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		<title>Issue b like büroklammer (paperclip)</title>
		<link>http://www.textfield.org/archive/issue-b-like-buroklammer-paperclip/</link>
		<comments>http://www.textfield.org/archive/issue-b-like-buroklammer-paperclip/#comments</comments>
		<pubDate>Wed, 03 Mar 2010 22:23:23 +0000</pubDate>
		<dc:creator>Textfield</dc:creator>
				<category><![CDATA[Archive]]></category>
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		<category><![CDATA[Art]]></category>
		<category><![CDATA[Büroklammer]]></category>
		<category><![CDATA[Caroline Palla]]></category>
		<category><![CDATA[Christian Ratti]]></category>
		<category><![CDATA[der:die:das:]]></category>
		<category><![CDATA[Design]]></category>
		<category><![CDATA[Flurina Rothenberger]]></category>
		<category><![CDATA[Hin Van Tran]]></category>
		<category><![CDATA[Ignacio Uriarte]]></category>
		<category><![CDATA[Katharina Rippstein]]></category>
		<category><![CDATA[Michael Meier]]></category>
		<category><![CDATA[Nadja Aebi]]></category>
		<category><![CDATA[Paperclip]]></category>
		<category><![CDATA[Peter Piller]]></category>
		<category><![CDATA[Photography]]></category>
		<category><![CDATA[Rebecca Ford]]></category>
		<category><![CDATA[Remo Stoller]]></category>
		<category><![CDATA[Ricky Myers]]></category>
		<category><![CDATA[Rico Scagliola]]></category>
		<category><![CDATA[Uta Eisenreich]]></category>
		<category><![CDATA[Veronique Hoegger]]></category>

		<guid isPermaLink="false">http://www.textfield.org/?p=3142</guid>
		<description><![CDATA[
der:die:das:, Issue b like büroklammer (paperclip)
Softcover, 96 pp., offset 4/4, 200 x 270 mm
English and German
Edition of 1000
ISSN 1663-2508
Published by der:die:das:
$22.00 &#183; add to cart
Some words on, and images of, the büroklammer (paperclip).
]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.textfield.org/wp-content/uploads/die-der-das-b-like-buroklammer-paperclip.jpg" rel="shadowbox[post-3142];player=img;"><img src="http://www.textfield.org/wp-content/uploads/die-der-das-b-like-buroklammer-paperclip-280x380.jpg" alt="der:die:das:, Issue b like büroklammer (paperclip)" title="der:die:das:, Issue b like büroklammer (paperclip)" width="280" height="380" class="alignnone size-thumbnail wp-image-3143" /></a></p>
<p class="postbody"><strong>der:die:das:, <em>Issue b like büroklammer (paperclip)</em></strong><br />
Softcover, 96 pp., offset 4/4, 200 x 270 mm<br />
English and German<br />
Edition of 1000<br />
ISSN 1663-2508<br />
Published by der:die:das:</p>
<p>$22.00 &#183; <a href="https://www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&#038;hosted_button_id=D957UKGT8EZU6" target="_blank">add to cart</a></p>
<div class="postdesc">Some words on, and images of, the büroklammer (paperclip).</div>
]]></content:encoded>
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		</item>
		<item>
		<title>Issue a for apple</title>
		<link>http://www.textfield.org/archive/issue-a-for-apple/</link>
		<comments>http://www.textfield.org/archive/issue-a-for-apple/#comments</comments>
		<pubDate>Wed, 03 Mar 2010 22:12:56 +0000</pubDate>
		<dc:creator>Textfield</dc:creator>
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		<category><![CDATA[Apple]]></category>
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		<category><![CDATA[Flurina Rothenberger]]></category>
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		<category><![CDATA[Jon Bischoff]]></category>
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		<category><![CDATA[Nadja Aebi]]></category>
		<category><![CDATA[Photography]]></category>
		<category><![CDATA[Sandi Kozjek]]></category>
		<category><![CDATA[Sasa Kohler]]></category>
		<category><![CDATA[Sasha Haettenschweiler]]></category>
		<category><![CDATA[Shirana Shahbazi]]></category>
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		<category><![CDATA[Wolfgang Tillmans]]></category>

		<guid isPermaLink="false">http://www.textfield.org/?p=3139</guid>
		<description><![CDATA[
der:die:das:, Issue a for apple
Softcover, 96 pp., offset 4/4, 200 x 270 mm
English and German
Edition of 1000
ISSN 1663-2508
Published by der:die:das:
$22.00 &#183; add to cart
Some words on, and images of, the apple.
