pp., offset 1/1, 130 x 190 mm
Edition of 1000
Published by Glen Cummings and Adam Michaels

$10.00 ·

This publication is an initial attempt to examine the trajectory of the X symbol in underground music culture. While the X is broadly associated with the punk scene—in particular, straight edge hardcore—the symbol contains a wide range of often-contradictory meanings. This document presents our ongoing research; we welcome comments, corrections, and criticism.

A La Cach Cachi Porra

Manuel Raeder, A La Cach Cachi Porra

Manuel Raeder, A La Cach Cachi Porra
Softcover, 120 pp., offset 3/1, 17 x 24 cm
agenda/calendar/file folders
Edition of 500
Published by Manuel Raeder

$40.00 ·

A calendar/day-planner for 2009 by graphic designer Manuel Raeder, exploring the possibilities of being a time storage device in a book format. Each copy has a different color scale iris print and every sixth page needs to be torn open by the reader.