News

Jürg Lehni and Alex Rich, News

Jürg Lehni and Alex Rich, News
Softcover, 24 pp., offset 1/1, 195 x 255 mm
Edition of 500
ISBN 978-3-905714-94-4
Published by Nieves

$14.00 · add to cart

The Speed-i-Jet, a mobile pen-printer manufactured by Reiner (Germany), is a device built around an industrial inkjet cartridge / printing head. With its clumsy user interface and 30 character maximum capacity, this charming parasitical product prompted the discussion of possible uses for such a device. Together with the curatorial staff of the institution, daily news headlines were selected and transferred onto the devices. Holding and moving the device like a pen, visitors could experience the writing of texts to which the author is ambiguous.

The headlines were collected during Things to Say at Kunst Halle Sankt Gallen, Switzerland, 14 February — 12 April, 2009.

Eaders Digest 1

Eaders Digest 1

Eaders Digest 1
Softcover, 18 pp., offset 1/1, 140 x 200 [420 x 600 mm unfolded]
Edition of 1000
Published by Eaders Digest

$4.00 · add to cart

Chemical Process: “It takes 1 cup wine 1/2 hr to reduce by 1/2 at 400 degs.”

Digestion started in 2009 as a set of experiments about metabolizing information. Eaders Digest currently takes the form of a publication.

In each issue, a six-stage metabolic reaction is begun. A previously published text is selected and sent to the first participant, who is asked to digest the text into another piece that must be a fixed number of words fewer than the original. The response can take any form within the word count constraint, borrowing from or transforming the source material. The digested text is sent to the next contributor with the same instructions. The word count shrinks weekly, until the final reduction phase is performed by the writer of the first seminal text.

General Idea: A Retrospective 1969-1994

Frédéric Bonnet, General Idea: A Retrospective 1969-1994

Frédéric Bonnet, General Idea: A Retrospective 1969-1994
Hardcover, 224 pp., offset 4/4, 174 x 238 mm
Edition of 2000
ISBN 978-3-03764-162-0
Published by JRP|Ringier

$40.00 · add to cart

This volume presents an overview of the Canadian collective oeuvre — an oeuvre still haunted by Miss General Idea, a fictive character who was at once muse and object, image and concept. Founded in Toronto in 1969 by Felix Partz, Jorge Zontal — both disappeared in 1994 — and AA Bronson, the trio adopted a generic identity that “freed it from the tyranny of individual genius.” Their complex intermingling of reality and fiction took the form of a transgressive and often parodic take on art and society. Treating the image as a virus infiltrating every aspect of the real world, General Idea set out to colonize it, modify its content and so come up with an alternative version of reality.

Paintings, installations, sculptures, photographs, videos, magazines, and TV programs: General Idea’s is an authentically multimedia oeuvre, that has lost nothing of its freshness and can now be seen as anticipating certain aspects of a current art scene undergoing radical transformation. The book covers the collective’s main areas of concern and themes, such as the artist and the creative process, glamour as a creative tool, art’s links with the media and mass culture, architecture and archaeology, sexuality and AIDS, etc. Including newly commissioned essays and republished texts, it is richly illustrated with documents and reproductions of the most important projects realized by General Idea from 1969 to 1994.

IFS, Ltd. Futures Newsletter

IFS, Ltd. Futures Newsletter, Opportunity Amidst Uncertainty

IFS, Ltd. Futures Newsletter, Opportunity Amidst Uncertainty
Softcover, 28 pp., offset 4/4, 110 x 175 mm
Edition of 6000
Published by IFS, Ltd. / Graphic Magazine

free* · out of stock

*free copy with each order

IFS, Ltd. Futures Newsletter is, in non-equal parts: a corporate bulletin, a speculative trading instrument, an experiment in memetic and symbiotic publishing, an internal-external analysis of company performance (B. Critton, H. Gassel, B. Griffiths, Z. Klauck, M. Nguyen), a proposal for an allegorical Escape Act (S. Dockray), a bid for a series of six activities (D. Horvitz), an abridged catalogue of semi-fictional gemstones (L. Francescone), a profile of independent art book distributor (Textfield, Inc.), and a self-reflexive / -reflective cartoon caption contest (R. Rozendaal).

Investment Futures Strategy, Ltd. (United States) in partnership with GRAPHIC magazine (Korea) is pleased to introduce Futures, a semi-official newsletter published as a stand-alone supplement to GRAPHIC #17 (”When Design Becomes Attitude”). In lieu of a traditional contribution, IFS, Ltd. has chosen to use the GRAPHIC platform to continue its experiments in trade and publishing.