]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.textfield.org/wp-content/uploads/die-der-das-issue-a-for-apple.jpg" rel="shadowbox[post-3139];player=img;"><img src="http://www.textfield.org/wp-content/uploads/die-der-das-issue-a-for-apple-283x380.jpg" alt="der:die:das, Issue a for apple" title="der:die:das, Issue a for apple" width="283" height="380" class="alignnone size-thumbnail wp-image-3140" /></a></p>
<p class="postbody"><strong>der:die:das:, <em>Issue a for apple</em></strong><br />
Softcover, 96 pp., offset 4/4, 200 x 270 mm<br />
English and German<br />
Edition of 1000<br />
ISSN 1663-2508<br />
Published by der:die:das:</p>
<p>$22.00 &#183; <a href="https://www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&#038;hosted_button_id=7MPC5SJ3VWKTJ" target="_blank">add to cart</a></p>
<div class="postdesc">Some words on, and images of, the apple.</div>
]]></content:encoded>
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		</item>
		<item>
		<title>La Photographie N’Est Pas L’Art, 12 Photographs</title>
		<link>http://www.textfield.org/archive/la-photographie-nest-pas-lart-12-photographs/</link>
		<comments>http://www.textfield.org/archive/la-photographie-nest-pas-lart-12-photographs/#comments</comments>
		<pubDate>Wed, 03 Mar 2010 21:54:03 +0000</pubDate>
		<dc:creator>Textfield</dc:creator>
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		<category><![CDATA[Art]]></category>
		<category><![CDATA[Fotohof Editions]]></category>
		<category><![CDATA[Man Ray]]></category>
		<category><![CDATA[Photography]]></category>
		<category><![CDATA[RAM]]></category>

		<guid isPermaLink="false">http://www.textfield.org/?p=3135</guid>
		<description><![CDATA[
Man Ray, La Photographie N’Est Pas L’Art
Softcover, 64 pp., offset 4/1, 160 x 245 mm
Edition of 1000
ISBN 978-3-902675-30-9
Published by Fotohof Editions
$39.00 &#183; add to cart
Photography is not art, proclaims Man Ray in the essay re-published here as an impeccable facsimile edition of the 1937 original. A pamphlet of loose sheets and 12 images, this publication [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.textfield.org/wp-content/uploads/fotohof-ray-la-photographie-nest-pas-lart.jpg" rel="shadowbox[post-3135];player=img;"><img src="http://www.textfield.org/wp-content/uploads/fotohof-ray-la-photographie-nest-pas-lart-241x380.jpg" alt="Man Ray, La Photographie N’Est Pas L’Art" title="Man Ray, La Photographie N’Est Pas L’Art" width="241" height="380" class="alignnone size-thumbnail wp-image-3136" /></a></p>
<p class="postbody"><strong>Man Ray, <em>La Photographie N’Est Pas L’Art</em></strong><br />
Softcover, 64 pp., offset 4/1, 160 x 245 mm<br />
Edition of 1000<br />
ISBN 978-3-902675-30-9<br />
Published by Fotohof Editions</p>
<p>$39.00 &#183; <a href="https://www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&#038;hosted_button_id=GRDCXKMX9AP56" target="_blank">add to cart</a></p>
<div class="postdesc">Photography is not art, proclaims Man Ray in the essay re-published here as an impeccable facsimile edition of the 1937 original. A pamphlet of loose sheets and 12 images, this publication re-visits an issue that was hotly controversial during the first half of the 20th century &#8212; Is Photography Art? &#8212; as examined in the influential Paris magazine L’Art. Despite the fact that Man Ray’s provocative works were among the photographs generally agreed by critics to be, in fact, art, Man Ray himself seems barely interested in considering the question. “There’s no point trying to find out if it’s an art,” he said. “Art is a thing of the past. We need something else. You’ve got to watch light at work. It’s light that creates. I sit down in front of my sheet of photographic paper and I think.”</div>
]]></content:encoded>
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		<item>
		<title>Rock/Music Writings</title>
		<link>http://www.textfield.org/archive/rock-music-writings/</link>
		<comments>http://www.textfield.org/archive/rock-music-writings/#comments</comments>
		<pubDate>Wed, 03 Mar 2010 20:04:33 +0000</pubDate>
		<dc:creator>Textfield</dc:creator>
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		<category><![CDATA[Debbie Harry]]></category>
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		<category><![CDATA[Glenn Branca]]></category>
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		<category><![CDATA[Primary Information]]></category>

