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	<title>Textfield, Inc. &#187; Rita Ackermann</title>
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	<description>Textfield, Inc. &#8212; Publishing and Distribution</description>
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		<title>Made in USA</title>
		<link>http://www.textfield.org/archive/made-in-usa/</link>
		<comments>http://www.textfield.org/archive/made-in-usa/#comments</comments>
		<pubDate>Thu, 28 Jan 2010 01:05:07 +0000</pubDate>
		<dc:creator>Textfield</dc:creator>
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		<category><![CDATA[Bernadette Corporation]]></category>
		<category><![CDATA[Bernadette Van-Huy]]></category>
		<category><![CDATA[Culture]]></category>
		<category><![CDATA[Design]]></category>
		<category><![CDATA[Desiree Heiss]]></category>
		<category><![CDATA[Dike Blair]]></category>
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		<category><![CDATA[Made in USA]]></category>
		<category><![CDATA[Mark Gonzales]]></category>
		<category><![CDATA[Miltos Manetas]]></category>
		<category><![CDATA[Patrick Li]]></category>
		<category><![CDATA[Rita Ackermann]]></category>
		<category><![CDATA[Rob Pruitt]]></category>
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		<category><![CDATA[Wandering Archive]]></category>

		<guid isPermaLink="false">http://www.textfield.org/?p=3007</guid>
		<description><![CDATA[
Bernadette Corporation, Made in USA
Softcover, 128 pp., offset 4/1, 7 x 10 inches
Edition of 500
Fall/Winter 1999-2000
Published by Bernadette Corporation
out of print
condition: very good, shelf wear.
Bernadette Corporation: three people in New York City (today, 1999, or 2000) working together on a new fashion magazine called Made In USA and making art. We came from different backgrounds, [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.textfield.org/wp-content/uploads/made-in-usa-bernadette-corporation.jpg" rel="shadowbox[post-3007];player=img;"><img src="http://www.textfield.org/wp-content/uploads/made-in-usa-bernadette-corporation-266x380.jpg" alt="Bernadette Corporation, Made in USA" title="Bernadette Corporation, Made in USA" width="266" height="380" class="alignnone size-thumbnail wp-image-3008" /></a></p>
<p class="postbody"><strong>Bernadette Corporation, <em>Made in USA</em></strong><br />
Softcover, 128 pp., offset 4/1, 7 x 10 inches<br />
Edition of 500<br />
Fall/Winter 1999-2000<br />
Published by Bernadette Corporation</p>
<p><span class="outofprint">out of print</span></p>
<div class="postdesc">condition: <em>very good</em>, shelf wear.</p>
<p>Bernadette Corporation: three people in New York City (today, 1999, or 2000) working together on a new fashion magazine called <em>Made In USA</em> and making art. We came from different backgrounds, but we had something in common: we wanted to change the world because we didn&#8217;t like the way it was.</p>
<p>The first issue of <em>Made in USA</em> is devoted to how people create their own spaces, spaces that can be invisible or imaginary. You may have heard this trend called DIY (do-it-yourself) or Amateurism. We like to call it the EMPTY WIDE SPACE trend, a place we can all disappear to, instead of being anti-everything and writing the new manifesto, or instead of being pro-everything and buying the latest CD.</div>
]]></content:encoded>
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		<title>Marfa/Crash</title>
		<link>http://www.textfield.org/archive/marfa-crash/</link>
		<comments>http://www.textfield.org/archive/marfa-crash/#comments</comments>
		<pubDate>Fri, 25 Sep 2009 19:09:03 +0000</pubDate>
		<dc:creator>Textfield</dc:creator>
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		<category><![CDATA[Rita Ackermann]]></category>

		<guid isPermaLink="false">http://www.textfield.org/?p=1094</guid>
		<description><![CDATA[
Rita Ackermann, Marfa/Crash
Softcover, 32 pp., offset 4/1, 26 x 38 cm
Edition of 1000
ISBN 978-3-905714-66-1
Published by Nieves
$26.00 &#183; add to cart
Issue #7 of THE international with Rita Ackermann, featuring drawings, collages, photographs and new paintings that were inspired by and created during Rita Ackermann&#8217;s stay in Texas; the dry air of Texas, drawings of girls, crashed [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.textfield.org/wp-content/uploads/nieves-ackerman-marfa-crash.jpg" rel="shadowbox[post-1094];player=img;"><img src="http://www.textfield.org/wp-content/uploads/nieves-ackerman-marfa-crash-277x380.jpg" alt="Rita Ackermann, Marfa/Crash" title="Rita Ackermann, Marfa/Crash" width="277" height="380" class="alignnone size-thumbnail wp-image-1660" /></a></p>