The Book Trust Prospectus examined new possibilities for funding, trade value, and distribution by attaching a different kind of significance to the object, thus short-circuiting the expected monetary transaction. Production of the Prospectus, however, relied on labor-intensive methods that required hours of input for a relatively small output. With the Futures newsletter, IFS, Ltd. has hybridized the positive aspects of large-scale corporate publishing — economies of scale or large print-runs, distribution of labor, and maximum efficiency — with the dictatorial authorship afforded by self-publishing. This new model maximizes potential as authors and designers while minimizing the opportunity cost of production and distribution.

Within the logic of IFS, Ltd. Futures will also act as a form of currency: readers can use their copy of the newsletter to trade for a copy of the Book Trust Prospectus. These recirculated copies of Futures will then be re-made available as a way to generate revenue for a future, freely distributed, as-yet-undefined project thus continuing the self-sustaining eco-system of publishing and distribution, one in which readers and producers collaborate to generate and circulate content outside of the cost-prohibitive channels of traditional publishing.

Mono.Kultur 26

Mono.Kultur 26, Manfred Eicher - Recording ECM

Mono.Kultur 26, Manfred Eicher — Recording ECM
Softcover, 42 pp., offset 1/1, 200 x 150 mm
Edition of 5000
ISSN 1861-7085
Published by Mono.Kultur

$9.00 · out of stock

Born in 1943 in southern Germany, Manfred Eicher dedicated his life early on to music, learning violin as a child, and studying double bass and classical music at the Academy in Berlin. On parallel tracks, he pursued an equally traditional self-education in jazz: through relatives in America, records bought in G.I. stores, The Voice of America, listening to Bill Evans at the Village Vanguard, playing double bass in German jazz bands and with visiting musicians including Marion Brown, Leo Smith and Paul Bley.

In 1969, a meeting with the American jazz pianist and composer Mal Waldron led to Eicher’s first impromptu production and official release, Free at Last. The immediate success of the record beckoned for more, encouraging Eicher to move backstage and from then on to dedicate his life to finding and producing new music rather than performing. On the outskirts of Munich, with little financial backing, less strategy and no experience in production or managing a record label, Manfred Eicher launched ECM Records as a platform for jazz, a primarily American phenomenon on its wane.

Dear Reader, Vol. 1

Dear Reader, Vol. 1

Dear Reader, Vol. 1
Softcover, 36 pp., offset 2/2 + spot varnish, 210 x 297 mm
Edition of 500
ISSN 2211-1085
ISBN 978-94-90974-03-9
Published by Carvalho Bernau

$13.00 · add to cart

A collection of obsessions, oblique references and footnotes of design processes — though not necessarily texts about design. The layout is appropriately diverse and eclectic for the bandwidth of texts, layering different formats and texts, as a tongue-in-cheek reference to the design shtick of publications with different paper formats. Here we present three iconic formats in emphasized-as-fake three-dimensionality, on four different papers and more inks than you would think.

Dear Reader was created partly from a primordial graphic designers’ urge to publish something and to share texts that are dear to us, partly in celebration of Atelier Carvalho Bernau’s approximate fifth anniversary, and partly as a vessel to showcase our type design work in a manner that circumvents the conventions and the visual clichés of the type specimen.

False Friends

Garamond Press, False Friends

Garamond Press, False Friends
Hardcover, 48 pp., offset 1/1, 115 x 185 mm
English, French, and Dutch
Edition of 500
ISBN 0 978-94-90629-02-1
Published by Kunstverein

$18.00 · add to cart

Antonio Pigafetta’s questionable travelogue from 1591, titled Regnum Congo, was based upon stories from Duarte Lopez, a Portuguese explorer who supposedly visited the Congo. The travelogue introduces an odd vision of European landscape in which fantastic creatures are presented. South-African artist Ruth Sacks re-contextualizes these historical interpretations by re-appropriating them into contemporary conditions, juxtaposing the varied characteristics. Hence the logo of her fictional publishing house, Garamond Press: a fantastic animal based upon a description of one of the possible animals from Regnum Congo. The narrative of the book False Friends derives from the storyline of Edgar Allen Poe’s Murders at the Rue Morgue from 1841, generally agreed to be the first detective story ever written. This contemporary version is set in Antwerp, Belgium, and is split into three languages: Dutch (Flemish), French and English. To follow the story’s plot, one has to be fluent in all three languages.

