Textfield, Inc. » Susan Cianciolo http://www.textfield.org Textfield, Inc. — Publishing and Distribution Wed, 21 Dec 2011 18:45:59 +0000 http://wordpress.org/?v=2.8.3 en hourly 1 Social documentaries amid this pist http://www.textfield.org/archive/social-documentaries-amid-this-pist/ http://www.textfield.org/archive/social-documentaries-amid-this-pist/#comments Wed, 01 Jun 2011 04:41:11 +0000 Textfield http://www.textfield.org/?p=4711 Mark Borthwick, Social documentaries amid this pist

Mark Borthwick, Social documentaries amid this pist
Softcover, 240 pp., web offset 1/1, 210 x 270 mm
Edition of 250
Published by Mark Borthwick (2002)

$150.00 ·

condition: good, minor edge wear, binding intact.

A social documentary. An appropriation of distinctions between elements. Grey area. An essay in images that repeat themselves. An apparent way to dilute the importance of one over another. Black and white photographs, hand written texts, and xeroxed pages.

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Made in USA http://www.textfield.org/archive/made-in-usa/ http://www.textfield.org/archive/made-in-usa/#comments Thu, 28 Jan 2010 01:05:07 +0000 Textfield http://www.textfield.org/?p=3007 Bernadette Corporation, Made in USA

Bernadette Corporation, Made in USA
Softcover, 128 pp., offset 4/1, 7 x 10 inches
Edition of 500
Fall/Winter 1999-2000
Published by Bernadette Corporation

out of print

condition: very good, shelf wear.

Bernadette Corporation: three people in New York City (today, 1999, or 2000) working together on a new fashion magazine called Made In USA and making art. We came from different backgrounds, but we had something in common: we wanted to change the world because we didn’t like the way it was.

The first issue of Made in USA is devoted to how people create their own spaces, spaces that can be invisible or imaginary. You may have heard this trend called DIY (do-it-yourself) or Amateurism. We like to call it the EMPTY WIDE SPACE trend, a place we can all disappear to, instead of being anti-everything and writing the new manifesto, or instead of being pro-everything and buying the latest CD.

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Here and There 7 http://www.textfield.org/archive/here-and-there-7/ http://www.textfield.org/archive/here-and-there-7/#comments Thu, 27 Aug 2009 06:28:16 +0000 Textfield http://www.textfield.org/?p=689 Nakako Hayashi, Here and There 7
Softcover, 64 pp., offset 1/1, 210 x 297 mm
Edition of 1000
Published by Nieves

$20.00 ·

Here and There Vol.7 is dedicated to the cities of Paris and Tokyo, looking at them through the eyes of its wide contributors’ family spread around the world. We are taken into a whirlwind of overlapping stories and emotions, through the words and images of Takashi Homma, Elein Fleiss, Susan Cianciolo, Julian Gatto, Kim Gordon, Mike Mills, Benjamin Sommerhalder and most importantly Nakako Hayashi, the mind behind it all.

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Here and There 6 http://www.textfield.org/archive/here-and-there-6/ http://www.textfield.org/archive/here-and-there-6/#comments Thu, 27 Aug 2009 06:24:09 +0000 Textfield http://www.textfield.org/?p=685 Nakako Hayashi, Here and There 6
Softcover, 48 pp., offset 4/1, 210 x 297 mm
Edition of 1000
Published by Nieves

$20.00 ·

Here and There comes back, after two years of absence from the independent magazine scene, with Unexpected Travelling Issue, a sixth issue which counts already familiar but also new illustrious collaborations.

In Nakako’s own words, the vision behind the Unexpected Travelling Issue was: “One day, someone told me her ideal garden is what looks like no one is taking care of, and have so many different pretty flowers in springtime. The other day my friend told me she has an ideal image of bringing up kids even though in reality she has to deal with daily life living in crowded Tokyo. I am into those stories, and new issue must be something related to this ‘ideal’ world. in each people’s minds. Maybe you can talk about ideal books making”

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Here and There 5 http://www.textfield.org/archive/here-and-there-5/ http://www.textfield.org/archive/here-and-there-5/#comments Thu, 27 Aug 2009 06:19:24 +0000 Textfield http://www.textfield.org/?p=682 Nakako Hayashi, Here and There 5
Softcover, 48 pp., offset 4/1, 210 x 297 mm
Edition of 1000
Published by Nieves

out of print

Elein Fleiss, Purple Journal’s editor-in-chief, speaks of Nakako Hayashi and her magazine Here and There: When I met Nakako Hayashi, she was still working for Hanatsubaki magazine. Then, in 2001 she decided to go on her own and started Here and There in the spring of 2002. The first issue came out in March of that year, and the moment I first saw it remains in my memory as an important event in the world of independent magazines.

Here and There is the magazine of one person. The fact that Nakako’s name is credited as the author on the cover is not an egocentric statement but reveals the spirit in which she makes it. Some people make films, others write books or make artworks, and Nakako makes a magazine. It is her personal work and in that sense she makes it in her own way, unlike most magazines on the planet. It also means she is free from capitalistic rules, from imposed trends, from the industry of fashion. Instead, she is free to follow her desire and to link the magazine with her personal life.