		<guid isPermaLink="false">http://www.textfield.org/?p=3129</guid>
		<description><![CDATA[
Dan Graham, Rock/Music Writings
Softcover, 224 pp., offset 4/1, 5.5 x 8.25 inches
Edition of 3000
ISBN 978-0978869-73-1
Published by Primary Information
$18.00 &#183; add to cart
As admired for his writing as for his work in art, photography and architecture, Dan Graham was one of the first contemporary artists to embrace Punk, Postpunk and No Wave, becoming a figurehead for [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.textfield.org/wp-content/uploads/primary-graham-rock-music-writings.jpg" rel="shadowbox[post-3129];player=img;"><img src="http://www.textfield.org/wp-content/uploads/primary-graham-rock-music-writings-253x380.jpg" alt="Dan Graham, Rock/Music Writings" title="Dan Graham, Rock/Music Writings" width="253" height="380" class="alignnone size-thumbnail wp-image-3130" /></a></p>
<p class="postbody"><strong>Dan Graham, <em>Rock/Music Writings</em></strong><br />
Softcover, 224 pp., offset 4/1, 5.5 x 8.25 inches<br />
Edition of 3000<br />
ISBN 978-0978869-73-1<br />
Published by Primary Information</p>
<p>$18.00 &#183; <a href="https://www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&#038;hosted_button_id=NSVVJN3UMY58J" target="_blank">add to cart</a></p>
<div class="postdesc">As admired for his writing as for his work in art, photography and architecture, Dan Graham was one of the first contemporary artists to embrace Punk, Postpunk and No Wave, becoming a figurehead for those movements, and an early supporter of (and friend to) Glenn Branca and Sonic Youth among many others. <em>Rock/Music Writings</em> collects 13 of Graham&#8217;s most influential writings, on bands ranging from The Kinks to Bow Wow Wow, first published in art journals such as <em>Real Life, Open Letter</em> and ZG between 1968 and 1988, and in the now rare volume <em>Rock My Religion</em>. It includes such landmark essays as “Punk as Propaganda,” which explicates the self-packaging and media critique of The Ramones, Devo, the Sex Pistols, the Desperate Bicycles and others; “Rock My Religion,” in which Graham traces themes of ecstatic reverie in rock performance (with a focus on Patti Smith), through a beautiful composite of quotation, commentary and photography; and “New Wave Rock and the Feminine,” which discusses the onstage personae of Lydia Lunch, Debbie Harry and Siouxsie Sioux, and the gender politics of all-female groups such as The Slits, The Raincoats, Bush Tetras and others. Throughout <em>Rock/Music Writings</em>, Graham&#8217;s appraisals are clear-eyed, sophisticated and poetically constructed, a genre of their own within artists&#8217; writings.</div>
]]></content:encoded>
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		<item>
		<title>A for Alibi</title>
		<link>http://www.textfield.org/archive/a-for-alibi/</link>
		<comments>http://www.textfield.org/archive/a-for-alibi/#comments</comments>
		<pubDate>Wed, 03 Mar 2010 19:51:55 +0000</pubDate>
		<dc:creator>Textfield</dc:creator>
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		<guid isPermaLink="false">http://www.textfield.org/?p=3126</guid>
		<description><![CDATA[
Mariana Castillo Deball and Irene Kopelman, A for Alibi
Softcover + dust jacket, 240 pp., offset 2/2, 160 x 240 mm
Edition of 1000
ISBN 978-1-933128-33-7
Published by Sternberg Press
$29.00 &#183; add to cart
A for Alibi explores the boundaries of scientific practice and art. The Uqbar Foundation invited a group of artists to perform research and develop projects using [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.textfield.org/wp-content/uploads/sternberg-deball-kopelman-a-for-alibi.jpg" rel="shadowbox[post-3126];player=img;"><img src="http://www.textfield.org/wp-content/uploads/sternberg-deball-kopelman-a-for-alibi-253x380.jpg" alt="Mariana Castillo Deball and Irene Kopelman, A for Alibi" title="Mariana Castillo Deball and Irene Kopelman, A for Alibi" width="253" height="380" class="alignnone size-thumbnail wp-image-3127" /></a></p>
<p class="postbody"><strong>Mariana Castillo Deball and Irene Kopelman, <em>A for Alibi</em></strong><br />
Softcover + dust jacket, 240 pp., offset 2/2, 160 x 240 mm<br />
Edition of 1000<br />
ISBN 978-1-933128-33-7<br />
Published by Sternberg Press</p>
<p>$29.00 &#183; <a href="https://www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&#038;hosted_button_id=HDW3GQ4M5SWAG" target="_blank">add to cart</a></p>