<p class="postbody"><strong>Rita Ackermann, <em>Marfa/Crash</em></strong><br />
Softcover, 32 pp., offset 4/1, 26 x 38 cm<br />
Edition of 1000<br />
ISBN 978-3-905714-66-1<br />
Published by Nieves</p>
<p>$26.00 &#183; <a href="https://www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&#038;hosted_button_id=8473308" target="_blank">add to cart</a></p>
<p class="postdesc">Issue #7 of <em>THE international</em> with Rita Ackermann, featuring drawings, collages, photographs and new paintings that were inspired by and created during Rita Ackermann&#8217;s stay in Texas; the dry air of Texas, drawings of girls, crashed cars, and the story of a local cowboy.</p>
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		<item>
		<title>Under Pressure from 2006 to 2007</title>
		<link>http://www.textfield.org/archive/under-pressure/</link>
		<comments>http://www.textfield.org/archive/under-pressure/#comments</comments>
		<pubDate>Sun, 23 Aug 2009 23:12:10 +0000</pubDate>
		<dc:creator>Textfield</dc:creator>
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		<guid isPermaLink="false">http://www.textfield.org/?p=436</guid>
		<description><![CDATA[Rita Ackermann, Under Pressure from 2006 to 2007
Softcover, 36 pp., offset 4/4, 15 x 40 cm
Edition of 500
Published by Nieves
$24.00 &#183; add to cart
Released on occasion of Rita Ackerman&#8217;s work shown at the 2008 Whitney Biennial at the Whitney Museum, New York, March 6th &#8212; June 1st, 2008
]]></description>
			<content:encoded><![CDATA[<p class="postbody"><strong>Rita Ackermann, <em>Under Pressure from 2006 to 2007</em></strong><br />
Softcover, 36 pp., offset 4/4, 15 x 40 cm<br />
Edition of 500<br />
Published by Nieves</p>
<p>$24.00 &#183; <a href="https://www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&#038;hosted_button_id=7704363" target="_blank">add to cart</a></p>
<p class="postdesc">Released on occasion of Rita Ackerman&#8217;s work shown at the 2008 Whitney Biennial at the Whitney Museum, New York, March 6th &#8212; June 1st, 2008</p>
]]></content:encoded>
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		<item>
		<title>Other Scenes</title>
		<link>http://www.textfield.org/archive/other-scenes/</link>
		<comments>http://www.textfield.org/archive/other-scenes/#comments</comments>
		<pubDate>Sun, 23 Aug 2009 16:22:30 +0000</pubDate>
		<dc:creator>Textfield</dc:creator>
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		<guid isPermaLink="false">http://www.textfield.org/?p=405</guid>
		<description><![CDATA[Aaron Rose, Other Scenes
Softcover, 36 pp., offset 4/4, 19.5 x 25.5 cm
Edition of 500
Published by Nieves
$18.00 &#183; add to cart
Other Scenes at Roberts &#038; Tilton presents an eclectic group of emerging and established artists all of whom share disturbing yet romantic visions, such as Rita Ackermann, Gusmano Cesaretti, Daido Moriyama, Daniel Higgs, Becca Mann, Ryan [...]]]></description>
			<content:encoded><![CDATA[<p class="postbody"><strong>Aaron Rose, <em>Other Scenes</em></strong><br />
Softcover, 36 pp., offset 4/4, 19.5 x 25.5 cm<br />
Edition of 500<br />
Published by Nieves</p>
<p>$18.00 &#183; <a href="https://www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&#038;hosted_button_id=7695932" target="_blank">add to cart</a></p>
<div class="postdesc"><em>Other Scenes</em> at Roberts &#038; Tilton presents an eclectic group of emerging and established artists all of whom share disturbing yet romantic visions, such as Rita Ackermann, Gusmano Cesaretti, Daido Moriyama, Daniel Higgs, Becca Mann, Ryan McGinley, Jockum Nordström, Raymond Pettibon and Gee Vaucher. In these artist’s works, a discreet form of protest exists; a desire to find love amongst the ruins, beauty in the shadows. The works included in the exhibition span from 1974 to the present, including many works created specifically for this exhibition.</p>
<p><em>Other Scenes</em>, the catalog published on the occasion by Nieves, includes selected images from the works on display, some of which have been pulled from archives that have not been accessed for over twenty years. This is the third collaboration between Nieves and Aaron Rose, an independent curator currently living in Los Angeles.</div>
]]></content:encoded>
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