Textfield, Inc. » Yvonne Quirmbach http://www.textfield.org Textfield, Inc. — Publishing and Distribution Wed, 21 Dec 2011 18:45:59 +0000 http://wordpress.org/?v=2.8.3 en hourly 1 97,5 Mhz http://www.textfield.org/archive/975-mhz/ http://www.textfield.org/archive/975-mhz/#comments Tue, 22 Feb 2011 18:11:42 +0000 Textfield http://www.textfield.org/?p=4416 Christopher Williams, 97,5 Mhz

Christopher Williams, 97,5 Mhz
Softcover, 24 pp., offset 4/1, 320 x 235 mm
Edition of 1000
ISBN 978-3-905829-04-4
Published by JRP|Ringier

$25.00 ·

Los Angeles conceptualist Christopher Williams, born in 1956, studies the conditions of presentation and representation in order to call into question spoon-fed perceptions, “realistic” reproductions, communication mechanisms and aesthetic conventions that influence our perception and understanding of reality. This volume presents works from 2003-2007.
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Double Page http://www.textfield.org/archive/double-page/ http://www.textfield.org/archive/double-page/#comments Wed, 30 Jun 2010 18:13:14 +0000 Textfield http://www.textfield.org/?p=3358 Christoph Keller and Jérôme Saint-Loubert Bié, Double Page

Christoph Keller and Jérôme Saint-Loubert Bié, Double Page
Softcover, 256 pp., offset 4/3, 115 x 160 mm
Edition of 2000
ISBN 978-2917855-06-5
Published by Editions B42

$15.00 · out of stock

45 graphic designers, 90 photographs, 10 years of books on contemporary art.

This book is based on an invitation to graphic designers to choose two books on contemporary art from the past decade whose design they think is particularly pertinent to the content, to photograph one double-page spread from each book and, if they wish, to comment on their choices.

Double Page provides a selection of recent art publications as viewed by graphic designers who are internationally known for their contribution to that field, and offers a glimpse at the role of book design today in our knowledge and understanding of contemporary art.

Shedding light on this prevalent relationship between art and graphic design by means of photography, Double Page constitutes an unprecedented document of how graphic designers see the work of their peers and their own practices as an essential part of the editorial process.

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