<div class="postdesc">A for Alibi explores the boundaries of scientific practice and art. The Uqbar Foundation invited a group of artists to perform research and develop projects using the impressive collection of historical instruments and optical devices. Fully illustrated, this book documents the artists’ projects as well as a symposium of the same name, where scientists and art historians lectured on the origins of modern visual culture.</div>
]]></content:encoded>
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		</item>
		<item>
		<title>Portable Document Format</title>
		<link>http://www.textfield.org/archive/portable-document-format/</link>
		<comments>http://www.textfield.org/archive/portable-document-format/#comments</comments>
		<pubDate>Wed, 03 Mar 2010 19:42:12 +0000</pubDate>
		<dc:creator>Textfield</dc:creator>
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		<category><![CDATA[Anthony Huberman]]></category>
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		<category><![CDATA[Dexter Sinister]]></category>
		<category><![CDATA[Edgar Allan Poe]]></category>
		<category><![CDATA[Giles Weaver]]></category>
		<category><![CDATA[Louis Kaplan]]></category>
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		<category><![CDATA[Rob Giampietro]]></category>
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		<category><![CDATA[Walead Beshty]]></category>

		<guid isPermaLink="false">http://www.textfield.org/?p=3123</guid>
		<description><![CDATA[
Dexter Sinister, Portable Document Format
Hardcover, 200 pp., offset 4/1, 4.25 x 6.75 inches
Edition of 1000
ISBN 978-1-933128-85-6
Published by Sternberg Press
$20.00 &#183; add to cart
Over the past few years, Dexter Sinister has been interested in exploring contemporary publishing in its broadest, most exploded sense. The first part of this book consists of pieces of writings written since [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.textfield.org/wp-content/uploads/sternberg-dexter-sinister-portable-document-format.jpg" rel="shadowbox[post-3123];player=img;"><img src="http://www.textfield.org/wp-content/uploads/sternberg-dexter-sinister-portable-document-format-245x380.jpg" alt="Dexter Sinister, Portable Document Format" title="Dexter Sinister, Portable Document Format" width="245" height="380" class="alignnone size-thumbnail wp-image-3124" /></a></p>
<p class="postbody"><strong>Dexter Sinister, <em>Portable Document Format</em></strong><br />
Hardcover, 200 pp., offset 4/1, 4.25 x 6.75 inches<br />
Edition of 1000<br />
ISBN 978-1-933128-85-6<br />
Published by Sternberg Press</p>
<p>$20.00 &#183; <a href="https://www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&#038;hosted_button_id=JW357U4ZNT58E" target="_blank">add to cart</a></p>
<div class="postdesc">Over the past few years, Dexter Sinister has been interested in exploring contemporary publishing in its broadest, most exploded sense. The first part of this book consists of pieces of writings written since the conception of their New York basement workshop and bookstore in the summer of 2006. These writings were previously published online as PDFs in the Library at www.dextersinister.org. They were primarily written by Dexter Sinister or by one of a circle of regular collaborators, often for their house journal <em>Dot Dot Dot</em>, or as supplements to other books or exhibitions.</p>
<p>The second part consists of reproductions of a series of lithographic proof prints. Accompanying these prints are extended captions individually produced for different exhibitions in 2008. Each caption was composed in line with the manner of its accompanying image. Although never intended as a set, a number of generic themes emerged, such as abstraction, mathematics, logic, and cooperation. The book intends to demonstrate how ideas from the first part have been rechannelled in the second.</p></div>
]]></content:encoded>
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		</item>
		<item>
		<title>The Josephine Meckseper Catalogue</title>
		<link>http://www.textfield.org/archive/the-josephine-meckseper-catalogue/</link>
		<comments>http://www.textfield.org/archive/the-josephine-meckseper-catalogue/#comments</comments>
		<pubDate>Wed, 03 Mar 2010 19:24:24 +0000</pubDate>
		<dc:creator>Textfield</dc:creator>
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		<guid isPermaLink="false">http://www.textfield.org/?p=3120</guid>