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Here and There 4 http://www.textfield.org/archive/here-and-there-4/ http://www.textfield.org/archive/here-and-there-4/#comments Thu, 27 Aug 2009 06:17:53 +0000 Textfield http://www.textfield.org/?p=680 Nakako Hayashi, Here and There 4
Softcover, 32 pp., offset 4/1, 210 x 297 mm
Edition of 1000
Published by Nieves

out of print

Elein Fleiss, Purple Journal’s editor-in-chief, speaks of Nakako Hayashi and her magazine Here and There: When I met Nakako Hayashi, she was still working for Hanatsubaki magazine. Then, in 2001 she decided to go on her own and started Here and There in the spring of 2002. The first issue came out in March of that year, and the moment I first saw it remains in my memory as an important event in the world of independent magazines.

Here and There is the magazine of one person. The fact that Nakako’s name is credited as the author on the cover is not an egocentric statement but reveals the spirit in which she makes it. Some people make films, others write books or make artworks, and Nakako makes a magazine. It is her personal work and in that sense she makes it in her own way, unlike most magazines on the planet. It also means she is free from capitalistic rules, from imposed trends, from the industry of fashion. Instead, she is free to follow her desire and to link the magazine with her personal life.

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Here and There 3 http://www.textfield.org/archive/here-and-there-3/ http://www.textfield.org/archive/here-and-there-3/#comments Thu, 27 Aug 2009 06:13:09 +0000 Textfield http://www.textfield.org/?p=672 Nakako Hayashi, Here and There 3
Softcover, 32 pp., offset 4/4, 297 x 420 mm
Edition of 1000
Published by Nieves

out of print

Elein Fleiss, Purple Journal’s editor-in-chief, speaks of Nakako Hayashi and her magazine Here and There: When I met Nakako Hayashi, she was still working for Hanatsubaki magazine. Then, in 2001 she decided to go on her own and started Here and There in the spring of 2002. The first issue came out in March of that year, and the moment I first saw it remains in my memory as an important event in the world of independent magazines.

Here and There is the magazine of one person. The fact that Nakako’s name is credited as the author on the cover is not an egocentric statement but reveals the spirit in which she makes it. Some people make films, others write books or make artworks, and Nakako makes a magazine. It is her personal work and in that sense she makes it in her own way, unlike most magazines on the planet. It also means she is free from capitalistic rules, from imposed trends, from the industry of fashion. Instead, she is free to follow her desire and to link the magazine with her personal life.

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Here and There 2 http://www.textfield.org/archive/here-and-there-2/ http://www.textfield.org/archive/here-and-there-2/#comments Thu, 27 Aug 2009 06:10:41 +0000 Textfield http://www.textfield.org/?p=668 Nakako Hayashi, Here and There 2
Softcover, 32 pp., offset 4/4, 297 x 420 mm
Edition of 1000
Published by Nieves

out of print

Elein Fleiss, Purple Journal’s editor-in-chief, speaks of Nakako Hayashi and her magazine Here and There: When I met Nakako Hayashi, she was still working for Hanatsubaki magazine. Then, in 2001 she decided to go on her own and started Here and There in the spring of 2002. The first issue came out in March of that year, and the moment I first saw it remains in my memory as an important event in the world of independent magazines.

Here and There is the magazine of one person. The fact that Nakako’s name is credited as the author on the cover is not an egocentric statement but reveals the spirit in which she makes it. Some people make films, others write books or make artworks, and Nakako makes a magazine. It is her personal work and in that sense she makes it in her own way, unlike most magazines on the planet. It also means she is free from capitalistic rules, from imposed trends, from the industry of fashion. Instead, she is free to follow her desire and to link the magazine with her personal life.

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Here and There 1 http://www.textfield.org/archive/here-and-there-1/ http://www.textfield.org/archive/here-and-there-1/#comments Thu, 27 Aug 2009 06:07:48 +0000 Textfield http://www.textfield.org/?p=666 Nakako Hayashi, Here and There 1
Softcover, 48 pp., offset 4/1, 210 x 297 mm
Edition of 1000
Published by Nieves

out of print

Elein Fleiss, Purple Journal’s editor-in-chief, speaks of Nakako Hayashi and her magazine Here and There: When I met Nakako Hayashi, she was still working for Hanatsubaki magazine. Then, in 2001 she decided to go on her own and started Here and There in the spring of 2002. The first issue came out in March of that year, and the moment I first saw it remains in my memory as an important event in the world of independent magazines.

Here and There is the magazine of one person. The fact that Nakako’s name is credited as the author on the cover is not an egocentric statement but reveals the spirit in which she makes it. Some people make films, others write books or make artworks, and Nakako makes a magazine. It is her personal work and in that sense she makes it in her own way, unlike most magazines on the planet. It also means she is free from capitalistic rules, from imposed trends, from the industry of fashion. Instead, she is free to follow her desire and to link the magazine with her personal life.

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