Benzanoe 64

Benzanoe 64, Graphic Dasein

Benzanoe 64, Graphic Dasein*
Newspaper, 12 pp., web offset 1/1, 12.5 x 18 inches
Edition of 100
Published by Benzanoe

$8.00 · add to cart

*Dasein is the German vernacular term for existence, it is derived from da-sein, which literally means being-there.

“The printed artifact always carries with it belief; under pinned by a historic and cultural rela­tionship between print and truth. Issue 64 deals directly with this concept through a series of install tions, representing the pages of the magazine. The content is delivered through playing with perspective, perception, resolution, view point and production.“

IFS, Ltd. Futures Newsletter

IFS, Ltd. Futures Newsletter

Investment Futures Strategy, Ltd. (United States) in partnership with GRAPHIC magazine (Korea) is pleased to introduce Futures, a semi-official newsletter published as a stand-alone supplement to GRAPHIC #17 (”When Design Becomes Attitude”). In lieu of a traditional contribution, IFS, Ltd. has chosen to use the GRAPHIC platform to continue its experiments in trade and publishing.

The Book Trust Prospectus examined new possibilities for funding, trade value, and distribution by attaching a different kind of significance to the object, thus short-circuiting the expected monetary transaction. Production of the Prospectus, however, relied on labor-intensive methods that required hours of input for a relatively small output. With the Futures newsletter, IFS, Ltd. has hybridized the positive aspects of large-scale corporate publishing — economies of scale or large print-runs, distribution of labor, and maximum efficiency — with the dictatorial authorship afforded by self-publishing. This new model maximizes potential as authors and designers while minimizing the opportunity cost of production and distribution.

Within the logic of IFS, Ltd. Futures will also act as a form of currency: readers can use their copy of the newsletter to trade for a copy of the Book Trust Prospectus (see: the Prospectus, left). These recirculated copies of Futures will then be re-made available as a way to generate revenue for a future, freely distributed, as-yet-undefined project thus continuing the self-sustaining eco-system of publishing and distribution, one in which readers and producers collaborate to generate and circulate content outside of the cost-prohibitive channels of traditional publishing.

The IFS, Ltd. Futures Newsletter is, in non-equal parts: a corporate bulletin, a speculative trading instrument, an experiment in memetic and symbiotic publishing, an internal-external analysis of company performance (B. Critton, H. Gassel, B. Griffiths, Z. Klauck, M. Nguyen), a proposal for an allegorical Escape Act (S. Dockray), a bid for a series of six activities (D. Horvitz), an abridged catalogue of semi-fictional gemstones (L. Francescone), a profile of independent art book distributor (Textfield, Inc.), and a self-reflexive / -reflective cartoon caption contest (R. Rozendaal).

The Serving Library

Stuart Bailey and David Reinfurt, The Serving Library

The Serving Library is a collectively-built archive. It consists of three parts: 1. an ambitious public website; 2. a small physical library space; 3. a publishing program which runs both through the website (#1) and through the space (#2). This is a long-term project being developed by Stuart Bailey, Angie Keefer and David Reinfurt. Together we are just beginning so we need your help to build our library and construct a new model for this old institution.

The first libraries were built on an Archiving model. In the Archiving Library, information and artifacts were collected, concentrated and protected in one central place. On July 1, 1731, Benjamin Franklin established the first Circulating Library in Philadelphia. Books were quite expensive, so by pooling resources many volumes could be shared among contributing members, and, the books moved around. Now, we propose a new model that joins the Archiving Library to the Circulating Library — The Serving Library.

The Serving Library is an archive assembled by publishing. Publishing and archiving have always been either end of a continuous loop, but now on an electronic network like the Internet, the two activities are both simultaneous and indistinguishable. This makes particularly small public libraries increasingly redundant. It’s time to reconsider what kind of library makes sense right now, and suggest one possible way forward.

The Serving Library follows directly from ten years of independently publishing Dot Dot Dot (www.dot-dot-dot.us), a biannual arts journal printed in a run of 3000 copies, with broad international distribution co-founded by Stuart Bailey in 2000. Dot Dot Dot then led to establishing Dexter Sinister (www.dextersinister.org) in 2006, a self-described “Just-in-Time Workshop and Occasional Bookstore” run from a modest basement on the Lower East Side of New York City. Evolving from a publication to a bookstore, we now want to expand from these relatively private activities to a more properly public sphere by developing a new library where materials are collectively produced, assembled and pooled to maintain a body of shared information that serves the committed community who helped make it.