		<description><![CDATA[
Josephine Meckseper, The Josephine Meckseper Catalogue
Softcover, 64 pp., offset 4/4, 240 x 240 mm
English and German
Edition of 1000
ISBN 978-1-933128-00-9
Published by Sternberg Press
$24.00 &#183; add to cart
“Politics and aesthetics morph seamlessly in a world where politics confuses itself with representation, where all attention is swallowed in the communication of a message rather than in the intensity [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.textfield.org/wp-content/uploads/sternberg-meckseper-the-josephine-meckseper-catalogue.jpg" rel="shadowbox[post-3120];player=img;"><img src="http://www.textfield.org/wp-content/uploads/sternberg-meckseper-the-josephine-meckseper-catalogue-380x380.jpg" alt="Josephine Meckseper, The Josephine Meckseper Catalogue" title="Josephine Meckseper, The Josephine Meckseper Catalogue" width="380" height="380" class="alignnone size-thumbnail wp-image-3121" /></a></p>
<p class="postbody"><strong>Josephine Meckseper, <em>The Josephine Meckseper Catalogue</em></strong><br />
Softcover, 64 pp., offset 4/4, 240 x 240 mm<br />
English and German<br />
Edition of 1000<br />
ISBN 978-1-933128-00-9<br />
Published by Sternberg Press</p>
<p>$24.00 &#183; <a href="https://www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&#038;hosted_button_id=4XC4B5Q3K25NC" target="_blank">add to cart</a></p>
<div class="postdesc">“Politics and aesthetics morph seamlessly in a world where politics confuses itself with representation, where all attention is swallowed in the communication of a message rather than in the intensity of an event. &#8230; In Meckseper’s gallery installation, where fashion images share space with protest documentation, where an idea of relational space rubs shoulders with an idea of lifestyle or boutique design, where an idea of the social morphs into an idea of the commodity relation, many of the elements on display also double as mechanisms of display: shelves, rugs, windows, magazine covers, and wallpaper are the products here. Here, display displays itself. Covers and wrappings conceal nothing, they only reveal themselves. And, reappropriating the very mechanisms of commodity transmission in this way, and in particular by conflating politicized symbols with such functions &#8230; , by relocating non-art in art and vice versa, by this orgiastic displacement, this diabolical Feng Shui of signifying forms and materials, the artist also goes to work (like the peasant in her field, the posing model) in the production of her anti-world.”</p>
<p>—John Kelsey</p></div>
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		<title>Billy Apple</title>
		<link>http://www.textfield.org/archive/billy-apple/</link>
		<comments>http://www.textfield.org/archive/billy-apple/#comments</comments>
		<pubDate>Wed, 03 Mar 2010 18:54:02 +0000</pubDate>
		<dc:creator>Textfield</dc:creator>
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		<guid isPermaLink="false">http://www.textfield.org/?p=3116</guid>
		<description><![CDATA[
Zoë Gray, Nicolaus Schafhausen and Monika Szewczyk, Billy Apple
Softcover, 112 pp., offset 4/1, 125 x 200 mm
Edition of 1000
ISBN 978-90-73362-89-5
Published by Witte de With
$15.00 &#183; add to cart
Billy Apple was created in 1962 as a work by the New Zealand-born artist Barrie Bates, who changed his name to become a living brand after graduating from [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.textfield.org/wp-content/uploads/withe-de-with-bates-billy-apple.jpg" rel="shadowbox[post-3116];player=img;"><img src="http://www.textfield.org/wp-content/uploads/withe-de-with-bates-billy-apple-236x380.jpg" alt="Barrie Bates, Billy Apple" title="Barrie Bates, Billy Apple" width="236" height="380" class="alignnone size-thumbnail wp-image-3117" /></a></p>
<p class="postbody"><strong>Zoë Gray, Nicolaus Schafhausen and Monika Szewczyk, <em>Billy Apple</em></strong><br />
Softcover, 112 pp., offset 4/1, 125 x 200 mm<br />
Edition of 1000<br />
ISBN 978-90-73362-89-5<br />
Published by Witte de With</p>
<p>$15.00 &#183; <a href="https://www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&#038;hosted_button_id=5CH8VZXL4GXWJ" target="_blank">add to cart</a></p>
<div class="postdesc">Billy Apple was created in 1962 as a work by the New Zealand-born artist Barrie Bates, who changed his name to become a living brand after graduating from London&#8217;s Royal College of Art. For this volume, four writers combine to discuss the brand, providing a chronology, a contextualization of Apple&#8217;s practice within institutional critique and his enduring significance for younger generations.</div>
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		<title>Traducing Ruddle / Two Connected Houses</title>
		<link>http://www.textfield.org/archive/traducing-ruddle/</link>
		<comments>http://www.textfield.org/archive/traducing-ruddle/#comments</comments>
		<pubDate>Wed, 03 Mar 2010 02:57:21 +0000</pubDate>
		<dc:creator>Textfield</dc:creator>
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		<guid isPermaLink="false">http://www.textfield.org/?p=3100</guid>
		<description><![CDATA[
Mark Manders, Traducing Ruddle
Newspaper, 16 pp., web offset 1/1, 350 x 480 mm
Insert, 48 pp., offset 1/1, 215 x 280 mm
Edition of 3000
ISBN 978-0-9738133-7-1
Published by Fillip Editions, Roma Publications
$15.00 &#183; add to cart
Traducing Ruddle is the fifth in a series of &#8220;fake&#8221; newspapers by Dutch artist Mark Manders. Using a nonsensical combination of English words, [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.textfield.org/wp-content/uploads/fillip-manders-traducing-ruddle.jpg" rel="shadowbox[post-3100];player=img;"><img src="http://www.textfield.org/wp-content/uploads/fillip-manders-traducing-ruddle-551x380.jpg" alt="Mark Manders, Traducing Ruddle" title="Mark Manders, Traducing Ruddle" width="551" height="380" class="alignnone size-thumbnail wp-image-3101" /></a></p>
<p class="postbody"><strong>Mark Manders, <em>Traducing Ruddle</em></strong><br />
Newspaper, 16 pp., web offset 1/1, 350 x 480 mm<br />
Insert, 48 pp., offset 1/1, 215 x 280 mm<br />
Edition of 3000<br />
ISBN 978-0-9738133-7-1<br />
Published by Fillip Editions, Roma Publications</p>
<p>$15.00 &#183; <a href="https://www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&#038;hosted_button_id=PW4TXKQCML8B8" target="_blank">add to cart</a></p>
<div class="postdesc"><em>Traducing Ruddle</em> is the fifth in a series of &#8220;fake&#8221; newspapers by Dutch artist Mark Manders. Using a nonsensical combination of English words, <em>Traducing Ruddle</em> creates a pretense of legibility that dissolves upon closer inspection. The newspaper is supplemented by <em>Two Connected Houses</em>, a 48 page insert developed in conjunction with the exhibition <em>Contemplating the Void: Interventions in the Guggenheim Museum</em>.</p>
<p>Sheets from Manders’ <em>Traducing Ruddle</em> form the central element of the artist’s Window with Fake Newspapers project, a site-specific public work on view through March 28th.</div>
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		<title>Some British Birds</title>
		<link>http://www.textfield.org/archive/some-british-birds/</link>
		<comments>http://www.textfield.org/archive/some-british-birds/#comments</comments>
		<pubDate>Wed, 03 Mar 2010 02:45:36 +0000</pubDate>
		<dc:creator>Textfield</dc:creator>
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		<guid isPermaLink="false">http://www.textfield.org/?p=3092</guid>
		<description><![CDATA[
Edwyn Collins, Some British Birds
Softcover, 72 pp., offset 1/1, 210 x 297 mm
Edition of 1000
ISBN 978-1-907071-07-2
Published by Mörel Books
$18.00 &#183; add to cart
Foreword by Edwyn Collins and Vivienne Gaskin. Illustrations of native British Birds by Collins, after suffering two cerebral hemorrhages.
]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.textfield.org/wp-content/uploads/morel-collins-some-british-birds.jpg" rel="shadowbox[post-3092];player=img;"><img src="http://www.textfield.org/wp-content/uploads/morel-collins-some-british-birds-533x380.jpg" alt="Edwyn Collins, Some British Birds" title="Edwyn Collins, Some British Birds" width="533" height="380" class="alignnone size-thumbnail wp-image-3093" /></a></p>
<p class="postbody"><strong>Edwyn Collins, <em>Some British Birds</em></strong><br />
Softcover, 72 pp., offset 1/1, 210 x 297 mm<br />
Edition of 1000<br />
ISBN 978-1-907071-07-2<br />
Published by Mörel Books</p>
<p>$18.00 &#183; <a href="https://www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&#038;hosted_button_id=935PQ76AMARSG" target="_blank">add to cart</a></p>
<div class="postdesc">Foreword by Edwyn Collins and Vivienne Gaskin. Illustrations of native British Birds by Collins, after suffering two cerebral hemorrhages.</div>
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