We will build our library by publishing. Bulletins of the Serving Library will be a hybrid electronic / printed publication offered first as PDF files freely available, released in serial form on www.servinglibrary.org. Twice a year, these concise booklets will be collected, printed, bound and distributed. We’re ready to publish the first collection of Bulletins now. This first set directly addresses libraries, archives and collections and includes “An Octopus in Plan View” by Angie Keefer, an 8-part text on communication organized around the anatomy of an octopus; “From O-1: Information on Libraries & From 1-0: Information on Recording” by Rob Giampietro & David Reinfurt, on the paradox of contemporary archiving in the face of the Internet; and “The Life and Death of Media” by Bruce Sterling, an out-of-time plea for compiling an exhaustive list of outdated media formats.

We are asking for your support to help us develop the website, publish the PDFs, print, bind and distribute the first hard-copy issue of the Bulletins and to begin assembling The Serving Library.

www.servinglibrary.org

LACE: Living the Archive

LACE: Living the Archive

Carol A. Stakenas, LACE: Living the Archive
Hardcover, 108 pp., offset 1/1, 8.75 x 11 inches
Edition of 1000
ISBN 978-0-937335-21-5
Published by LACE

$30.00 · add to cart

Selected Publications & Print Ephemera from the LACE Archives 1978–2008.

From its founding in 1978, LACE — Los Angeles Contemporary Exhibitions — was a pivotal, artist-run organization committed to presenting the work of Southern California artists and highlighting bleeding-edge work. Both a treasure-trove and a grab-bag, this book reproduces a wealth of archival material from LACE’s first three decades. Flyers, postcards, memoirs, catalogs, posters, invitations: the editors have chosen an engrossing selection, including well-known names like Lita Albuquerque, Paul McCarthy, Red Grooms and Mike Kelley, and lesser-known but equally worthy artists. As Liz Kotz writes in her introduction, for a new generation of art historians, movements like Minimalism, Happenings and Conceptual Art are just names; the archive allows them to experience the history first-hand. And if you were around at the time, this book is as deeply satisfying as going through that box of stuff you have kept since college days.

A Curious Catalogue

Michael Leon, A Curious Catalogue

Michael Leon, A Curious Catalogue
Softcover, 28 pp., offset 4/4, 195 x 255 mm
Edition of 1000
ISBN 978-3-905714-92-0
Published by Nieves

$16.00 · add to cart

A Curious Catalogue is a skateboard product catalogue of pencil drawn anti-graphics, spin-art wheels, and slalom gemstones. It was designed to take a romantic and fantastic vision of a skateboard company and make it ‘real’. Michael Leon was inspired by the naïve wonder he experienced as a young skateboarder, which he juxtaposes with an elegant, yet dry, catalogue sales format. The result is a carefree and poetic narrative carried by a range of imagined products.

Michael Leon was raised in late 80s, early 90s skateboard culture. His work lives in a unique place between the worlds of art and art direction. He often uses the language of graphic design to create meaning through sculpture, paintings, videos, and editions. While still in high school, Michael designed his first pro model skateboard for New Deal Skateboards. 19 years later, he continues to design for his skateboard company Stacks, as well as creating artwork and art directing collaborative projects.

Rex Reason (solid gaseous liquid synthetic)

Simon Patterson, Rex Reason (solid gaseous liquid synthetic)

Simon Patterson, Rex Reason (solid gaseous liquid synthetic)
Softcover, 116 pp., offset 5/1, 105 x 130 mm
Edition of 2000
ISBN 978-1-870699-13-6
Published by Book Works

$16.00 · add to cart

Rex Reason presents the Periodic Table of the Elements in book form. A colour-coding system is set up (black for solids, blue for liquids and yellow synthetics) but where we might expect to find hydrogen, helium or lithium we find Yul Brynner, William Hogarth and Maria Callas. The selected names relate to the chemical symbol for each element: both letters must appear in the chosen name for example, Bertolt Brecht (Br, Bromine).

A loose logic prevails in the choice of names, for example names in red, gases, are from Greek myth or history and the yellow synthetic elements are given their proper names. However, Patterson disrupts this system with red herrings, mysteries and riddles that test the reader’s knowledge and that expose the inherent human desire to establish order and meaning.